| Identifier | 7847543 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Reference Number | 0006620333 |
| Status | 1 |
| Media Type | flac |
| Sound Rating | A+ |
| Note | Grateful Dead
Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 DTS-Audio-CD 5.1 Mix Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] **requires a 90 min CDR** Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. The center matrix track is a 60% SBD, 40% AUD2 mix. - Mixed by dan@am-dig.com - FLAC conversion 08-MAY-2005 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Reel Right Channel SBD Reel Center Mixed to mono -6db SBD+AUD2 Matrix Surround Left Channel -2db AUD1 (with some AUD2 patches) Right Channel -2db AUD1 (with some AUD2 patches) Sub/LFE Mixed to mono -4db SBD Reel --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. |
| Source Info | DTS-Audio-CD 5.1 Mix - See Notes |
| Tech Note | all |
| Trades Allowed | |
| Attendence | 0 |
Performance
| Grateful Dead 1977-05-08 Barton Hall, Cornell University, Ithaca, NY | |
|---|---|
| Set 1 | New Minglewood Blues Loser El Paso They Love Each Other Jack Straw Deal Lazy Lightning > Supplication Brown Eyed Women Mama Tried Row Jimmy Dancing In The Street |
| Set 2 | Scarlet Begonias > Fire On The Mountain Estimated Prophet Saint Stephen > Not Fade Away > Saint Stephen > Morning Dew One More Saturday Night |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals |