Sources for Mike Gordon

SHNIDDateVenueCityStateArchive Identifier
1350932016-01-24Granada TheaterDallasTX
flac16 Milab VM-44 Link (S-Cards) -> Lunatec V2 -> Sonosax SX-R4 (24/48); FOB, DFC, 8' high, DINa; Sonosax SX-R4 -> AudioGate (16/44) -> CD Wave -> Flac(6)
1350962016-01-26Rialto TheatreTusconAZ
flac16 AKG CK63 > Naiant couplings|PFA > Tascam DR-70D @ 24bit/44.1kHz; DR-70D > USB > Adobe Audition 3.0 > CDWave > FLAC (Level 8); clamped to empty balcony, ~5' ROC | 20cm, 70º; Recording and Transfer: audBall
1350972016-01-26Rialto TheatreTusconAZ
flac16 Microtech Gefell M20 > NBob|PFA > Tascam DR-70D @ 24bit/44.1kHz; DR-70D > USB > Adobe Audition 3.0 > CDWave > FLAC (Level 8); clamped to empty balcony, ~5' ROC | 23cm, 70º; Recording and Transfer: audBall
1355492016-01-26Rialto TheatreTusconAZ
flac16 Core Sound Binaural Mics>Core Sound Bass Roll Off Filter>Edirol RO9 @24bit/44.1khz
1352262016-02-05Park City LivePark CityUT
flac16 DPA 4021-Tinybox-Sony M10; DINa 8' high 10' left of center about 50' back Over the bar rec @16/44.1
1352662016-02-06Gothic TheatreEnglewoodCO
flac16 Neumann AK40 > LC3KA > KM100 (FOB/DFC/DIN) > 744T @ 24 bit/48 khz; 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16; Taped, transferred, and converted by Phil Rollins
1373462016-11-23Town BallroomBuffaloNY
flac24 96kHz DPA 4023>EAA PSP-2>Sound Devices 722 (24/96); DIN/OTS/SROC 7’ stand on elevated floor extended over and directly behind soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(encode, tag, fingerprint)>flac24 (level 8 ); Taped and Transferred by: Lenny Stubbe
1373472016-11-23Town BallroomBuffaloNY
flac16 44.1kHz DPA 4023>EAA PSP-2>Sound Devices 722 (24/96); DIN/OTS/SROC 7’ stand on elevated floor extended over and directly behind soundboard; 722>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped and Transferred by: Lenny Stubbe
1373422016-11-26The EggAlbanyNY
flac16 44.1kHz Neumann TLM-170s (cardoid, 15th row dead center approx 10' high) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.9
1373432016-11-26The EggAlbanyNY
flac24 96kHz Neumann TLM-170s (cardoid, 15th row dead center approx 10' high) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 11 (clap/whistle scrubbing); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.9; Recorded, mastered, tracked and posted by Scott Bernstein
1373602016-11-26The EggAlbanyNY
flac16 Neumann KMR82i (PAS)> AETA PSP-3 + Neumann U89i (hyper/PAS)> Zoom F8 (24/48 on a SDHC Card)
1373442016-11-29Lincoln TheatreWashingtonDC
flac16 Neumann ak40-lc3-km100-xlr-sd788
1373452016-11-29Lincoln TheatreWashingtonDC
flac16 Source 1: Neumann ak50(ortf)-lc3-km100-xlr-sd788 Source 2: Neumann USM69(omnis)-xlr-sd788 Source 3: Neumann ak40-lc3-km100-xlr-sd788
1373592016-12-03Variety PlayhouseAtlantaGA
flac16 LSD2 (fig 8 at 45) > V2 > TMOD FE-LE2 (48/24); 20ft back ( row 6 ) DFC with mic 8ft; TMOD FE-LE2 WAV (24/48) > Audacity > FLAC1644 (Level 8); Taped by: Tim "Flip" Ruberg and Jacob Patton
1374172016-12-11The SinclairCambridgeMA
flac16, 44.1kHz; Schoeps mk4 > kc5 > cmc6 > Fostex FR-2 LE (24 bit / 48 kHz); .wav > Reaper v5.30 (track splits) > SoX v14.4.2 (resample to 44.1 kHz, dither to 16 bit) > FLAC v1.3.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
1374182016-12-11The SinclairCambridgeMA
flac24, 48kHz; Schoeps mk4 > kc5 > cmc6 > Fostex FR-2 LE (24 bit / 48 kHz); .wav > Reaper v5.30 (track splits) > FLAC v1.3.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel