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Live Concert Database
Sources for Bob Weir & Rob Wasserman
SHNIDDateVenueCityStateArchive Identifier
1665391989-05-19Irvine Meadows AmphitheatreIrvineCA
Flac16
FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass
Recorded By John Lech
Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr
1477581989-05-19Irvine Meadows AmphitheatreIrvineCA
Digital Ambient recording FOB/DFC sec 2, row G "impact zone" Sennheiser MKE 2002 binaural microphone system > TCD-D10 -20db attenuation H.R.T.F quasi-binaural / mics in hair over ears mastered live by Mike French.
1585341989-05-19Irvine Meadows AmphitheatreIrvineCA
Flac16
AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
JEMS 2022 Transfer: Mike Millard First-Generation Cassette > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC
1230871989-05-20Open Air TheatreSan DiegoCA
Flac1644
nak 300 > marantz pmd430 taped by Phil Lowe
nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac
tranferred & seeded by Rob Berger Dec. 2012
1509631989-05-22Universal AmphitheatreUniversal CityCA
flac2448 AUD of unknown lineage
1335671989-09-02Merriweather Post PavilionColumbiaMD
Source: Unknown Audience Cassette>Cool Edit Pro>FLAC16
1416991989-09-02Merriweather Post PavilionColumbiaMD
flac 1648; Schoeps CMC 42s > Panasonic SV-255 > Denon R90-DT DAT Master 110 degrees ORTF DAT archived and transferred by Stuccoholmes DAT-> Sony R-500-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1 Edited and Mastered by Jamie Waddell Tracked, Packed and Flac'd by John Wenzel
1427131989-09-02Merriweather Post PavilionColumbiaMD
FOB Schoeps CMC34 @ 110 degrees ORTF > DAT (Panasonic SV-250) > DAT clone of the Mattes Master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
1299371989-09-03The SpectrumPhiladelphiaPA
Flac16
Unknown Audience Recording received in trade from David Perry for use in a Brokedown House video (patched & timing corrected) > CDWAVE > TLH > Tag&Name
1056091989-09-05Hartford Civic CenterHartfordCT
Source: FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> > Nak DR-10 (Playback)>Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT)
1554451989-09-05Hartford Civic CenterHartfordCT
Shn files
FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> >Nak DR-10
(Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)> SHNv3 (MKW ACT)
Taper: John Bulger
Digital Conversion/shn'ed by Charlie Connor 5/22/2004
Although from the same root as 105609 (2010), This appears to be an earlier conversion.
834911989-09-06Nassau Veterans Memorial ColiseumUniondaleNY
(FOB) Sennheiser Audio 2000 Mic setup > Cm > Cass > Midiman Flying Cow A/D > RME Digi96/8 > WaveLab > Shn
Taped by John Bulger, Transfer by Charlie Connor
1082521989-09-09Great Woods Center for the Performing ArtsMansfieldMA
Unknown Mics > Cm > Mr-1 > Korg MR1000 > Flac
1520171989-09-09Great Woods Center for the Performing ArtsMansfieldMA
flac2496; Lineage:Master Audience Cassette-Maxell MX-90 (Mics/Deck Unk-Most likely Nak300/Sony D5 or D6) Transfer:Nakamichi MR-1>Dolby-B>Korg MR 1000 @ 1 Bit/5.6MHz Editing/sample conversion with AudioGate soft ware to 24/96
837951989-09-10Great Woods Center For The Performing ArtsMansfieldMA
SBD > Cm > Sony PCM-R500 > S/PIDF > Audiophile 2496 > Sound Forge > CDWav > Flac
1379041989-09-10Great Woods Center For The Performing ArtsMansfieldMA
flac16; Sennheiser 421 > Sony D6 > MC > Sony TC-WE 405 > Line Out > MacBook Pro > Adobe Audition > Flac > xACT 2.38 Recorded By John Rivers (Royal Flush Recordings) Mastered By Scott Medeiros
843621989-09-15Alpine Valley Music TheatreEast TroyWI
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
990581989-09-15Alpine Valley Music TheatreEast TroyWI
Taper: Greg Holtz
Source: Nakamichi CM-100s CP-1 Omni caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
1586661989-09-15Alpine Valley Music TheatreEast TroyWI
Flac16 This shnid is Only Disc 1
Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430
Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array
Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro
Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8)
Recorded By: Ted C. & Nat F. Upped: By Ted C.
843611989-09-16Poplar Creek Music TheatreHoffman EstatesIL
(FOB) Nakamichi CM100/CP1 > Cm > Behringer Ultra-DI Pro DI800 > Behringer Ultramizer Pro DSP-1424P > (2) Presonus EQ3B Parametric EQ's > Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: > Behringer Ultraflex Pro EX3200 > Presonus Blue Tube Pre-amp > BBE 882i > dbx 231 EQ > Behringer Ultramatch Pro SRC2496 > Apogee SPDIF > M-Audio 1010LT > Wavelab > TLH > Flac
Taped by Greg Holtz
924711989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Tascam PE-120 mics (uni-directional) > Cm > Transfered w/ a Parasound D/HX-600 > AudiophileUSB @ 44/16 > Cool Edit Pro 2000 > CDWav > Flac
990591989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Taper: Greg Holtz
Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C
Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
1176381989-09-16Poplar Creek Music TheatreHoffman EstatesIL
flac24;Master Audience Recorded By Mr. Darby; AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8); Renamed Tracks/Metadata Tagging Done With AudioGate Software By Keo
1176391989-09-16Poplar Creek Music TheatreHoffman EstatesIL
flac16;Master Audience Recorded By Mr. Darby AKGC451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9v Phantoms>sony TC-D5M; Transfer Information:Tascam 112 MKII (XLR out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With AudioGate Software
1183401989-09-16Poplar Creek Music TheatreHoffman EstatesIL
Master audience recording by SJ Audio Technika 2-ATR-35 mikes>Sony PC-39>Sony WM-D6C> Maxell MX-90 minute tapes. Transfer: Master tapes>Harmon Kardon TD-302, heads aligned to tape> Zoom H2 wav recorder @16/44.1>SDHD>tracking and editing w/wavepad> flac and checksums w/traderslittlehelper
1115001989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Neumann KM84i w/ RBox 16 Bit 48K. Panasonic SV250
Recorded from dead center in front of soundboard
Transferred by Nick C using Sony D7>Edirol R-44
1055951989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
flac16;Recording Info:Unknown Mics -> Dat -> ? -> Cassette (Maxell XLII-S90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1327941989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Lineage: Quad Naks > TCD5M > Maxell Metal MX90/Dolby B > Nakimichi DR3 > Presonus Firebox > Mac Mini > Wavelab6 > 16/48 wav > CD Wav > xAct Flac16
1491871989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
24 bit Source: 2 mini Nakamichi CM 700 cardioids > Sony TC-D5M > Cassette Masters - taped by Mark Severson
Taped from DFC, 602 back from stage. The mics were 30 feet apart, equidistant from DFC. Left was on hat, right was on pole.
Transfer: Cassette Masters > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz
Lineage: DSF 1-bit/5.6 MHz > DBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CDWave > Flac 24
edited and mastered SIRMick March 2020
1491861989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
16 bit Source: 2 mini Nakamichi CM 700 cardioids > Sony TC-D5M > Cassette Masters - taped by Mark Severson
Taped from DFC, 602 back from stage. The mics were 30 feet apart, equidistant from DFC. Left was on hat, right was on pole.
Transfer: Cassette Masters > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz
Lineage: DSF 1-bit/5.6 MHz > DBPpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > Wav 16/44.1 > CDWave > Flac 16
edited and mastered SIRMick March 2020
1509201989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Source: Neumann KM84 (on 8" stand) > Sony D10 > Dat (48k) - from the collection of Stucco Transfer: Transfer: DAT > Sony PCM-R500-P > RME Fireface UC > HP Elitebook Laptop > Adobe Audition 3.0.1 > wav 16/48 Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > Flac 1648 edited and mastered SIRMick November 2020
1586671989-09-30Polo Field - Golden Gate ParkSan FranciscoCA
Flac16
FOB; Aiwa CM-30 Stereo Cardioid >Sony WM-D6C Cassette Master >CDR >FLAC
XLIIS Cassette Master Transferred: Sony TC-D5M >HHb CDR 800 PRO, CD Master >FLAC (Level 8) Via xACT 2.35
Recorded / Transferred By Jeff Bowen, aka OldNeumanntapr