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Live Concert Database
Identifiers for Soulive
Archive Identifier
DateVenue
Source
soulive2012-01-11.schoeps.flac
2012-01-11JamCruise
soulive2012-01-13.flac16
2012-01-13Jamcruise 10 - Pool Deck, MSC Poesia
11845816 bit Schoeps mk4 (DIN, FOB/DFC 15' from stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
soulive2012-01-13.flac24
2012-01-13Jamcruise 10 - Pool Deck, MSC Poesia
11845724 bit Schoeps mk4 (DIN, FOB/DFC 15' from stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-02-24.soulive2012-02-24
2012-02-24The Crown Room @ The Crytal Bay Club
119316Source: Schoeps MK41 > CMR > Naiant LB/Jensen > Sony m10
Transfer: USB > Audition 3.0 > CD Wave > Traders Little Helper
soulive2012-02-28.mk21.flac24
2012-02-28Brooklyn Bowl
12068724 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
soulive2012-02-28.mk21.flac16
2012-02-28Brooklyn Bowl
12068816 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
soulive2012-02-29.mk21.flac16
2012-02-29Brooklyn Bowl
12069016 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-02-29.mk21.flac24
2012-02-29Brooklyn Bowl
12068924 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-02-29.140s.flac16
2012-02-29Brooklyn Bowl
120691Source:Neumann SKM 140's->Edirol R44
Transfer:SD->PC->Audacity->CD Wave Editor->Flac Frontend
Mastered and uploaded by Frank D'Auria
soulive2012-03-01.mk21.flac16
2012-03-01Brooklyn Bowl
12069216 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-01.mk21.flac24
2012-03-01Brooklyn Bowl
12069424 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-01.bbowl_nyctaper
2012-03-01Brooklyn Bowl
12069316 bit Schoeps MK21 (onstage, NOS)>KC5>PFA>SD USBPre2 + Schoeps MK22 (A-B, 3ft split, 15 ft back, left stack) >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone limiter, EQ), resample to 44.1kHz>Audacity (tracking, downsample to 16bit)>FLAC
soulive2012-03-02.mk21.flac16
2012-03-02Brooklyn Bowl
12069616 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-02.mk21.flac24
2012-03-02Brooklyn Bowl
12069524 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-03.mk21.flac16
2012-03-03Brooklyn Bowl
12069816 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-03.mk21.flac24
2012-03-03Brooklyn Bowl
12069724 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-06.mk21.flac16
2012-03-06Brooklyn Bowl
12070016 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-06.mk21.flac24
2012-03-06Brooklyn Bowl
12069924 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-07.mk21.flac16
2012-03-07Brooklyn Bowl
12070216 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-07.mk21.flac24
2012-03-07Brooklyn Bowl
121493flac24;Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
soulive2012-03-07.140s.flac16
2012-03-07Brooklyn Bowl
120703Source:Neumann 140's->Edirol R44
Transfer:SD->PC->Audacity->CD Wave Editor->Flac Frontend
Master,Transfer,Upload by Frank D'Auria
soulive2012-03-08.mk21.flac16
2012-03-08Brooklyn Bowl
12070516 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-08.mk21.flac24
2012-03-08Brooklyn Bowl
12070424 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-08.tlm170.flac16
2012-03-08Brooklyn Bowl
120711Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96) > FLAC
soulive2012-03-09.mk21.flac16
2012-03-09Brooklyn Bowl
12070716 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-09.mk21.flac24
2012-03-09Brooklyn Bowl
12070624 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-10.bsc2.flac16
2012-03-10Brooklyn Bowl
120710 Source: Busman BSC2/K41 > Tascam DR-680 (24-bit/48k). Location: DFC/ORTF ~2' high, on stage. Transfer: Sony Sound Forge Pro 10.0 (EQ; 0db Normalization; L3 UltraMaximizer Stereo; Fades; Resampled with iZotope 64-Bit SRC @ Highest quality; Bit-Depth Conversion (24>16) with iZotope MBIT+ Dither with Ultra noise shaping, High dither > CDWave > FLAC
soulive2012-03-10.mk21.flac16
2012-03-10Brooklyn Bowl
12070916 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-03-10.mk21.flac24
2012-03-10Brooklyn Bowl
12070824 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
Soulive2012-04-15.Soulive-mmmf-4-15-12
2012-04-15McDowell Mountain Music Festival
120714Microtech Gaffell M93)'s(Nos)-V3-Dr-680
soulive2012-04-15.jbillerb24
2012-04-15McDowell Mountain Music Festival - Main Stage
Soulive2012-05-19
2012-05-19Fillmore
Soulive2012-06-01.Soulive-Waka-0601012
2012-06-01Wakarusa Music Festival
120715Telefunken M260's (Cardiod Caps) ORTF-v3-Dr-680
soulive2012-06-29.mk4.flac16
2012-06-29City Winery
122550Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC Recorded, tracked and posted by Eric McRoberts
soulive2012-06-29.mk4.flac24
2012-06-29City Winery
122551flac24;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
soulive2012-06-30.mk4.flac24
2012-06-30City Winery
122549flac24;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
soulive2012-06-30.mk4.flac16
2012-06-30City Winery
122548flac16;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Soulive2012-07-07.flac16
2012-07-07Grand Stand Stage - High Sierra Music Festival -
122547FM Signal > Magnum Dynalab FT-101 Analog Reciever > Sound Devices 744 (24/48) Hard Drive transfer > Sound Forge 9.0 (trims, fades) > resample (48/44.1) Anti alias filter > Bit conversion (24/16) >Traders little helper (align on sector boundries, flac)
soulive2012-07-19.ck1x.tinybox.flac
2012-07-19Gathering of the Vibes
122065AKG ck1x > Naiant Tiny Box > Sony PCM M-10(24/44.1) Wave > Sound Forge Pro 10.0(Fade,Track,Resample 16 bit) > TLH > Flac
soulive2012-07-19.neumann-skm140.sunboy.flac16
2012-07-19Gathering Of The Vibes - Green Vibes Stage
122064Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Transfer,editing & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1
soulive2012-09-22.schoeps_mk41_16bit
2012-09-22Prowse Farm
122545Schoeps MK41>KC5>CMC6>Sonosax SX-R4(24bit/96khz)
WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe)
Recorded and transferred by Andy Murray
soulive2012-09-22.schoeps_mk41_24bit
2012-09-22Prowse Farm
122546Schoeps MK41>KC5>CMC6>Sonosax SX-R4(24bit/96khz)
WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp)
Recorded and transferred by Andy Murray
soulive2012-10-20.tlm170.flac24
2012-10-20Terminal 5
12320124 bit Neumann TLM-170 (hypercardoids at back of floor, center) -> Sound Devices 722 (@24/96)
soulive2012-10-20.tlm170.flac16
2012-10-20Terminal 5
12320216 bit Neumann TLM-170 (hypercardoids at back of floor, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings)
soulive2012-10-20.mk4.flac16
2012-10-20Terminal 5
12255316 bit Schoeps mk4 (DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC Recorded, tracked and posted by Eric McRoberts
soulive2012-10-20.mk4.flac24
2012-10-20Terminal 5
122552Schoeps mk4 (DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
soulive2012-11-03.soulive2012-11-03
2012-11-039:30 Club
123199Source:(LOC)AKG C-1000's> DR-40> SDHC> CD Wave>Traders Little Helper
Soulive2012-11-10.AKG468.flac16
2012-11-10Bear Creek Music & Art Festival - Purple Hat Stage - Spirit of the Suwannee Music Park
123198Source: AKG c460b/ck8 (PAS) > Oade T+ Mod Edirol UA-5 > iRiver iHP-120 (16Bit/48KHz)
Location: Approx 8' High, DFC, FOB at rail
Lineage: iRiver > Adobe Audition 3.0 (Resample) > TLH > FLAC 16 (level 8) > Foobar2000 (tagging)
Recorded, transferred & seeded by Scott Douglas
soulive2012-12-07
2012-12-07Cervantes Masterpiece Ballroom
123205Source: ADK A51 TLs (Hyper)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac
Taped by Pete Coffan
soulive2012-12-08
2012-12-08Cervantes' Masterpiece Ballroom
123206Source: ADK A51 TLs (Hyper)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac
Taped by Pete Coffan
soulive2012-12-30.akg483.flac24
2012-12-30The Paradise Rock Club
12376924 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (24/96k) > xACT > flac8
Tape/transfer - corey the groundhog
soulive2012-12-31.akg483.flac16
2012-12-31The Paradise Rock Club
12376616 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (16/44.1k) > xACT > flac8
Tape/transfer - corey the groundhog
soulive2012-12-31.akg483.flac24
2012-12-31The Paradise Rock Club
12376524 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (24/96k) > xACT > flac8
Tape/transfer - corey the groundhog