| Identifier | 5280985 |
| Created At | Sun Apr 10 2005 21:26:17 GMT+0000 (Coordinated Universal Time) |
| Media Type | CD |
| Media Count | 3 |
| Source Info | matrix SBD > Cassette master > DAT(0) (Cassette>DAT |
| J-Card Comment | SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) > DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) > CDR Master > EAC in secure mode > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch) AUD Master: Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon [complete text files for each source appended at end] Transfer/Editing: All sources were snh files downloaded from LMA and converted to WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell ScarFire@liquidcity.com 2/26/05 Set 1: d1t01 - Crowd/tuning d1t02 - Alabama Getaway > d1t03 - The Promised Land d1t04 - Friend Of The Devil d1t05 - Cassidy d1t06 - Loser d1t07 - C C Rider d1t08 - It Must Have Been The Roses d1t09 - New Minglewood Blues Set 2: d2t01 - Crowd/tuning d2t02 - Scarlet Begonias > d2t03 - Fire On The Mountain > d2t04 - Estimated Prophet > d2t05 - Eyes Of The World > d3t01 - Drums > d3t02 - Space > d3t03 - Not Fade Away > d3t04 - Wharf Rat > d3t05 - Sugar Magnolia Encore: d3t06 - Don't Ease Me In Total Times: Disc 1 [58:01] Disc 2 [48:14] Disc 3 [54:02] General Notes: Given the multiple sources available on the Llama, I decided to put the effort into editing a matrix of all three nights from this wonderful run at the Uptown. The Glassberg AUDs are very nice and full, standing on their own as excellent representative recordings. The SBD sources of all three nights have the reputation of being some of the crispiest boards out there, and after a simple test on the Ship O' from the 3rd night I was motivated to dive into editing land. The result is a worthwile listen, especially when you turn it up. Timeline/Tracking Notes: The only music that is missing is the encore from the SBD source. The transition between the disc 2 and 3 can be put together seemlessly. Editing Notes: - Pitch Both sources were pitched differently, the AUD being the sharpest, and the SBD being the flatest. I used the SBD as my master timeline and pitch referenced the AUD to it. The AUD on average had to be pitched down about -.14 (14 cents) in the first set, and about -.03 (3 cents) in the second set, to achieve pitch correction - 1.00 being 100 cents which is a semitone. I did not reference A=440 as I did not desire to pitch adjust the SBD. It is very close though to A=440. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched. Because the SBD was my master pitch and time ref, the AUD was synched to the SBD (too many edits to list). - Sonic Quality/Matrix ratio I did choose to employ a slight amount of limiting to the SBD (Waves L2) to give it a slight amount of punch and presence. Conceptually, all I was trying to do here is to add some dimension to the SBD, which is pretty dry but very crisp, by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1, leaning more towards the 4:1 end of things. - Edits The following are places where the SBD and AUD had holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (0:00:00 - 1:51:64) - missing (crowd) d1t03>4 (4:30:20 - 0:07:49) - missing (mostly crowd) d1t04 (8:51:64 - 10:00:16) - missing (crowd) d1t05 (5:41:14 - 6:36:04) - missing (crowd) d1t06 (8:31:42 - 08:39:06) - missing (crowd) d1t07 (7:26:32 - 8:28:57) - missing (crowd) d2t01 (0:00:00 - 2:22:15) - missing (crowd/tuning) d2t05 (9:50:60 - 9:59:15) - missing (crowd) d2t06 (2:08:07 - 2:17:60) - missing (tape flip) d3t04>5 (10:57:09 - 0:07:12) - missing (tape flip) d3t05 (8:18:61 - 9:44:72) - missing (crowd) d3t06 (0:00:00 - 3:27:72) - missing all AUD: d1t07 (0:00:00 - 0:18:35) missing d2t05 (6:53:16 - 7:00:41) missing (tape flip) Note that alot of the missing elements from the SBD source are just crowd segments in between songs in the first set. The whole encore is missing from the SBD, but other than that, all of the music is intact. Thanks to Dick Latvala for transfering the SBD casette master to DAT, Jim Wise for the noise reduction and conversion to CDR, and Jamie Lutch for minor editing and shn conversion. Thanks to Barry Glassberg for recording the AUD source, and John Steinthal for converting it to CDR, Mark Cohen for supplying the discs, and Matt Vernon for the shn conversion. Thanks to Jonathan Aizen for uploading both sources to the Llama. Happy 24th Anniversary & Enjoy!!! -Chappy |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 28384 | 1981-02-27 | Uptown Theater | Chicago | IL | |
| flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | |||||
Performance
| Grateful Dead 1981-02-27 Uptown Theater, Chicago, IL | |
|---|---|
| Set 1 | Alabama Getaway > Promised Land Friend Of The Devil Cassidy Loser C.C. Rider It Must Have Been The Roses New Minglewood Blues |
| Set 2 | Scarlet Begonias > Fire On The Mountain > Estimated Prophet > Eyes Of The World > Drums > Space > Not Fade Away > Wharf Rat > Sugar Magnolia Don't Ease Me In |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums |