Sources for Billy Martin (illy B)

SHNIDDateVenueCityStateArchive Identifier
1117672011-01-29Boom Boom RoomSan FranciscoCA
Billy Martin & Wil Blades Duo; flac16; Source: downstage right SoundField ST350 (horizontal b-format) > Tascam DR-680 (line) + ORTF Neumann KM-140 on Leslie top vent > Lunatec V2 > Tascam DR-680 (line) + Neumann TLM-102 on Leslie bottom vent > Tascam DR-680 (line); Transfer: processed/mixed in Reaper 3.75; ST350 > Ambisonic Studio B2X 2009-05-15 (hyperish @ 100°); top Leslie > sample delay > Sonalksis SV-315mk2 compressor; bottom Leslie > sample delay > Sonnox Oxford EQ > Sonalksis SV-315mk2 compressor SRC/dither in SoX 14.3.1
1145522011-05-11Sullivan HallNew YorkNY
Wicked Knee (side project); flac16; Source: Neumann TLM-170 (cardoid, FOB center sweet spot 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (Volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal); Tracked in CDWav.
1145532011-05-11Sullivan HallNew YorkNY
Wicked Knee (side project); flac24; Source: Neumann TLM-170 (cardoid, FOB center sweet spot 15' from stage) -> Sound Devices 722 (@24/96); Tracked in CDWav
1160352011-05-12Club HelsinkiHudsonNY
Wicked Knee (side project); flac16; Source: Schoeps cmc62(omni, stage) + SBD>SD 744t>firewire> WAV>Sound Forge 10.0(Balance, PD&Norm, Mix)>WAV
1175392011-12-01Le Poisson RougeNew YorkNY
Wicked Knee (side project); flac16; Source: Neumann TLM170s (cardioids, 10', center in sweet spot in room) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0c (resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. [Seeded with preceding Mago set.]
1175762011-12-02Helsinki HudsonHudsonNY
Wicked Knee (side project); flac16; Source: Neumann TLM170s (cardioids, 14', center in sweet spot in room, on short kick drum stand taped to 'second balcony up', basically same height as PA, around 25-30' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0c (resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.
1176242011-12-11Cozmic PizzaEugeneOR
Billy Martin & Wil Blades Duo; flac16; Source: Schoeps MK4/CMC6 > Grace Design Lunatec V2 > Tascam HD-P2 (24/48) Transfer: Sound Forge 8 (trims/volume) > WaveLab 5 (UV22HR) > CD WAVE > FLAC; notes: mics on stage XY approx. 4ft high - van den Hul Integration Hybrid mic cables/van den Hul 1st Ultimate IC cables
1177322011-12-16Boom Boom RoomSan FranciscoCA
Billy Martin & Wil Blades Duo; flac16; Source: downstage SoundField ST350 > Tascam DR-680 + ORTF Neumann KM-140 (top leslie) > Lunatec V3 > DR-680 (spdif) Neumann TLM-102 (bottom leslie / clavinet > DR-680 (line); Transfer: ST350 > Ambisonic Studio 2009-05-15 (cardioids @ 90-degrees) KM-140 > sample-delay > Oxford EQ (HPF) > SV215mk2 comp TLM-102 > sample-delay > Oxford EQ (HPF) mixdown > Oxford EQ (HPF) > Oxford Limiter > 192-pt SINC SRC > dither in Reaper 4.13