Sources for Artist Group Bob Weir
unknown 1971 1972 1978 1979 1980 1981 1982 1983 1984 1985 1986 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2016 2017 2018 2019 2020 2021 2022 2023 2024
SHNIDArtistDateVenueCityStateArchive Identifier
166539Bob Weir & Rob Wasserman1989-05-19Irvine Meadows AmphitheatreIrvineCA
Flac16
FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass
Recorded By John Lech
Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr
147758Bob Weir & Rob Wasserman1989-05-19Irvine Meadows AmphitheatreIrvineCA
Digital Ambient recording FOB/DFC sec 2, row G "impact zone" Sennheiser MKE 2002 binaural microphone system > TCD-D10 -20db attenuation H.R.T.F quasi-binaural / mics in hair over ears mastered live by Mike French.
158534Bob Weir & Rob Wasserman1989-05-19Irvine Meadows AmphitheatreIrvineCA
Flac16
AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
JEMS 2022 Transfer: Mike Millard First-Generation Cassette > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC
123087Bob Weir & Rob Wasserman1989-05-20Open Air TheatreSan DiegoCA
Flac1644
nak 300 > marantz pmd430 taped by Phil Lowe
nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac
tranferred & seeded by Rob Berger Dec. 2012
150963Bob Weir & Rob Wasserman1989-05-22Universal AmphitheatreUniversal CityCA
flac2448 AUD of unknown lineage
133567Bob Weir & Rob Wasserman1989-09-02Merriweather Post PavilionColumbiaMD
Source: Unknown Audience Cassette>Cool Edit Pro>FLAC16
141699Bob Weir & Rob Wasserman1989-09-02Merriweather Post PavilionColumbiaMD
flac 1648; Schoeps CMC 42s > Panasonic SV-255 > Denon R90-DT DAT Master 110 degrees ORTF DAT archived and transferred by Stuccoholmes DAT-> Sony R-500-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1 Edited and Mastered by Jamie Waddell Tracked, Packed and Flac'd by John Wenzel
142713Bob Weir & Rob Wasserman1989-09-02Merriweather Post PavilionColumbiaMD
FOB Schoeps CMC34 @ 110 degrees ORTF > DAT (Panasonic SV-250) > DAT clone of the Mattes Master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
129937Bob Weir & Rob Wasserman1989-09-03The SpectrumPhiladelphiaPA
Flac16
Unknown Audience Recording received in trade from David Perry for use in a Brokedown House video (patched & timing corrected) > CDWAVE > TLH > Tag&Name
105609Bob Weir & Rob Wasserman1989-09-05Hartford Civic CenterHartfordCT
Source: FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> > Nak DR-10 (Playback)>Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT)
155445Bob Weir & Rob Wasserman1989-09-05Hartford Civic CenterHartfordCT
Shn files
FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> >Nak DR-10
(Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)> SHNv3 (MKW ACT)
Taper: John Bulger
Digital Conversion/shn'ed by Charlie Connor 5/22/2004
Although from the same root as 105609 (2010), This appears to be an earlier conversion.
83491Bob Weir & Rob Wasserman1989-09-06Nassau Veterans Memorial ColiseumUniondaleNY
(FOB) Sennheiser Audio 2000 Mic setup > Cm > Cass > Midiman Flying Cow A/D > RME Digi96/8 > WaveLab > Shn
Taped by John Bulger, Transfer by Charlie Connor
108252Bob Weir & Rob Wasserman1989-09-09Great Woods Center for the Performing ArtsMansfieldMA
Unknown Mics > Cm > Mr-1 > Korg MR1000 > Flac
152017Bob Weir & Rob Wasserman1989-09-09Great Woods Center for the Performing ArtsMansfieldMA
flac2496; Lineage:Master Audience Cassette-Maxell MX-90 (Mics/Deck Unk-Most likely Nak300/Sony D5 or D6) Transfer:Nakamichi MR-1>Dolby-B>Korg MR 1000 @ 1 Bit/5.6MHz Editing/sample conversion with AudioGate soft ware to 24/96
83795Bob Weir & Rob Wasserman1989-09-10Great Woods Center For The Performing ArtsMansfieldMA
SBD > Cm > Sony PCM-R500 > S/PIDF > Audiophile 2496 > Sound Forge > CDWav > Flac
137904Bob Weir & Rob Wasserman1989-09-10Great Woods Center For The Performing ArtsMansfieldMA
flac16; Sennheiser 421 > Sony D6 > MC > Sony TC-WE 405 > Line Out > MacBook Pro > Adobe Audition > Flac > xACT 2.38 Recorded By John Rivers (Royal Flush Recordings) Mastered By Scott Medeiros
135986Bob Weir1989-09-13Sea Shore Performing Arts CenterOrchard BeachME
aud cassette master, senn 441's>sony d5, taped by Doug Lamarre, transfer/seeded by Rob Berger
99058Bob Weir & Rob Wasserman1989-09-15Alpine Valley Music TheatreEast TroyWI
Taper: Greg Holtz
Source: Nakamichi CM-100s CP-1 Omni caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
84362Bob Weir & Rob Wasserman1989-09-15Alpine Valley Music TheatreEast TroyWI
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
158666Bob Weir & Rob Wasserman1989-09-15Alpine Valley Music TheatreEast TroyWI
Flac16 This shnid is Only Disc 1
Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430
Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array
Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro
Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8)
Recorded By: Ted C. & Nat F. Upped: By Ted C.
84361Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
92471Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Tascam PE-120 mics (uni-directional) > Cm > Transfered w/ a Parasound D/HX-600 > AudiophileUSB @ 44/16 > Cool Edit Pro 2000 > CDWav > Flac
99059Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Taper: Greg Holtz
Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
117638Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
flac24;Master Audience Recorded By Mr. Darby; AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8); Renamed Tracks/Metadata Tagging Done With AudioGate Software By Keo
117639Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
flac16;Master Audience Recorded By Mr. Darby AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With AudioGate Software
118340Bob Weir & Rob Wasserman1989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Master audience recording by SJ Audio Technika 2-ATR-35 mikes>Sony PC-39>Sony WM-D6C> Maxell MX-90 minute tapes. Transfer: Master tapes>Harmon Kardon TD-302, heads aligned to tape> Zoom H2 wav recorder @16/44.1>SDHD>tracking and editing w/wavepad> flac and checksums w/traderslittlehelper
111500Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Neumann KM84i w/ RBox 16 Bit 48K. Panasonic SV250
Recorded from dead center in front of soundboard
Transferred by Nick C using Sony D7>Edirol R-44
105595Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
flac16;Recording Info:Unknown Mics -> Dat -> ? -> Cassette (Maxell XLII-S90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
132794Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Lineage: Quad Naks > TCD5M > Maxell Metal MX90/Dolby B > Nakimichi DR3 > Presonus Firebox > Mac Mini > Wavelab6 > 16/48 wav > CD Wav > xAct Flac16
149187Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
24 bit Source: 2 mini Nakamichi CM 700 cardioids > Sony TC-D5M > Cassette Masters - taped by Mark Severson
Taped from DFC, 602 back from stage. The mics were 30 feet apart, equidistant from DFC. Left was on hat, right was on pole.
Transfer: Cassette Masters > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz
Lineage: DSF 1-bit/5.6 MHz > DBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CDWave > Flac 24
edited and mastered SIRMick March 2020
158667Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Flac16
FOB; Aiwa CM-30 Stereo Cardioid >Sony WM-D6C Cassette Master >CDR >FLAC
XLIIS Cassette Master Transferred: Sony TC-D5M >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.35
Recorded / Transferred By Jeff Bowen, aka OldNeumanntapr
149186Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
16 bit Source: 2 mini Nakamichi CM 700 cardioids > Sony TC-D5M > Cassette Masters - taped by Mark Severson
Taped from DFC, 602 back from stage. The mics were 30 feet apart, equidistant from DFC. Left was on hat, right was on pole.
Transfer: Cassette Masters > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz
Lineage: DSF 1-bit/5.6 MHz > DBPpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > Wav 16/44.1 > CDWave > Flac 16
edited and mastered SIRMick March 2020
150920Bob Weir & Rob Wasserman1989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Source: Neumann KM84 (on 8" stand) > Sony D10 > Dat (48k) - from the collection of Stucco Transfer: Transfer: DAT > Sony PCM-R500-P > RME Fireface UC > HP Elitebook Laptop > Adobe Audition 3.0.1 > wav 16/48 Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > Flac 1648 edited and mastered SIRMick November 2020