Grateful Dead 1986-05-10
Frost Amphitheatre, Palo Alto, CA
Set 1
Bertha >
Greatest Story Ever Told
West L.A. Fadeaway
Desolation Row
Tennessee Jed
New Minglewood Blues
Big Railroad Blues
Let It Grow
Greatest Story Ever Told
West L.A. Fadeaway
Desolation Row
Tennessee Jed
New Minglewood Blues
Big Railroad Blues
Let It Grow
Set 2
Hell In A Bucket >
Sugaree
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
The Wheel >
China Doll >
Throwing Stones >
Turn On Your Lovelight
The Mighty Quinn (Quinn The Eskimo)
Sugaree
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
The Wheel >
China Doll >
Throwing Stones >
Turn On Your Lovelight
The Mighty Quinn (Quinn The Eskimo)
Set 3
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 140256 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 | |||||
| 156609 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook | |||||
| 81625 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| 13817 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD | |||||
| 19962 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | |||||
| 120490 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.) | |||||
| 120491 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 135047 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 | |||||
| 148865 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 148864 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 156608 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook | |||||
| 166965 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496 | |||||
| 166966 | 1986-05-10 | Frost Amphitheatre | Palo Alto | CA | |
| flac2496 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496 | |||||
Created At
Sat Feb 16 2019 07:36:44 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)
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