Garcia 1987-10-17
Lunt-Fontanne Theatre, New York, NY
Set 1
Acoustic Set:
Deep Elem Blues
I've Been All Around This World
Spike Driver Blues
Blue Yodel No. 9 (Standing On the Corner)
I'm Troubled
Rosalie McFall
Drifting with the Tide
I Ain't Never
It's a Long Long Way to the Top of the World
Ripple
Deep Elem Blues
I've Been All Around This World
Spike Driver Blues
Blue Yodel No. 9 (Standing On the Corner)
I'm Troubled
Rosalie McFall
Drifting with the Tide
I Ain't Never
It's a Long Long Way to the Top of the World
Ripple
Set 2
Electric Set:
How Sweet It Is (To Be Loved by You)
Knockin' On Heaven's Door
And It Stoned Me
Dear Prudence
When I Paint My Masterpiece
Evangeline
That Lucky Old Sun
Midnight Moonlight
Encore:
My Sisters and Brothers
How Sweet It Is (To Be Loved by You)
Knockin' On Heaven's Door
And It Stoned Me
Dear Prudence
When I Paint My Masterpiece
Evangeline
That Lucky Old Sun
Midnight Moonlight
Encore:
My Sisters and Brothers
Set 3
Comment
Early Show.
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 157380 | 1987-10-17 | Lunt-Fontanne Theatre | New York | NY | |
| JGAB & JGB; early show; flac1644; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S); Recorded from 6th row, just right of center by Roger Remandino and John Hance > Cassettes (1st Gen) provided by Gerry Janiscek. John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer: Cassette (1st Gen) > Nakamichi 582Z > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX 9 Advanced > wac 16/44.1 > CD Wave > Flac 16. | |||||
| 150992 | 1987-10-17 | Lunt-Fontanne Theatre | New York | NY | |
| JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edi8ted and mastered SIRMick December 2020 | |||||
| 150993 | 1987-10-17 | Lunt-Fontanne Theatre | New York | NY | |
| JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick December 2020 | |||||
| 157381 | 1987-10-17 | Lunt-Fontanne Theatre | New York | NY | |
| JGAB & JGB; early show; flac2496; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S); Recorded from 6th row, just right of center by Roger Remandino and John Hance > Cassettes (1st Gen) provided by Gerry Janiscek. John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer: Cassette (1st Gen) > Nakamichi 582Z > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX 9 Advanced > CD Wave > Flac 24. | |||||
Created At
Sat Nov 14 2020 14:01:03 GMT+0000 (Coordinated Universal Time)
Updated At
Wed Mar 20 2002 19:29:41 GMT+0000 (Coordinated Universal Time)
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