Sources for Zony Mash

SHNIDDateVenueCityStateArchive Identifier
121212002-04-11Seattle Art MuseumSeattleWA
recording info: SBD stereo (PreFM, not PA mix) ~ DAT(M1)
post production: DAT(Tascam DA-20 mkII) ~ SBLive ~ CoolEdit 2000 (normalize and tracking) ~ Plextor 8432A ~ Memorex Cool CDr
audio extraction: Plextor 8432A ~ EAC (secure mode) ~ SHN2k
132092002-06-06Wild BuffaloBellinghamWA
Source info: AKG 414TLII (on-stage, set on omni, split 2') + Soundboard > Mackie 1402 > DMIC-20 > DAT - board feed was 2 AUX sends with a seperate mix

Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN

There are a few bits of diginoise in the first set. They are there on the master DAT as well.

126832002-07-05High Sierra Music Festival - Showcase StageQuincyCA
Early show
Source info: AKG 414TLII (on-stage, set on omni, split 8') > DMIC-20 > DAT
Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN
121242002-07-05Late Night, High Sierra Music HallQuincyCA
(stage lip/dfc/2.5' above stage) Schoeps ccm4 (ORTF) -> Lunatec V2 -> DA-p1 @48 kHz
DA-p1 -> DIO 2448 -> Samplitude 2496 -> CDWav -> SHN v3
126822002-07-05Late Night, High Sierra Music HallQuincyCA
Source info: Schoeps cmc6/mk41v (at soundboard) + Shure VP88 (at stage lip, center) + sbd > Mackie 1642 > Lunatec V2 > Apogee AD1000
Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN
132112002-07-08Yoshi'sOaklandCA
Microtech Gefell M300s (ortf @ 2'; behind center booth) > Tascam DA-P1 > DAT > Mac > CD -R > EAC > shn (recorded and mastered by Michael Zelner; extracted and verified by rubagalo at hotmail.com)
149952002-08-15Tractor TavernSeattleWA
Source info: AKG 414TLIIS > GP DMIC-20 (on-stage, set on omni)
Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE > Samplitude > SHN
149932002-08-16LunaEugeneOR
Source: on stage AKG 414/omni > Dmic20
Transfer: M1 > Echo MIA > Sound Forge 6.0 > CDWav > mkw0.97b1
121222002-08-17Main Stage, Horning's HideoutNorth PlainsOR
Sources: On Stage AKG 414 TLII/omni > GP Dmic20 SBD>Hhb Portadat
Transfer (same for both): M1 > Echo MIA > Sound Forge 4.5
Mixed in Steinberg WaveLab 3.0 > Resampled in SF 4.5 > CDWave (splits) > mkw 0.97b1 (shn) Taped and mixed by Jonathan Epstein. Thanks to John Cocci for the equipment loan.
This is the early show.
121232002-08-17Bob Horning's HoedownNorth PlainsOR
Source: stereo SBD + matrix (preFM) > DAT(M1) > 1CD
post production details: DAT 48Khz (Tascam DA20 MKII) > SBLive (resampled to 44.1Khz) > Cool Edit 2000 (edit, EQ and normalize) > CDRWin > Plextor 8432 > Imation 32X CDr CD > .wav (EAC 0.9b4) > .shn (mkw 0.97b1)
This is the latenight show.
126842002-09-27Stella BlueAshevilleNC
original recording: SBD ~ DAT(Sony D100)@48Khz
post production: DAT(Tascam DA20mkII) ~ SB Live(resample to 44.1Khz) ~ Cool Edit 2000(edit and normalize) ~ CDRWin(tracks and CD master) ~ Plextor 8432A ~ Imation CDr (8x burn)
encoded by Dave Egan (mr.dave@attbi.com) Sat 10/05/2002 @ 10:10am
audio extraction: Plextor 8432A ~ EAC(secure mode) ~ SHN2k
132082002-10-27EMP Sky ChurchSeattleWA
Source info: ADK 51s + SBD > Apogee AD500 (60% board and 40% mics) This is a feed that I got from the sound guy at EMP.

Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE > Samplitude > SHN

149902002-11-07Pedal ProjectBellinghamWA
AKG 414TLII (split on-stage, set on omni) + SBD > Mackie 1402 > Lunatec V3
Otari DTR-8s > Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN
149912002-11-08Sit & SpinSeattleWA
Source info: AKG 414TLII (split on-stage, set on omni) + SBD > Mackie 1402 > Lunatec V3
Transfer lineage: Otari DTR-8s > Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN
149922002-11-09Fez BallroomPortlandOR
Source info: AKG 414TLII (split on-stage, set on omni) + SBD > Mackie 1402 > Lunatec V3
Lynx Studio Technology LynxONE (digital soundcard) > Samplitude > SHN
162122002-11-14SweetwaterMill ValleyCA
Microtech Gefell M300s (ORTF, 2 ft. stand, on stage) -> Tascam DA-P1 (w/preamp mod.) -> DAT -> Mac (Peak+Waves/Jam) -> CD-R DAT recording and CD-R mastering by Michael Zelner/ZOKA Extraction: CD-R -> EAC -> SHN by John Cocci
162132002-11-14SweetwaterMill ValleyCA
Microtech Gefell M300s (ORTF, 2 ft. stand, on stage) -> Tascam DA-P1 (w/preamp mod.) -> DAT -> Mac (Peak+Waves/Jam) -> CD-R DAT recording and CD-R mastering by Michael Zelner/ZOKA - mic@zoka.com EAC'ed & SHN'ed by Alan Dorchak, logfiles included, seek-tables appended.
162142002-11-17Blake'sBerkeleyCA
Source: Microtech Gefell M300s (ORTF, clamped to ceiling pipe 6 ft. from stage) + SBD feed (mono) -> Mackie 1202VLZ mixer -> Tascam DA-P1 (w/preamp mod.) -> DAT -> Mac (Peak+Waves/Jam) -> CD-R DAT recording and CD-R mastering by Michael Zelner/ZOKA Extraction: CD-R -> EAC -> SHN by John Cocci
162152002-11-17Blake'sBerkeleyCA
Microtech Gefell M300s (ORTF, clamped to ceiling pipe 6 ft. from stage) + SBD feed (mono) -> Mackie 1202VLZ mixer -> Tascam DA-P1 (w/preamp mod.) -> DAT -> Mac (Peak+Waves/Jam) -> CD-R DAT recording and CD-R mastering by Michael Zelner/ZOKA - mic@zoka.com EAC'ed & SHN'ed by Alan Dorchak, logfiles included, seek-tables appended.