DISCLAIMER:

NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!

I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.

IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.

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Nothing on this list is for sale!!!! These shows are available for trade ONLY!

                                                             

                                                                                                

I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!

 

Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.

I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      

After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.

I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.

(My masters are listed in the notes column on the far right side.)

If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.

My interests are rather varied, as you will see.

 

CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.

I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.

 

Soundboard and Audience recordings are graded on different criteria.  

An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.

Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)

Sound Quality Ratings:

A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 

Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com