LCDB: Sources for Dave Matthews & Tim Reynolds

Sources for Dave Matthews & Tim Reynolds

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SHNID	Date	Venue	City	State
16272	2003-03-19	Oakdale Theatre	Wallingford	CT
Taper: Hayden Berard (DMBHDB@hotmail.com) Source: AKG 480/ck61 > Sound Devices MP2 > ADC-20 > D8 @44.1(Lower Orch B Row N Seat 7,8 13ft AB) Conversion: D8 (oade) > Audiowerk2 > CDWAV > MKW (seek files appended)
16274	2003-03-19	Oakdale Theatre	Wallingford	CT
Taper: Eric Naylor Source: AKG 480/ck63 > Lunatec V3 > Tascam DA-P1 Setup: 13th row, left stack, 15' stand, A-B mics Conversion: Tascam DA-20mkII > Audiophile 2496
16275	2003-03-19	Oakdale Theatre	Wallingford	CT
Taper: Chris Jones Source: DPA 4011 > DPA AO0182 XLR > Grace Designs Lunatec V3 (@ 44.1/ANSR) > Pro Digital/Sony 7-pin S/PDIF Cable > Sony TCD-D7 (@ 44.1) Location: Lower Orchestra Section B Row O Seat 8; mics A-B aligned with stageleft stack; stand at 16' DAT > .shn: Sony TCD-D7 > Pro Digital/Sony 7-pin S/PDIF Cable > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to TCD-D7 @ 44.1) > Apple Power Mac G4/MP800/512 > MOTU DP 3.11 > shntool 1.2.0-rc1
16280	2003-03-19	Oakdale Theatre	Wallingford	CT
Taper: Scott Brown Source: Schoeps M222/MK4 > Elvo NT222DC (Tube Direct) > Audio Magic Sorcerer XLRs > Lunatec V3 @ 16/44.1 > Sony D8 ORC A, row C, seat 1. DAT > SHN: Tascam DA-20mkii > Emagic EMI 2\|6 > Apple PowerBookG4 > Sound Studio 2.0.7 > shntool 1.2.1 > shorten 3.5.1 > shn
17515	2003-03-19	Oakdale Theatre	Wallingford	CT
Recording by Matt DeNardo Source: Earthworks SR77s (AB) > Metric Halo Mobile I/O 2882 > Firewire > Powerbook G3 400 Pismo running OS 9.2.2 > MOTU Digital Performer 3.02 (24/48) Location: Orchestra Section A, Row G, Seats 1-2, stand at 12 feet File converted from SDII to AIFF with Peak 2.62. FTP transfer from Mac > PC using local ethernet, resampled to 44.1 kHz and dithered to 16-bit using UV22HR in WaveLab 4.0g, tracks split using CDWAV and compressed with FLAC frontend level 8, converted to SHN using shntool
16276	2003-03-20	Ryan Center - University of Rhode Island	Kingston	RI
Taper: Chris Jones Source: DPA 4011 > DPA AO0182 XLR > Grace Designs Lunatec V3 (@ 44.1/ANSR) > Canare DA-206 AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to V3 clock @ 44.1) > Apple iBook G3/600/640 > MOTU DP 3.11 (@ 16/44.1) Location: Section 211 Row B Seat 18; mics A-B, ~ 35 feet from stageleft sidestack, stand at 16' HD > .shn: Apple iBook G3/600/640 > Apple Power Mac G4/MP800/512 > MOTU DP 3.11 > shntool 1.2.0-rc1
16281	2003-03-20	Ryan Center - University of Rhode Island	Kingston	RI
Taper: Eric Dahlgren (eric_dahlgren@yahoo.com) Source: Schoeps cmc6/mk4 > Lunatec V2 > RME/Nuendo Multiset > Wavelab (24 bit/44.1 kHz) Location: Section 211, Row B, Seat 19, Stage left stack, Stand @ 17' Dithering: Apogee UV22HR
17517	2003-03-20	Ryan Center - University of Rhode Island	Kingston	RI
Taper: Steve Schatteman Source: Earthworks z30x > Apogee MiniMe > AudioMagic Sceptor II > Sony TCD-D8 Location: Section A Row 2 Seat 1 DAT > CD > SHN: Tascam DA-20mkii > Audiophile2496 > Wavelab 4.0
16279	2003-03-22	Radio City Music Hall	New York	NY
Taper: Duncan Byrd Source: Neumann KM184 > Apogee MiniMe @ 16 bit 44.1khz > Apple Powerbook G4 > Coaster > Peak LE 3.0 Conversion: Peak LE V. 3.0> CDWav(PC)>SHorten Location: Orch 1 Row TT Seat 109
16284	2003-03-22	Radio City Music Hall	New York	NY
Taper: Ryan Hoyt Equipment: AT853s > Batt Box > Canare XLRs > Zefiro Inbox @ 44.1 > Sony D100 Location: Orch5, Row KK, Seat 512 DAT > SHN: D100 > Edirol UA-3 > CDWave > SHNtool
23827	2003-03-22	Radio City Music Hall	New York	NY
Source: MK4 > KCy I > VMS 02 IB > SBM1 > D100 Location: 3rd Mezzaine Row BB Seat 701/3 on the railing Conversion: Sony PCM-R300 > Zoltrix Pro > SoundForge
16277	2003-03-23	Eisenhower Hall, U.S. Military Academy	West Point	NY
Taper: Scott Brown Source: DPA (B&K) 4022s (in hat) > Sound Devices MP-2 > Sony D100 Orchestra Row B, left stack DAT > SHN: Tascam DA-20mkii > Emagic EMI 2\|6 > Apple PowerBookG4 > Sound Studio 2.0.7 > shntool 1.2.0-rc1 > shn
17518	2003-03-23	Eisenhower Hall, U.S. Military Academy	West Point	NY
Taper: Greg M http://www.tikcuf.com/contact Source: Core Sound Cardiod > D100 (stealth) Orchestra Center Row M Seat 6 Conversion: Greg M http://www.tikcuf.com/contact Conversion: Sony PCMR300 > Coax > Zoltrix Nightingale PRO 6 > Sound Forge 5.0 > CD WAV > MKW
16278	2003-03-25	John M. Belk Arena, Davidson College	Davidson	NC
Taper: George Wang & Jeff Fulton Source: DPA 4022 > Lunatec V3 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 > USB > Wavelab 4.0 > Sony Vaio PCG-SRX87 Location: Sec. 002 Row B Seat 18, 2nd row left stage stack
16282	2003-03-25	John M. Belk Arena, Davidson College	Davidson	NC
Taper: George Wang & Jeff Fulton Source: DPA 4022 > Lunatec V3 @ 16/44.1 Location: Sec. 002 Row B Seat 18, 2nd row left stage stack DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
35261	2003-03-25	John M. Belk Arena, Davidson College	Davidson	NC
Taper: George Wang & Jeff Fulton Source: DPA 4022 > Lunatec V3 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 Location: Sec. 002 Row B Seat 18, 2nd row left stage stack DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
107909	2003-03-25	John M. Belk Arena, Davidson College	Davidson	NC
Taper: Andrew Gresko Source: MG M300's -> W-MOD UA-5 -> M1 Location: Section 2, Row A, Seats 5&6 XY, Head high, ~6 ft. from Stage Monitor
16283	2003-03-26	Constant Convocation Center	Norfolk	VA
Taper: John Kelly (john@countrymonkee.org) Source: at933s (hypers) > battery box > emi 2\|6 > iBook 700 > Coaster 1.1.3 Location: Section 5 row B seats 7&8 (DFC) 6' XY 80, each mic pointed at a stack AIF>SHN: Sound Studio 2.0.7 > shntool 1.2.0
17519	2003-03-26	Constant Convocation Center	Norfolk	VA
Tapers: Duncan Byrd and Ron Powell Source: Neumann KM184 > Apogee MiniMe @ 16 bit 44.1khz > Apple Powerbook G4 > Coaster > Peak LE 3.0 Location: Sec. 104, Row V, Seats 1 & 2 Conversion: Apple Powerbook G4 > Peak LE 3.0 > CDWav (PC) > shorten
17539	2003-03-26	Constant Convocation Center	Norfolk	VA
Taper: Craig Willoughby Source: Neumann SKM140 (ab) > Grace Designs V3 (16 bit ANSI, 44.1 mhz) > Sony M1 Floor 2 Row A, just left of center, 8 feet from stage/monitors DAT > SHN: Sony M-1 > Emagic EMI 2\|6 > Apple iBook > Sound Studio 2.0.7 > shn
17232	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: Scott Brown Source: DPA (B&K) 4022s > Apogee Minime > Apple PowerBookG4 > Spark ME 2.7 @ 24/48 > Peak 3.2 * > shntool 1.2.0-rc1 > shn Right of stage, 6 inches from speaker on the stage corner *Resampled at highest quality, dithered to 16 bit using the POWr-3 curve
17242	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: George Wang Source: DPA 4022 > Lunatec V3 @ 16/44.1 Location: Orch Row P Seat 30, right stage stack DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
17251	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: George Wang Source: DPA 4022 > Lunatec V3 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 Location: Orch Row P Seat 30, right stage stack DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
17520	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: Greg M http://www.tikcuf.com/contact Source: Schoeps MK4 > KC 250/0 I > VMS 02 IB > Excalibur BNC>RCA > SMB1 > D100 6" from the stage left side PA clamped on DOT's Stand @ ~5' Conversion: Greg M http://www.tikcuf.com/contact Conversion: Sony PCMR300 > Coax > Zoltrix Nightingale PRO 6 > Sound Forge 5.0 > CD WAV > MKW
17525	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: Chris Maler Source: Schoeps CMC5 (modified)/MK41 > Lunatec V2 > Apogee Mini-Me > Sony D8 * Modifications on CMC5 Amplifier Bodies: Mylar coupling capacitors changed to Wima MKP 2 polypropylene film capacitors Faster JFET (J305) (fet bias also trimmed to match mics) European BC transistors switched to Hitachi bipolar transistors (2SA1085) Modifications performed in an effort to open up transient detail and microharmonics, while reducing the top end spit from the European transistors. The mids are smoother. The new JFET is a very fast rf device optimized for low noise at high impedance. Location: Section 101, Row D, Seats 1+2 Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 6.0 > CD Wave > MKWact
17534	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Source: Schoeps MK4Vs->KCY actives->Schoeps VMS5U->Sony SBM-1->Sony PCM-M1 Location: 7" from side fill monitors Conversion: Sony M1->SGI Octane coax->SGI Sound Editor-> NFS mount(linux)->shn
30408	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
FLAC24/48:Taper: Scott Brown Source: DPA (B&K) 4022s > Apogee Minime > Apple PowerBookG4 > Spark ME 2.7 @ 24/48 > Peak 3.2 > flac Right of stage, 6 inches from speaker on the stage corner
107910	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Tapers: Ron Powell and Duncan Byrd Source: Neumann KM184 > Apogee MiniMe @ 16 bit 44.1khz > Apple Powerbook G4 > Coaster > Peak LE 3.0 Location: Sec. 124, Row 1, Seat 1
110354	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
FLAC24 Taper: Scott Brown Source: DPA (B&K) 4022s > Apogee Minime > Apple PowerBookG4 > Spark ME 2.7 @ 24/48 > Peak 3.2 > flac Location: Right of stage, 6 inches from speaker on the stage corner
110355	2003-03-28	LJVM Coliseum Theatre	Winston-Salem	NC
Taper: Scott Brown Source: DPA (B&K) 4022s > Apogee Minime > Apple PowerBookG4 > Spark ME 2.7 @ 24/48 > Peak 3.2 > shntool 1.2.0-rc1 > shn Location: Right of stage, 6 inches from speaker on the stage corner
17233	2003-03-29	Holmes Center	Boone	NC
Taper: Scott Brown Source: DPA (B&K) 4022s > Apogee Minime @16/48 > Sony D8 DAT > SHN: Sony D100 > Emagic EMI 2\|6 > Sound Studio 2.0.7 > Peak 3.2 (resample, tracks) > shntool 1.2.0-rc1 > shn 6 inches from speaker on the stage left corner DO NOT ENCODE TO MP3 OR OTHER LOSSY FORMATS
17243	2003-03-29	Holmes Center	Boone	NC
Taper: George Wang Source: DPA 4022 > Lunatec V3 @ 16/44.1 Location: Stage Left Stage Speaker DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
17252	2003-03-29	Holmes Center	Boone	NC
Taper: George Wang Source: DPA 4022 > Lunatec V3 > Apogee Mini-Me @ 16/44.1 Location: Stage Left Stage Speaker DAT > SHN: Tascam DA-P1 > Emagic Audiowerk2 > Dell Dimension 8200 > Soundforge v4.5 > mkwACT 0.97 Beta 1
17253	2003-03-29	Holmes Center	Boone	NC
Taper: Mike Vernal Location: Stage Right Monitors Source: Neumann km140s > Lunatec V2 > Apogee MiniMe > iBook G3/700 > shntool
17526	2003-03-29	Holmes Center	Boone	NC
Taper: Chris Maler Source: Schoeps CMC5 (modified)/MK41 > Apogee Mini-Me > Sony D8 * Modifications on CMC5 Amplifier Bodies: Mylar coupling capacitors changed to Wima MKP 2 polypropylene film capacitors Faster JFET (J305) (fet bias also trimmed to match mics) European BC transistors switched to Hitachi bipolar transistors (2SA1085) Modifications performed in an effort to open up transient detail and microharmonics, while reducing the top end spit from the European transistors. The mids are smoother. The new JFET is a very fast rf device optimized for low noise at high impedance. Location: Section 4 Lower, Row I, Seats 9+10 Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 6.0 > CD Wave > MKWact
17536	2003-03-29	Holmes Center	Boone	NC
Taper: Jeff Fulton Source: AKG ck61 (cardiod caps) > Active Cables > JK LABS DVC > Apogee Minime > M1 @ 16 bit/44.1 Location: Section 17, Row A (Front Row, mics at 4 ft. and 6 inches from stage monitors) Conversion: M1 > Oade > Emagic 2 6 > Sounforge 5.0 > CD wave > mkw ACT (shn)
17234	2003-03-31	Millet Hall (Miami University)	Oxford	OH
taper: Brandon Weaver (dmb_taper@hotmail.com) location: -FLoor row 8 seat 44 @ 16 feet (20 feet from stage left stack :) Source: Akg 460b/ck61 (cards) > Sound Devices MP-2 > Graham Patten ADC-20 > Sony D7 conversion: Sony D7> 7-pin Coax > Pioneer PDR-509 > Eac > Mkw (.shn)
17521	2003-03-31	Millet Hall (Miami University)	Oxford	OH
Taper: Mike Sarnovsky (sarnovsky.4@osu.edu) Source: Neumann km-184s -> Sound Devices MP-2 -> Oade Modified Sony SBM-1 -> Oade Active Cable -> Sony TCD-D100 Location: Section 9, Row L Conversion: Mike Sarnovsky (sarnovsky.4@osu.edu) Equipment: Sony DTC-A7 -> Monster Coax -> Soundblaster Audigy Platinum EX -> CD
76289	2003-03-31	Millet Hall (Miami University)	Oxford	OH
Taper: Eric Phipps (phippsce@muohio.edu) Source: AKG CK61 caps> active cables> JK Labs DVC II> SBM-1> U2A (optical)> Dell I8200 (PCM-M1) 48> N-Track Location: Floor, Row 16, Seat 22, DFC stand approx 14'
107911	2003-03-31	Millet Hall (Miami University)	Oxford	OH
Taper: Jeff Hanna Source: AT853, XY-90 @ 17ft. > BattBox (SP-SPSB-3L) > Oade Mod. Edirol UA-5 (A/D + pre-amp) > Sony TCD-D8 Location: Section 13, Row L, Seat 15, ~35ft. from left stack
17522	2003-04-01	Rose Arena (CMU)	Mount Pleasant	MI
Taper: Rick Dahl Source: AT853 > SP Battery Bocx > Sony D8 Location: Section Center, Row W, Seat 15 DAT > SHN: Sony D8 > Turtle Beach Montego II A3D > mkwACT > shn
17527	2003-04-01	Rose Arena (CMU)	Mount Pleasant	MI
Source: Schoeps MK4's -> kc-y active -> VMS-5u -> SBM-1 -> D8 Recorded by: Jeff Hanna Location: Row 8, stand at ~15 feet, mics A-B DAT -> SHN: Sony R500 -> Digigram VXPocket -> Spark ME 2.7 -> Peak 3.21 -> shntool 1.2.3 -> shorten Transfer by: Sam Lincoln
17535	2003-04-01	Rose Arena (CMU)	Mount Pleasant	MI
Taper: Jeff Hanna Source: AT853, XY-90 @ 15ft. > BattBox (SP-SPSB-3L) > Oade Mod. Edirol UA-5 (A/D + pre-amp) > Sony TCD-D8 Location: Right Center Floor, Row 4, Seat 8, ~25ft. from right stack Conversion: Garrett Bastable DAT > SHN: Seagate CTD8000R-S (DAT2WAV v1.2) > Dell Dimension B1000r > .wav > CD Wave v1.71 > .shn (mkwACT 0.97 BETA 1)
17250	2003-04-03	Elliott Hall of Music (Purdue)	West Lafayette	IN
Taper: Jon Ice (ice@justdmb.com) Source: AKG ck61 (cardioid caps) > Active Cables > JK LABS DVC > Apogee MiniMe ( soft limit on) > M1 @ 48k Location: Floor 6, Row LL, Seats 210, 212 Conversion: Tascam DA-30 > Audiowerk2> Samplitude 6.0 > mkw Audio Compression Tool * No DAE * * Seek tables appended *
17523	2003-04-03	Elliott Hall of Music (Purdue)	West Lafayette	IN
Taper: Tim Maus Source: Oktava MC012a (Matched Cardiod) > Edirol UA-5 (Oade Modified) > Sony M1 A-B, Directly in line with stack, 15 feet high Location: Floor Sect. 6, Row RR (18th Row), Seat 126 Conversion: Sony M1 > Dio 2496 > CEP 1.2a (48>44.1) > CDWAVE > MKWACT
17538	2003-04-03	Elliott Hall of Music (Purdue)	West Lafayette	IN
Taper: Bob Haag (Bobbo@justdmb.com) Source: AKG 460's (JW Mods) CK61's > MP2 > SBM-1 > D8 Location: Floor Aisle 3 Row LL Seats 207, 209 Converstion: Sony D8 > Delta DiO 2496 > Soundforge 6.0 > Cool Edit Pro > CD WaV > MKW (Bob Haag- Bobbo@justdmb.com)
17524	2003-04-04	Tarble Athletic & Rec Center - Carthage Colleg	Kenosha	WI
Taper: Rick Dahl Source: AT853 > SP Battery Bocx > Sony D8 Location: Section C, Row C, Seat 1, Stand @ 12' DAT > SHN: Sony D8 > Turtle Beach Montego II A3D > mkwACT > shn
124679	2003-04-04	Tarble Athletic & Rec Center - Carthage Colleg	Kenosha	WI
Taper: Chris Drews Source: at853s(cards) > Cable > Battery Box > Sony MZ-R500 Location: Section B Row G Seat 24 (11th Row, Stage Right Stack @ 15')
17239	2003-05-05	Mullins Center, University of Massachusetts	Amherst	MA
Taper: Eric Naylor Source: AKG 480/ck63 > Lunatec V3 > Tascam DA-P1 Setup: 3rd row, left stack, 16' stand, A-B mics Conversion: Tascam DA-20mkII > Audiophile 2496
17240	2003-05-05	Mullins Center, University of Massachusetts	Amherst	MA
Taper: Eric Dahlgren (eric_dahlgren@yahoo.com) Source: Schoeps cmc6/mk4 > Lunatec V2 > RME/Nuendo Multiset > n-track (24 bit/44.1 kHz) Location: Sec. H, Row 10, Stand at 15' Tweeked, dithered, and tracked in Wavelab.

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