| Identifier | 3903003 |
| Created At | Mon Feb 09 2004 01:38:29 GMT+0000 (Coordinated Universal Time) |
| Media Type | cd-r |
| Media Count | 3 |
| Show Rating | A |
| Sound Rating | A |
| Note | Eaton remaster |
| J-Card Comment | Lineage: Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks Disk 1: Set I 1. Minglewood Blues -> (AUD splice provides beginning of track) 2. Loser 3. El Paso 4. They Love Each Other 5. Jack Straw 6. Deal 7. Lazy Lightning -> Supplication (Aud Splice during transition) 8. Brown Eyed Women 9. Mama Tried Disk 2: Set I (continued) 1. Row Jimmy 2. Dancin' In The Streets Set II 3. Take A Step Back/Tuning 4. Scarlet Begonias-> Fire On The Mountain Disk 3: Set II (continued): 1. Estimated Prophet 2. Tuning/Dead Air 3. Saint Stephen-> 4. Not Fade Away-> 5. Saint Stephen-> 6. Morning Dew 7. Encore: Saturday Night Culled from a May 6, 1999 post by Rob Eaton to dnc -- I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards-->Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Tchnology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be to bass heavy or to bright and compressed. These tapes are absoultly the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them). |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 266 | 1977-05-08 | Barton Hall, Cornell University | Ithaca | NY | |
| w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation | |||||
Performance
| Grateful Dead 1977-05-08 Barton Hall, Cornell University, Ithaca, NY | |
|---|---|
| Set 1 | New Minglewood Blues Loser El Paso They Love Each Other Jack Straw Deal Lazy Lightning > Supplication Brown Eyed Women Mama Tried Row Jimmy Dancing In The Street |
| Set 2 | Scarlet Begonias > Fire On The Mountain Estimated Prophet Saint Stephen > Not Fade Away > Saint Stephen > Morning Dew One More Saturday Night |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals |