Sources for Wilco

SHNIDDateVenueCityStateArchive Identifier
1203312012-01-19Fillmore AuditoriumDenverCO
Source: Neumann AK40 > LC3KA > KM100 (FOB ORTF) > 744T @ 24 bit/48 khz Transfer: 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16
1203322012-01-21Grady Gammage Auditorium - Arizona State Univ.TempeAZ
Source: Studio Projects C4s (hyper-cardioids) > Segue Dogstar XLRs > Fostex FR-2LE (24bit/44.1khz) Transfer: CF Card > .bwf > Audacity (gain/fades/dither) > CDWave > .wav > .flac
1302032012-01-21Grady Gammage Auditorium - Arizona State Univ.TempeAZ
DPA 4022's (ortfish)>Oade m148>Oade warm mod Maramtz 661 @ 24/48 slightly ROC, 60 ft from stage @ 6ft cool edit pro>cdwave editor>flac16
1185492012-01-25Wiltern TheaterLos AngelesCA
*FLAC16* Telefunken Ela 260's(Vacum Tube Microphones)(Hyper Card Cap's)- Grace V3(digital out)-Marantz PMD-661; Recorded By Todd Hudiluk; Mastered and Posted by Pat Myers.
1203132012-01-29Warfield TheaterSan FranciscoCA
Source: (front row balcony) Schoeps mk4>kc5>cmc6>Lunatec V2>Sound Devices 722 (24/48)>Wavelab (uv22hr/44.1)>CDWave Editor>FLAC
1203142012-01-31Fox TheaterOaklandCA
Source: (fob) Schoeps mk4>kc5>cmc6>Lunatec V2>Sound Devices 722 (24/48)>Wavelab (uv22hr/44.1)>CDWave Editor>FLAC
1187572012-02-03Hult CenterEugeneOR
Source: Schoeps MK4/CMC6 > Grace Design Lunatec V2 > Apogee Mini-Me (24/48) > Tascam HD-P2
Transfer: SF8 (volume/fades) > WaveLab (resample/UV22HR) CD WAVE > FLAC
1187072012-02-03Hult CenterEugeneOR
Busman BSC-2 K11 > Naiant littlebox > Tascam DR-40 > Audacity (Tracking) > Flac16
1203122012-02-05Orpheum TheatreVancouverBC
Source: CA-14 Cardioids > CA-9100 > Zoom H4n (XLR inputs) @ 24 bit/48 kHz Transfer: .WAV > Audacity 1.3.14-beta (fades, gain, tracking, downsampling) > Trader's Little Helper v.2.7.0 build 172
1203102012-02-07Paramount TheaterSeattleWA
ony PCM-D50 Built In Mics at soundboard, 8 ft up, Transfer: iZotope SRC at High, Mbit+ Dither at Ultra, Tracked and exported to FLAC 16 using Wave Editor (Macintosh Based)
1203112012-02-07Paramount TheaterSeattleWA
flac24;Source: Sony PCM-D50 Built In Mics at soundboard, 8 ft up, Transfer: Tracked and exported to FLAC using Wave Editor (Macintosh Based)
1187922012-02-08Arlene Schnitzer Concert HallPortlandOR
Busman Audio BSC-2 K11 > Naiant littlebox > Tascam DR-40 24/48 > Audacity (Tracking) > Flac16
1243572012-03-08AlcatrazMilanItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
1291262012-06-23Red RocksMorrisonCO
Source: Neumann AK40 > LC3KA > KM100 (DFC behind SBD ORTF) > 744T @ 24 bit/48 khz Transfer: 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16
1297412012-06-28Big Sky Brewing AmphitheaterMissoulaMT
Source: AKG 460 ck61 mics (fob, dfc, ortf) > Lunatec V2 > Edirol R44-OCM (44.1kHz) > CDR
1296892012-07-01Bayfront Festival ParkDuluthMN
Source: Schoeps MK4(DIN)>KCY>Tinybox(output transformers)>Sony PCM-M10 @24/48 Location: FOB, Slightly LOC, 10' up Lineage: M10>USB>PC>Wavelab6>CDwave>TLH
1375292012-07-07Grandview ParkSioux CityIA
AKG C460B/a60/ck1s (DIN/DFC/10ft High) >
Naiant Littlebox > Sony PCM-M10 @24/48 >
Amadeus Pro (tracking, fades, FLAC8 )
1316452012-07-08Fifth Third Bank BallparkGenevaIL
AKG 481 (fob) > V3 > Marantz PMD661 (16/44.1)
1312952012-07-27Newport Folk FestivalNewportRI
Schoeps CMC64> Lunatec V2> Benchmark AD2K (88.2/24bit)> Tascam HD-P2
1215192012-08-01Bushnell TheaterHartfordCT
FOB Orch Sec D Row R 6' Right of DFC 6'high CA-11>Sony PCM-M10(24/48) Sony PCM-M10>USB>Soundforge 9.0(16/44)>CDWav>FLAC (Level 8)
1216232012-08-01Bushnell TheaterHartfordCT
Source: Set 1 Tracks 1 - 18: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Tascam HS-P82 (24bit 96Khz) Set 1 Track 19: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 48Khz) Encores: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 96Khz) Source Notes: - Tascam HS-P82 shutdown during "Shot" at very end of first set - patched in rest as noted above Transfer: - Tascam HS-P82 > USB > MacBook Pro - Sony PCM-M10 > USB > MacBook Pro Mastering: - Wavelab 7.2.1 (600) for OSX - track splitting and FLAC encoding - xACT 2.2.0 (5494) - FLAC Tagging Taped, transferred, and mastered by Richard Campbell
1216222012-08-01Bushnell TheaterHartfordCT
Source: Set 1 Tracks 1 - 18: - TS DFC Telefunken m262 (75 deg, 6' high) > Tascam HS-P82 (24bit 96Khz) Set 1 Track 19: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 48Khz) Encores: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 96Khz) Source Notes: - Tascam HS-P82 shutdown during "Shot" at very end of first set - patched in rest as noted above Transfer: - Tascam HS-P82 > USB > MacBook Pro - Sony PCM-M10 > USB > MacBook Pro Mastering: - Wavelab 7.2.1 (600) for OSX - track splitting and FLAC encoding - xACT 2.2.0 (5494) - FLAC Tagging Taped, Transferred, and Mastered by Richard Campbell
1218202012-08-03Highland BowlRochesterNY
AUD > RØDE NT5 (ORTF stereo pair 7' high) > Pro Co BPBQXF10 > M-Audio MicroTrack 24/96 > WAV (16bit/44.1kHz)
1216102012-08-04LC PavilionColumbusOH
SOURCE 1: Schoeps MK21 Subcard (NOS - 30cm @ 90 degrees, 12' tall ) > KC5 > CMC6 > Tascam DR-680 @ 24/96 FOB DFC back of the floor. SOURCE 2: DPA 4021s (XY 12' tall) > EAA-PSP2 > Tascam DR-680 @ 24/96 FOB DFC back of the floor. MIX: The 2 mic sources were run right on top of each other on the same stand into the same DR-680, mixed in post. Mix is about 50/50 Schoeps & DPAs. LINEAGE: Tascam DR-680 > Computer hard drive > Samplitude 11 (mix, fades, EQ with EQ116, light peak limiting with sMax11, normalize, resample & dither to 16/44.1) > CD Wave (Track) > Traders Little Helper (flac level 6) > Foobar 2000 (tags).
1295392012-09-16The Blue NoteColumbiaMO
Source: AKG C480B / CK61-ULS's (DIN) > Naiant Littlebox > Sony PCM-M10 (16/44.1) Location: FOH (in SBD cage), ~3' LOC, ~50' from stage, ~8' high Transfer: PCM-M10 > USB > Audacity 1.3.13-beta (fades, normalize, amplify, splits) > WAV > FLAC Frontend 1.7 (Level 5) + FLAC 1.2.1 > FLAC
1228822012-09-21Greek TheaterBerkeleyCA
AK40 >> LC3 >> KM100 >> R-44 (Oade CM) >> WAV (24bit/44.1KHz); Adobe Audition 3.0 >> Ozone 4 VST >> multiband exciter >> loudness maximizer >> dither to 16 bit (MBIT+ algorithm) >> FLAC conversion with TLH
1301002012-09-22Greek TheaterBerkeleyCA
Source: (ortf) Schoeps mk4>Lunatec V2>Sound Devices 722 (24/48)>Wavelab>CD Wave Editor>FLAC
1243582012-10-10Teatro GeoxPadovaItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
1243592012-10-12Teatro della Concordia di VenariaTurinItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
1226842012-10-22TheaterhausStuttgartGermany
Source: MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config: A-B Location: ~20m from the stage, FoB, center Transfer: Master WAVs > dEdit > FLAC V1.2.1 Editing: Volume boost in Apple Logic Pro V9.1.4; Fades in Audiofile Engineering Wave Editor V1.5.4 Resampling: 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC Dithering: MBIT+ Format: 16 bit / 44.1 kHz
1226852012-10-22TheaterhausStuttgartGermany
flac24;Source: MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config: A-B Location: ~20m from the stage, FoB, center Transfer: Master WAVs > dEdit > FLAC V1.2.1 Editing: Volume boost in Apple Logic Pro V9.1.4, Fades in Audiofile Engineering Wave Editor V1.5.4 Format: 24 bit / 48 kHz