Sources for Artist Group The Meters
1975 1976 1977 1978 1979 1980 1983 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 SHNID | Artist | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|---|
170081 | Funky Meters | 2015-01-23 | Tipitina's | New Orleans | LA | |
Source: Core Sound HEB DPA 4061s > Bass Filter On > Sony PCM-M10 (24/48) Transfer: M10 > PC > Audacity (Leveler Mod -30) > CD Wave > TLH > Torrent Recorded about 5 heads back in the center | ||||||
170082 | Funky Meters | 2015-02-27 | Concord Music Hall | Chicago | IL | |
Source: Gefell M21s > Nbob actives > Aerco MP-2 > Sony PCM-M10 (24/96) Transfer: M10 > Wavelab 7 > CD Wave > Traders Little Helper > foobar2000 > TLH (ffp, md5) Taper: Dave Lewis | ||||||
170085 | Funky Meters | 2015-04-18 | Brooklyn Bowl | Brooklyn | NY | |
Source 1: Schoeps cmc622xt (On Stage, Split 15') -> Neve Portico 5012 -> Sound Devices 788T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96); Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades, 96->44.1 iZotope 64-Bit SRC w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither w/ Ultra/High settings) -> CDWav -> FLAC Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello | ||||||
170086 | Funky Meters | 2015-04-18 | Brooklyn Bowl | Brooklyn | NY | |
Neumann TLM-170(hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings, clap scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.7 | ||||||
170150 | Funky Meters | 2015-04-18 | Brooklyn Bowl | Brooklyn | NY | |
Neumann TLM-170(hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.8.7 | ||||||
170151 | Funky Meters | 2015-04-18 | Brooklyn Bowl | Brooklyn | NY | |
Source 1: Schoeps cmc622xt (On Stage, Split 15') -> Neve Portico 5012 -> Sound Devices 788T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 788T (via XLR, @24/96); Transfer: WAVs -> SoundForge Pro 11.0 (Time Align) -> Vegas Pro 13.0 (mix/render) -> SoundForge Pro 11.0 (normalize, fades) -> CDWav -> FLAC Recorded, mixed, mastered, tracked and encoded by Eric McRoberts 04/19/2015 - On Stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Peter Costello | ||||||
170116 | The Meter Men | 2015-04-25 | Joy Theatre | New Orleans | LA | |
Source: Schoeps MK5's > active cables > Nbox > Edirol R-05 @ 24/48. Recorded FOB/DFC.
Transfer: Sandisk 16GB SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > Trader's Little Helper > FLAC16. Recorded and transferred by perks. | ||||||
170087 | Funky Meters | 2015-05-01 | Tipitina's | New Orleans | LA | |
Source: Core Sound HEBs (dpa 4061s) > C.S. Battery Box (Bass Filter Off) > Sony PCM-M10 (@24/48) (7 heads from stage, center) Transfer: PC > Audacity (Edits, Fades, Bass Reduced 2db, Tracking, > 16/44 WAV) > T.L.H. (FLAC 8, FFP) > Torrent | ||||||
170088 | Funky Meters | 2015-05-16 | Pisgah Brewery | Black Mountain | NC | |
Source: Gefell M200 NOS FOB>Aerco MP2>Tascam DR2d 24bit 48000khz Lineage: SD>Audacity (Leveles downsample to 16bit)>CDWave>TLH Taped and Uploaded by Hypnocracy | ||||||
170089 | Funky Meters | 2015-10-17 | Crescent City Blues & BBQ Festival | New Orleans | LA | |
Source: Core Sound HEBs DPA 4061 > Bass Filter On > Sony PCM-M10 (24/48) Transfer: M10 > PC > Audacity (Amplify & Leveler) > CD Wave > Trader's Little Helper > Torrent Recorded about 8 heads back in the center |