Sources for Artist Group Mike Clark
2001 2002 2004 2005 2007
SHNIDArtistDateVenueCityStateArchive Identifier
18670Mike Clark's Prescription Renewal2002-05-02Howlin WolfNew OrleansLA
Unknown - possible sources:

(FOB) B+K 4023>V2>DA-P1
- or -
KM140-V2-ad500e-D8

transfer unknown.
13441Mike Clark's Prescription Renewal2002-05-10The AlleyFlagstaffAZ
Source: Senn421's placed on stage > D8 transfer:) 1/8 inch to 1/8 stereo mini plug :) > Soundforge 4.5 > CD most of 'Loft Funk' is missing do to 'digital hell' (Still don't know why) I'll be getting a stg/sbd matrix mix in a couple of weeks... (THIS IS FOR THOSE WHO CAN'T WAIT)
24103Mike Clark's Prescription Renewal2002-05-17The CatalystSanta CruzCA
onstage center 3' stand, Schoeps MK4 xy > Grace pre > DAT
DAT patch > DAT > CDR > wav > eac > FLAC
13844Mike Clark's Prescription Renewal2002-05-31The Grog ShopCleveland HeightsOH
schoeps ccm4 > psp3 > dap1
13108Mike Clark's Prescription Renewal2002-06-04North Star BarPhiladelphiaPA
Microtech Gefell m200 (XY @ 110?, 4' high, 5' from stage) > EAA PSP-2 > Sony SBM-1 > Sony D8 TRANSFER: Sony D8 > Echo Audio Gina 24 > Cool Edit Pro > CDWav > mkwACT(shn)
12876Mike Clark's Prescription Renewal2002-06-05Iron Horse Music HallNorthamptonMA
Stage Lip: Neumann KM140> LC3> MP2> oade mod SBM-1> DA-P1> Coax> DA-P1
11347Mike Clark's Prescription Renewal2002-06-07The Knitting FactoryNew YorkNY
Umphrey's McGee matrix SBD + Akg414s->Sony PD-150@48khz
116200Mike Clark's Prescription Renewal2002-07-20Camp Buzz 9 - Camp AmericaOxfordOH
Source: Schoeps 621's > V2 > D8 (Stage Lip) Conversion: Fostex D5 (Master DAT) > Tascam CDRW500 (Master CD-R) > wav (via EAC) > FLAC
120395Mike Clark's Roots Funk Allstars2002-11-20B.B. King'sNew YorkNY
Source: (fob/dfc @20', 7' pole) Schoeps mk21(ortf)-> kc-5->cmc6->MP-2->SBM-1->DA-P1 @44.1kHz Recorded by Eric McRoberts, thanks to Chip Auchinclos for the SBM-1.
Transfer: DA-P1->Audio Magic Presto II->Zefiro ZA2-> Soundforge 4.5->CDWav->.shn (original DAT > SHN 02/16/2003) > FLAC (SHN > FLAC 05/25/2012) transferred byEric McRoberts