Identifier | 7986839 |
Created At | Sat Nov 15 2008 16:03:02 GMT+0000 (Coordinated Universal Time) |
Media Type | flac |
Media Count | 3 |
Note | watch tech notes for source-info |
Tech Note | Dave Matthews and Tim Reynolds February 1, 1997 Eisenhower Hall (West Point Miliatary Academy) West Point, NY Source: DAUD (stealth) Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling & CDWAV used for tracking Louie Rendek <ljr7@po.cwru.edu> Disc One: 01: Intro 01:58.67 02: Lie In Our Graves 07:47.05 03: Crazy (Captain) 04:54.14 04: #41 05:48.44 05: Dancing Nancies 06:22.27 06: Lover Lay Down 04:59.64 07: neuticle story 01:41.27 08: Proudest Monkey -> 05:40.70 09: Satellite 06:22.61 10: Two Step 07:05.18 Total 52:41.12 Disc Two: 01: Stream # (cut) 04:37.65 02: crowd noise 00:38.22 03: So Much To Say 04:04.33 04: Let You Down 05:01.45 05: Jimi Thing 08:13.22(what will become of me) 06: Angel From Montgomery 05:48.69 07: Little Thing 04:35.57 08: I'll Back You Up 04:23.25 09: Too Much (fame) 05:22.42 10: Crash Into Me 05:44.74 Total 48:30.69 Disc Three 01: Minarets -> 06:08.07 02: Typical Situation 05:47.22 03: Tripping Billies 05:13.22 04: You Are My Sanity # 06:34.36 05: What Would You Say & 05:50.57 06: Say Goodbye & 06:56.38 07: #36 & 05:53.02 08: Ants Marching 05:59.19 09: E: Warehouse (passion) 10:03.13 Total 58:25.58 * entire show with Stefan Lesard on bass. # Tim solo. & with John Popper on harmonica. Notes: * The taper(s) had some serious issues during the beginning of this show. The intro and most of LIOG are full of many unpleasant sounds (basically moving the mics and stands around, but it is very loud and terrible sounding). Once you get into Crazy and #41, this recording is better. * The end of Stream is cut and the terrible sounds are back from the taper moving equipment around. Something was unplugged toward the end of stream to cause the cut. The terrible noises continue through SMTS and into Let You Down. A fade out/in was inserted in place of this cut. * Once Popper came on stage, the crowd went bezerk. From there on out, the placement of track breaks is very qualitative in nature, since it is tough to hear when a new song is started. Yes, it is that loud. I'm sure there is alot of clipping there too. * The encore break was not on the DAT, so a fade out/in was inserted. * compiled by Louie Rendek <ljr7@po.cwru.edu> on November 8, 2001. |
Trades Allowed |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
18469 | 1997-02-01 | Eisenhower Hall, U.S. Military Academy | West Point | NY | |
Source: DAUD (stealth)
Conversion: Archive Python DDS/dat2wav > .wav; no soundcard
Soundforge for resampling & CDWAV used for tracking
Louie Rendek |
Performance
Dave Matthews & Tim Reynolds 1997-02-01 Eisenhower Hall, U.S. Military Academy, West Point, NY | |
---|---|
Set 1 | Lie In Our Graves
Captain #41 Dancing Nancies Lover Lay Down Proudest Monkey Two Step Stream (Tim Solo) So Much To Say Let You Down Jimi Thing-> What Will Become of Me? Angel From Montgomery Little Thing I'll Back You Up Too Much (Fame, Golden Years) Crash Into Me Minarets (Tomorrow Never Knows)-> Typical Situation Nature->Tripping Billies You Are My Sanity (Tim Solo) What Would You Say? ^ Say Goodbye ^ #36 ^ Ants Marching -Encore- Warehouse (Passion) |
Set 2 | |
Set 3 | |
Comment | Entire set with Stefan Lessard on acoustic bass guitar
^ w/ John Popper |