Identifiers for Soulive

Archive Identifier
DateVenue
Source
soulive2010-03-04.140s.mk4.mix.flac16
2010-03-04Brooklyn Bowl
106696Source:Neumann SKM 140's + Schoeps CMC5 MK4's -> Edirol R44
Transfer:SC->PC->Audacity->Cd Wave Editor->FlacFrontend
Taped, Transferred, and Uploaded by Frank D'Auria
soulive2010-03-06.tlm170.flac24
2010-03-06Brooklyn Bowl
11010724 bit Neumann TLM-170 (cardoids, FOB almost parallel to right PA, about 40' from stage) -> Sound Devices 722 (@24/96) > FLAC
sl2010-03-09.at825.flac16
2010-03-09Brooklyn Bowl
110106Source: Audio Tech at825>Ua-5 Wmod>Nj3
Transfer: Nj3>Cd Wave>Flac
Taping and Transfer by Pat Kelly
soulive2010-03-12.flacf
2010-03-12The Brooklyn Bowl
110104Onstage AT 833's -> Naint littlebox -> MicroTrack II 1/4" line in Recorded at 24/48
Resampled and Declipped using Nero Wave Editor 3
Tracked and FLac'd with Audacity 1.3
Taped, Transfered and seeded by: BIGT AKA IAMHAMMERED
soulive2010-03-13
2010-03-13Brooklyn, NY @ Brooklyn Bowl - Bowlive Day 10
110003Source: Rode NTG4 -> Fostex FR2-LE 24bit@ 48 kHz Onstage > Audacity > FLAC
soulive2010-04-03.flac16
2010-04-03The Westcott Theater
110105Source - AKG 483 > FR-2le
Location - Back SBD
Conversion - CF > Audacity > xACT
Taper - W Clark
soulive2010-04-03.sunboy.flac16
2010-04-03Westcott Theater
107254Source: 2 Neumann SKM 140’s(AK40 caps>LC3 active cables>KM100)>Aeta PSP3(pre-amp)>canare xlr’s>(line in)Sound Devices 722 @96kHz/24bit master
Transfer: Sound Devices 722 master file @96kHz/24bit>firewire>Sound Forge 9.0e>CD Wave v1.96.1(tracking)>FLAC16 via FLAC
soulive2010-04-09.akg461.r44.goldstein.burke.flac16
2010-04-09Hudson Valley Resort and Spa
115011flac16AKG CK61/C460B > Edirol R-44@24 bit, 48 kHz
R-44 > SDHC card > PC > .WAV Data DVD > IBM Lenovo ThinkPad T60
soulive2010-04-09.akg461.r44.goldstein.burke.flac24
2010-04-09Hudson Valley Resort and Spa
115009flac24AKG CK61/C460B > Edirol R-44@24 bit, 48 kHz
R-44 > SDHC card > PC > .WAV Data DVD > IBM Lenovo ThinkPad T60
soulive2010-04-15.flac16
2010-04-15Paradise Rock Club
11011216 bit BSC1-K4 (hypers) > Silver Cables > FR-2LE [BA TMod] (24/96)
CF Card > WavLab (fades, leveling, gain) wav > Audacity (tracking) > r8brain (downsampling) > TLH > Flac
Taped and Transferred by Brian V.
soulive2010-04-15.flac24
2010-04-15Paradise Rock Club
11011124 bit BSC1-K4 (hypers) > Silver Cables > FR-2LE [BA TMod] (24/96)
CF Card > WavLab (fades, leveling, gain) wav > Audacity (tracking) > TLH > Flac (level 8)
Taped and Transferred by Brian V.
soulive2010-05-02
2010-05-02Howlin' Wolf
soulive2010-05-08.mk5_16bit
2010-05-08The Rex Theater
11010916 bit Source: Schoeps MK5 (cardioid, DIN, 10ft hig) > Oade ACM R4 Pro @24/48
Conversion: R4 Harddrive > Computer Harddrive > Audition 1.0 > CDWav > WAV > FLAC Recorded and Mastered By: tonedeaf
soulive2010-05-08.mk5_24bit
2010-05-08The Rex Theater
11011024 bit Source: Schoeps MK5 (cardioid, DIN, 10ft hig) > Oade ACM R4 Pro @24/48
Conversion: R4 Harddrive > Computer Harddrive > Audition 1.0 > CDWav > WAV > FLAC Recorded and Mastered By: tonedeaf
soulive2010-05-15.mk21.flac
2010-05-15Cervantes Masterpiece Ballroom
114929Source: Schoeps mk21/kc5/cmc6 > Lunatec v2 > Sound Devices 722@24/48 (fob/dfc/nos)
Transfer: CF card > G5 > Sound Studio 3.5.6 > xACT > FLAC
soulive2010-07-09.MilabVM-44Link.Flac24
2010-07-09Tower Jam Concert Series, HSBC Plaza,
11010124 bit Source: Milab VM-44 Links > Naiant Littlebox > Sony PCM-M10 [24/48]
Config: PAS Location: front left corner of sbd, 7ft high
MicroSD > PC > Sony Sound Forge Audio Studio 9.0 [Normalize -0.05 dB (99.43%)] > CD Wav > Flac
soulive2010-07-09
2010-07-09HSBC Plaza
soulive2010-07-09.MilabVM-44Link.Flac16
2010-07-09Tower Jam Concert Series, HSBC Plaza,
11010016 bit Source: Milab VM-44 Links > Naiant Littlebox > Sony PCM-M10 [24/48] Config: PAS Location: front left corner of sbd, 7ft high
MicroSD > PC > Sony Sound Forge Audio Studio 9.0 [Normalize -0.05 dB (99.43%), Dither (16-bit Triangular) & Resample to 44,100 Hz] > CD Wav > Flac
soulive2010-07-23.cafs.16bit
2010-07-23Hill Holler Stage, Floydfest
110099Source: CA-CAFS(Omnis split 5') > STC-9000(+30db) > JB3 > WAV(16bit/44.1khz) > Audacity1.3.11b(amplified to -.01db) > CD Wave Editor(tracked) > FLAC8(TLH)
soulive2010-07-23.ca11s.16bit
2010-07-23Hill Holler Stage, Floydfest
110001Source: CA-11s(ORTF) > DR-07 > WAV(24bit/48khz) > Audacity1.3.11b(amplified to -.01db, dithered) > WAV(16bit/44.1khz) > CD Wave Editor(tracked) > FLAC
soullive2010-08-12.soullive-santamonica8-12-10
2010-08-12Santa Monica Pier
110098Neumann u89i-v3 +mono Sbd Feed-r4 > FLAC
Uploaded to archive.org without a .txt file
soulive2010-09-11.akg.flac16
2010-09-11The Westcott Theater
110096Source - AKG 483 > LB > M10
Location - Rear of SBD
Conversion - M10 > Audacity > xACT
Taper - W Clark
soulive2010-09-11.sunboy.flac16
2010-09-11Westcott Theater
110002Source: 2 Neumann SKM 140’s(AK40 caps/LC3 actives/KM100)>>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@96/24>AES/EBU>Sound Devices 722 @96kHz/24bit
Transfer: Sound Devices 722 master file @96kHz/24bit>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>tag w/Tag Scanner5.0,fingerprint/FLAC16 via FLAC
soulive2010-10-02.tlm170.flac16
2010-10-02Terminal 5
11009316 bit Neumann TLM-170 (hypercardoids, center rear of main dance floor) -> Sound Devices 722 (@24/96) > FLAC
soulive2010-10-02.tlm170.flac24
2010-10-02Terminal 5
11009424 bit Neumann TLM-170 (hypercardoids, center rear of main dance floor) -> Sound Devices 722 (@24/96) > FLAC
soulive2010-11-07.km184
2010-11-07The Capital Ale House
111042Source: Neumann KM184 > V2 > R-44(ocm) 24/48z
Location: fob, loc, 15 feet from stagelip at 7 feet
Transfer: sdhc > audacity > cdwave > tlh
Recorded by Drew Olsen
sl2010-11-07
2010-11-07Capital Ale House
111043Source:SchoepsCCM4s>Grace Design Lunatec V3 aes/spdif>R44(Ocm)24/96
Location:DFC FOB 15ft from stage 7'stand
Transfer:SDHC>audacity 16/44>Cd Wav>Foobar
Taped By:Chris King
sl2010-11-07.akg
2010-11-07Capital Ale House
111044Source:AKG481s>Grace Design Lunatec V2>R44(Ocm)24/96
Location:DFC FOB 15ft from stage 7'stand
Transfer:SDHC>audacity 16/44>Cd Wav>Foobar
Taped By:Chris King
Soulive2010-12-17
2010-12-17Cervantes