Knudsen Tape Collection

The Knudsen Tape Collection is a 5000 cassette collection that is going to
digital FLAC format one entire tape or tape side at a time.

All transfers and numbered releases are "raw" files. They are unedited,
unmastered and untracked @ one digital flac file per tape or tape side.

The cassettes were donated to www.shnflac.net by Jeff Knudsen in 2018.
This is a GEMS Lossless Legs production.

Gear: Nakamichi CR-7A -> TASCAM DA-3000
      Transfer by Tom Markson

Date and contents unconfirmed.  Please listen and judge for youself. Here's what
deadlists.com says occured on this date:

http://deadlists.com/deadlists/showresults.asp?KEY=1/2/70


Band	Grateful Dead
Venue	Fillmore East
Location	New York, NY
Date	1/2/70 - Friday	posters	tickets, passes & laminates
Early - 59:51	Intro (1) [1:05] >
Mason's Children [6:09];[1:34] ;
Casey Jones [4:17];[0:12] ;
Black Peter [10:41];[1:18] ;
Mama Tried [2:32] >
Hard To Handle [4:43];[0:15] ;
Cumberland Blues [5:33];[0:16] ;
Cryptical Envelopment [1:57] >
Drums [3:53] >
The Other One [10:34] >
Cryptical Envelopment [2:04] >
Cosmic Charlie [6:46#]
Late - 1:57:55	Uncle John's Band [7:19] >
High Time [7:06];[0:20] ;
Dire Wolf [4:12];[0:06] %
Easy Wind [7:07];[0:08]%[0:07] ;
China Cat Sunflower [3:07] >
Jam [0:31#] >
I Know You Rider [#1:38] ;
Good Lovin' [1:40] >
Drums [0:17] >
Good Lovin' [4:44];[0:50] ;
Me And My Uncle [3:05];[1:44] ;
Monkey And The Engineer [1:37];[1:16] ;
Dark Star [30:10#] >
Saint Stephen [#4:00] >
The Eleven [13:37] >
Turn On Your Love Light.[22:42];[0:32]
Comments	Early and Late Shows.

Early Show
(1) The early show begins with the 2001 theme music playing over the PA (the prelude of Richard Strauss' Also Sprach Zarathustra); at its conclusion the Dead launch into Mason's Children (this is audible on the AUD tape; the circulating SBD cassette cuts in on the last 3:11 of Mason's Children; the timing given here is from the CD). The circulating SBD cuts in on Mason's Children and breaks off just before the end of Cosmic Charlie; timings are based on the AUD where it is more complete. Possibly there is an encore missing.
Cold Blood and Lighthouse were also on the bill (DeadBase IX).

Eaton lists:

01/02/70 The Fillmore East, New York City Ny - early 4.9, 063min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k, 7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x

Late Show
Total time for Early & Late Show [2:57:46 +].

There is a cut in the Jam out of China Cat on the circulating copy of the SBD; the rest of the Jam and most of Rider are missing.

The Eleven analyzes Saint Stephen > 1st vocals 1:08 > transition Jam 2:01 > Eleven Jam 2:20 > Eleven vocals 0:40 > Eleven Jam 5:08 > Eleven 2nd theme Jam 1:20 > Turn On Your Lovelight.

Cold Blood and Lighthouse were also on the bill (DeadBase IX).

Eaton lists: 01/02/70 The Fillmore East, New York City Ny - late
4.9, 121min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0

01/02/70 The Fillmore East, New York City Ny - early 4.9, 063min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k, 7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x

One person claims that the early and late shows for this date have been reversed, but others contradict him, and the tape evidence seems to as well.
Recordings	Early 60 SB / Late 120 75 A? 6:09 CD Fallout From The Phil Zone (Mason's Children)
Master recording source(s): 7inch Master Reels@7.5ips 1/2trk
Download/Listen Sources
Soundboard > 7 1/2' Reel Master @ 7.5 ips (Record
Soundboard
Soundboard
Soundboard
Contributors	Jim Powell Gordon Sharpless Rob Eaton Adrian M. Johnson Matt Caffrey
Caretaker	Jim Powell email update

********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.

Shntool output:

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    96:41.808    1670920838 B   cxx   --   ---xx   flac  0.7123  Tape 1.flac
    90:28.134    1563302714 B   cxx   --   ---xx   flac  0.7426  Tape 2.flac
   187:09.943    3234223552 B                            0.7269  (2 files)

No errors occured














In 2018 Jeff Knudsen donated his 5000+ cassette tape collection to www.shnflac.net.
The ensuing GEMS Lossless Legs production is releasing each of these tapes as raw transfers in digital format, one file per cassette side.

Transfer info: Nakamichi CR-7A -> Tascam-DA3000
Transfer by: Tom Markson
Date on label: January 3, 1970 early and late shows
4 tape sides

Here's what deadlists.com says occurred on this date and the sources in circulation at the time of this seed.
This release may or may not be one of these sources.
This entry is included as an aid to future researchers.
As always, listen, look at the pictures and judge for yourself.

Band	Grateful Dead
Venue	Fillmore East
Location	New York, NY
Date	1/3/70a - Saturday
One	[50:58] ; Morning Dew [8:48] ; [0:15] ; Me And My Uncle [3:00] ; [0:14] ; Hard To Handle [4:00] ; [0:17] ; Cumberland Blues [5:12] ; [0:20] ; Cold Rain And Snow [4:44] ; Alligator [3:48] > Drums [2:07] > Jam [8:41] > Bid You Goodnight Jam [1:04] > Jam [0:25] > Alligator Reprise [1:42] > Caution (Do Not Stop On Tracks) Jam [0:18] > Feedback [5:25] ; [0:29]
Encore	[5:55] ; Uncle John's Band [5:55]
Comments	Early Show. Total time 51:51 +. The 8:41 Jam in medium fast 8s following Drums includes brief versions of Caution (Do Not Stop On Tracks) Jam, The Other One Jam, Goin' Down The Road Jam, China Cat Jam and Mountain Jam in rapid succession. This is called the Early Show Short Shrift Full-on Razzmatazz Shaft. Cold Blood and Lighthouse were also on the bill (DeadBase IX).

Eaton lists:
01/03/70 The Fillmore East, New York City Ny - early
4.9, 062min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0

Recordings	60 SB
Master recording source(s): 7inch Master Reels@7.5ips 1/2trk
Download Sources
SBD > Master Reel > Cassette > Dat (48k)
Soundboard Master Reels > DAT Master [44.1]
BD > MR > DAT > C > DAT > CDR
SBD:MR> DAT> Cass.> DAT > CDRPLUS:1. Sound improv

----------------------------------------------------------------

Band	Grateful Dead
Venue	Fillmore East
Location	New York, NY
Date	1/3/70b - Saturday
One	[93:33] ; Casey Jones [#4:02] ; [0:12] ; Mama Tried [2:27] ; [0:20] ; Big Boss Man [4:08] ; [0:36] ; China Cat Sunflower [2:48] > Jam [2:41] > I Know You Rider [4:07] > High Time Tease [0:07] % [0:32] ; Mason's Children [4:55] ; [0:35] ; Cryptical Envelopment [2:01] > Drums [3:29] > The Other One [9:54] > Cryptical Envelopment [4:58] > Cosmic Charlie [6:20] ; [0:55] ; Uncle John's Band [6:08] > Black Peter [8:27] ; [0:12] ; Dire Wolf [3:34] % [0:15] ; Good Lovin' [8:33] ; [0:35] ; Dancing In The Street [5:12] > Drums [1:28] > Dancing In The Street [3:48] ; [0:12]
Encore	[15:38] ; Saint Stephen [6:10] > In The Midnight Hour [8:59] ; [0:17]
Comments	Late Show. Total time 1:49:11 +. Total time for Early & Late Shows 2:41:02 +. Casey Jones is missing the first verse. Cold Blood and Lighthouse were also on the bill (DeadBase IX).

Eaton lists:
01/03/70 The Fillmore East, New York City Ny - early
4.9, 112min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0

Recordings	110 SB
Master recording source(s): 7inch Master Reels@7.5ips 1/2trk
Download Sources
SBD > Master Reel > Cassette > Dat (48k)
Soundboard Master Reels > DAT Master [44.1]
BD > MR > DAT > C > DAT > CDR
SBD:MR> DAT> Cass.> DAT > CDRPLUS:1. Sound improv

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    54:05.380     934669622 B   cxx   --   ---xx   flac  0.6491  knudsen.0015.gd1970-01-03.tape1a.flac
    36:26.211     629628836 B   cxx   --   ---xx   flac  0.6756  knudsen.0015.gd1970-01-03.tape1b.flac
    28:26.539     491483252 B   cxx   --   ---xx   flac  0.6687  knudsen.0015.gd1970-01-03.tape2a.flac
    65:34.752    1133208572 B   cxx   --   ---xx   flac  0.4894  knudsen.0015.gd1970-01-03.tape2b.flac
   184:32.882    3188990282 B                            0.6006  (4 files)

No errors occured.

originally shared at www.shnflac.net April 11, 2019

********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.










In 2018 Jeff Knudsen donated his 5000+ cassette tape collection to www.shnflac.net.
The ensuing GEMS Lossless Legs production is releasing each of these tapes as raw transfers in digital format, one file per cassette side or cassette.

Transfer info: Nakamichi Dragon -> Tascam DA-3000
Transfer by: Tom Markson
Date on label: 1-10-70
Notes:  1 Tape, 2 Sides tranferred as 1 Audio file

Here's what deadlists.com says occurred on this date and the sources in circulation at the time of this seed.
This release may or may not be one of these sources.
This entry is included as an aid to future researchers.
As always, listen, look at the pictures and judge for yourself.

http://www.deadlists.com/deadlists/showresults.asp?show1=1/10/70

Band	Grateful Dead
Venue	Golden Hall - San Diego Community Concourse
Location	San Diego, CA
Date	1/10/70 - Saturday	posters	tickets, passes & laminates
One	[1:25:55] ; Tuning (1) [0:59] ; China Cat Sunflower [3:02] > Jam [3:10] > I Know You Rider [4:23] ; [2:10] ; Me And My Uncle [3:11] ; [0:18] ; Dire Wolf [4:16] ; [0:55] ; Hard To Handle [5:13] ; [0:12] % Casey Jones [4:20] ; [0:15] ; Mason's Children [4:25] > Black Peter [9:06] ; [0:06] % Good Lovin' [1:51] > Drums [3:26] > Good Lovin' [4:03] ; [0:13] ; Cold Rain And Snow [5:08] ; [0:34] ; Turn On Your Lovelight (2) [25:37] ; [1:09]
Comments	(1) "Clear the fuckin aisles".
At one point during Lovelight Pigpen tells the crowd: "Dance on your seats, just keep the aisles clear cuz the man is gonna getcha if ya don't cool it" and then, a minute later, "I believe you can stand up just a little more. There ain't too many of 'em." There was no encore. This is either the complete show, or the last 86 minutes of the show; it is not clear that China Cat was the opener. Savoy Brown and Aum were also on the bill (DeadBase IX). (2) Upcoming shows announcement at the conclusion of the show
Recordings	90 SB
Download Sources
SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips)
SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips)
S:MR>DAT>CD
SBD -> Master Reel -> Reel-> Dat -> CD D
SBD -> Master Reel -> Reel-> Dat -> CD D
MR > R1 >RX (purported 2nd gen)
MR > R1 > RX (purported to be 2nd gen)
Soundboard
Contributors	Jim Powell David A. Finney
Caretaker	Jim Powell email update

********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.


SHNTOOL OUTPUT
    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    93:47.059    1620592940 B   cxx   --   ---xx   flac  0.7624  Tape 1.flac
    93:47.059    1620592940 B                            0.7624  (1 file)

No errors occured.





The Knudsen Tape Collection is a 5000 cassette collection that is going to
digital FLAC format one entire tape or tape side at a time.

All transfers and numbered releases are "raw" files. They are unedited,
unmastered and untracked @ one digital flac file per tape or tape side.

The cassettes were donated to www.shnflac.net by Jeff Knudsen in 2018.
This is a GEMS Lossless Legs production.

Gear: Nakamichi CR-7A -> TASCAM DA-3000
      Transfer by Tom Markson

Date on the tape is most likely mislabeled.  Songs do seem to agree with
the J-Card.  Tape is labeled 3/7/70 but it seems to be 3/8/70. Renamed to
3/8/70. Please listen,look at the photos of the J-cards and judge for youself.

http://deadlists.com/deadlists/showresults.asp?KEY=3/8/70

Band	Grateful Dead
Venue	Travelodge Theatre in the Round
Location	Phoenix, AZ
Date	3/8/70 - Sunday	posters	tickets, passes & laminates
One	[1:32:39] ; Cold Rain And Snow [#3:35] ; [0:40] ; Yellow Dog Story [2:16] ; China Cat Sunflower [2:56] > Jam [2:13] > I Know You Rider [4:12] > High Time [7:00] ; [0:46] ; Dire Wolf [3:47] ; [1:10] ; Hard To Handle [4:49] ; [3:33] ; Monkey And The Engineer [1:38] ; [0:10] ; I've Been All Around This World [3:48] ; [0:44] ; Me And My Uncle [3:22] ; [0:41] ; Black Peter [8:30] ; [1:42] ; Katie Mae [2:10] > Wake Me Shake Me [9:29] ; [0:10] ; Not Fade Away [9:41] > Turn On Your Lovelight [13:19] > Drums [0:33#]
Comments	During the pause after Hard To Handle they switch to acoustic, shifting back to electric during the impromptu blues with an unknown vocalist following Katie Mae. The unknown vocalist continues his bizarre contributions, including some harmonica, during Not Fade Away > Lovelight. Latvala reports that there are two reels in the vault labeled with this date; the second is blank; the contents of the first are listed here. Perhaps we are missing the rest of the concluding electric set, although this seems complete as listed. Jim Blackwood notes that this was Vince Welnick's 1st Dead show (as an audience member).
Recordings
Download Sources
SBD -> Master Reel -> Cassette -> Dat -> CD
SBD>?>DAT>CDR
Soundboard
Contributors	Jim Powell, Jim Blackwood, Dick Latvala, David Gans
Caretaker	Jim Powell email update



********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.

SHNTOOL
   length     expanded size    cdr  WAVE problems  fmt   ratio  filename
   101:44.185    1758005276 B   cxx   --   ---xx   flac  0.6927  Tape 1.flac
   101:44.185    1758005276 B                            0.6927  (1 file)

No errors occured.










The Knudsen Tape Collection is a 5000 cassette collection that is going to
digital FLAC format one entire tape or tape side at a time.

All transfers and numbered releases are "raw" files. They are unedited,
unmastered and untracked @ one digital flac file per tape or tape side.

The cassettes were donated to www.shnflac.net by Jeff Knudsen in 2018.
This is a GEMS Lossless Legs production.

Gear: Nakamichi CR-7A -> TASCAM DA-3000
      Transfer by Tom Markson

Date and contents unconfirmed.  Please listen, look at the photos of the
J-cards and judge for youself. Here's what deadlists.com says occured on this date:

http://deadlists.com/deadlists/showresults.asp?KEY=8/18/70

Band	Grateful Dead
Venue	Fillmore West
Location	San Francisco, CA
Date	8/18/70 - Tuesday	posters	tickets, passes & laminates
One	[49:18] ; Intro [0:12] ; Truckin' [5:44] ; [1:20] ; Dire Wolf [3:53] ; [0:32] ; Friend Of The Devil [3:31] ; [0:23] ; Dark Hollow [3:05] ; [0:12] ; Ripple [4:15] > Brokedown Palace [4:16] ; [0:25] % Operator [2:27] ; [0:25] ; Rosalie McFall [2:57] ; [0:19] ; New Speedway Boogie [9:22] ; [0:53] ; Cold Jordan [2:22] > Swing Low Sweet Chariot [3:40] ; [0:42]
Two	[20:39] ; Intro [0:04] ; Six Days On The Road [3:56] % [0:10] ; Watcha Gonna Do [4:16] ; [0:13] % Glendale Train [4:11] ; [0:10] % [0:07] ; Brown Eyed Handsome Man [3:23] ; [0:08] % Fair Chance To Know [4:09] ; [0:02]
Three	[1:24:06] ; Intro [0:04] ; Dancing In The Street [14:08] ; [0:25] ; Next Time You See Me [3:03] ; [0:17] ; Mama Tried [2:38] ; [0:11] % Cryptical Envelopment [2:02] > Drums [4:00] > The Other One [8:50] > Cryptical Envelopment [2:03] > Sugar Magnolia [3:54] ; [0:09] % Attics Of My Life [6:45] ; [0:33] ; It's A Man's, Man's, Man's World [12:02] ; [0:25] ; Drums [0:11] > Not Fade Away [10:20] ; [0:21] % Casey Jones [4:58] > Uncle John's Band [6:33] ; [0:14]
Comments	Total time 2:34:03. On the structure of mid-70 Dead shows see Comments under 05/02/70b. SET 1 is acoustic Dead; this is the complete set. Monitor issues after Truckin'. Pigpen plays piano on Truckin', Ripple & New Speedway. Jerry switches to electric guitar on New Speedway. David Nelson plays mandolin on Rosalie McFall, Cold Jordan & Swing Low. Marmaduke adds bass vocals to Cold Jordan and Swing Low. The introduction goes: "Good evening and welcome to the Fillmore West. Tonight you're going to spend an evening with the Grateful Dead."

SET 2 is NRPS w/ Garcia, pedal steel, and possibly Lesh on bass. They are introduced with "A hearty hi ho silver for the New Riders Of The Purple Sage." The circulating copy of this tape contains less than the first half of the complete NRPS set. Marmaduke introduces Brown Eyed Handsome Man as "a little Chuck Berry action for ya."

SET 3 is electric Dead. The introduction is "For those of you who follow baseball, direct from the Woodacre training camp, the Grateful Dead."

The best copies of this show currently circulating have the following lineage:

MAC > R @ 7.5 ips > R @ 3.75 ips > PCM/Beta > DAT

Unfortunately this transcription contains only the Dead sets. The 20 minutes of NRPS from this date circulates on the B side of a cassette transcript of the master of uncertain lineage. We need a fresh transcription of these masters.

The Taper's Compendium seriously misrepresents the quality of this AUD master, and of the next night's. The NRPS material circulates on side B of the acoustic set cassette, following Cold Jordan > Swing Low. Probably the rest of the NRPS set is on the master & needs to be put into circulation.
Recordings	155 AF
Download Sources
Audience
Contributors	Jim Powell Harvey Lubar
Caretaker	Jim Powell email update


********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.

SHNTOOL
   length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    72:25.197    1251416858 B   cxx   --   ---xx   flac  0.6930  Tape 1.flac
    85:38.183    1479796838 B   cxx   --   ---xx   flac  0.7061  Tape 2.flac
   158:03.381    2731213696 B                            0.7001  (2 files)

No errors occured.











The Knudsen Tape Collection is a 5000 cassette collection that is going to
digital FLAC format one entire tape or tape side at a time.

All transfers and numbered releases are "raw" files. They are unedited,
unmastered and untracked @ one digital flac file per tape or tape side.

The cassettes were donated to www.shnflac.net by Jeff Knudsen in 2018.
This is a GEMS Lossless Legs production.

Thank you to deadlists.com for their entry for this date.

http://deadlists.com/deadlists/showresults.asp?KEY=10/4/70

Band	Grateful Dead
Venue	Winterland Arena
Location	San Francisco, CA
Date	10/4/70 - Sunday	posters	tickets, passes & laminates
One	[1:03:00] ; Truckin' [#0:42#] % [0:06] % Till The Morning Comes [3:10] % [1:16] % Brokedown Palace [5:44] % [0:10] % Next Time You See Me [3:10] ; [0:51] ; Cold Rain And Snow [5:27] ; [1:17] ; China Cat Sunflower [3:07] > Jam [2:30] > I Know You Rider [4:16] % Drums [0:51] > Good Lovin' [1:55] > Drums [6:02] > Good Lovin' [5:55] ; [0:16] % Sugar Magnolia [4:50] ; [0:24] ; Casey Jones [4:26] ; [0:19] ; Uncle John's Band [6:18]
Comments	This show was broadcast by KQED-TV San Francisco with a quadraphonic simulcast by KQED-FM San Francisco and KSAN-FM San Francisco. Besides the Dead, NRPS, the Airplane, Hot Tuna and Quicksilver were also on the bill.

Janis died in LA on this night.

The FM tape of Truckin' breaks off as a DJ's talk cuts in and generally does not circulate with the rest of the tape. There is also about 2:30 of 'interview' between a KSAN DJ and Pigpen, who injured his fingers playing tambourine because the crew didn't manage to bring his organ along to the gig.

One of the earliest vinyl bootlegs of Grateful Dead was an LP from Mother Records, available on the West Coast by mid-71, containing China Cat > Rider, Casey Jones, Uncle John's Band, Sugar Magnolia & Good Lovin', all from the FM-broadcast.

Til The Morning Comes from this show is included as one of the bonus tracks in the Warner Bros. box set of the Dead's albums for that label.
Recordings	63 FM
Download Sources
FM > ? > CD.
SBD>FM>MR>R>R>DAT>WAV>SHN
Soundboard
FM Soundboard
Contributors	Jim Powell
Caretaker	Jim Powell email update



********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.


811af222a93eb818206c98ee6190a931 *knudsen.0001.gd1970-10-04.tape1sideA.flac
3cded688f0afe84352ceaa0141aaad37 *knudsen.0001.gd1970-10-04.tape1sideB.flac
ab163c2819dfc07a25fc36808962441c *knudsen.0001.gd1970-10-04.tape2sideA.flac
135102cb81c0717720003ff4b90bd79a *knudsen.0001.gd1970-10-04.tape2sideB.flac


















SHNID	Date	Venue	City	State
145869	1970-01-02	Fillmore East	New York	NY
flac 2448: One Maxell XLII 90 + one Maxell XLII 100 > Nakamichi CR-7A > TASCAM DA-3000. Transfer by Tom Markson. #0003
146070	1970-01-03	Fillmore East	New York	NY
flac 2448: One Maxell XLII-S 100 + one Maxell XLII 90 > Nakamichi CR-7A > Tascam-DA3000. Transfer by: Tom Markson. #0015
146136	1970-01-10	Golden Hall - Community Concourse	San Diego	CA
flac 2448: One Maxell XLII-S 90 > Nakamichi Dragon > Tascam DA-3000. Transfer by: Tom Markson. #0019
145934	1970-03-08	Travelodge Theatre	Phoenix	AZ
flac 2448: One Maxell XLII 100 minute cassette > Nakamichi CR-7A > TASCAM DA-3000. Transfer by Tom Markson. #0005
145871	1970-08-18	Fillmore West	San Francisco	CA
flac 2448: Two Maxell XLII 90's > Nakamichi CR-7A > TASCAM DA-3000.Transfer by Tom Markson. #0004
145789	1970-10-04	Winterland Arena	San Francisco	CA
flac 2448: One Maxell Hi CrO2 90 + one Maxell XLII-S 90 > Conditioned Nak-7a > Tascam DA-3000 @ 24bit/48000k. Transfer by Tom Markson. #0001

Live Concert Database