John Cipollina

Man & John Cipollina

Man and John Cipollina
Rehearsals @ Cipollina's House,
Mill Valley, CA
03/13/75

Source: John's master reels > cassette (1st gen)
Lieneage: cass > Nachamichi Dragon> HHB CDR830 BurnIt cdr > xACT > Flac >
               TLH > wav > Adobe Audition > iZotope RX 4 Advanced >
               iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16


01   Jam
02   talking and noodling
03   working it out > Breaking Up Is Hard To Do (partial)
04   more working it out > Breaking Up Is Hard To Do (complete)
05   working it out > Someone Is Calling (complete)
06   noodling > Heliport Jam



Notes:

- dc offset removed
- a few clicks/pops removed
- level adjustments made
- clipping repaired and NR applied with iZotope RX 4 Advanced
- polished with iZotope Ozone 5 Advanced



Thanks to Ray Decosta for providing his copy which was received from Steve Keyser.



edited and remastered
SIRMick
October 2014


shntool ouput:

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    11:17.33      119500460 B   ---   --   ---xx   flac  0.5770  manandcipollina1975-03-13t01.flac
     3:45.62       39835868 B   ---   --   ---xx   flac  0.5091  manandcipollina1975-03-13t02.flac
     5:39.29       59867852 B   ---   --   ---xx   flac  0.5336  manandcipollina1975-03-13t03.flac
    10:12.31      108029756 B   ---   --   ---xx   flac  0.5314  manandcipollina1975-03-13t04.flac
     6:37.16       70068476 B   ---   --   ---xx   flac  0.5552  manandcipollina1975-03-13t05.flac
    19:24.01      205331996 B   ---   --   ---xx   flac  0.5864  manandcipollina1975-03-13t06.flac
    56:56.22      602634408 B                            0.5607  (6 files)

flac fingerprints:

manandcipollina1975-03-13t01.flac:562bebf416b44bf29733b3c1570e267b
manandcipollina1975-03-13t02.flac:477504da975aa6777b0ee1dba8b13962
manandcipollina1975-03-13t03.flac:da4adbb3d3aac7ba9b4489a729e94273
manandcipollina1975-03-13t04.flac:09e722b2c86da1b2f18ebabdbc5a1859
manandcipollina1975-03-13t05.flac:a7a5e6526527e29a5385c3170828f72f
manandcipollina1975-03-13t06.flac:07193ab2ddfbf4aff76fce4f441869fb


Man, with John Cipollina
Apollo, Glasgow
May 14, 1975


Disc One

1. 7171-551 10:30
2. A Hard Way To Die 6:43
3. Babe I'm Gonna Leave You 6:45
4. Hard Way To Live 3:26
5. The Storm 14:32
6. Codine 8:25

Disc 1 Total - 50:23

Disc Two

1. Someone Is Calling 2:59
2. Razor Blade And Rattlesnake 6:04
3. Many Are Called But Few Get Up 15:07
4. Bananas 11:55

-------

5. Scotch Corner * 5:03
6. Romain * 8:04
7. Blown Away * 6:53

Disc 2 Total - 56:07

* - BBC Sessions, 27/2/74


Lineage: ? > CD-R > EAC > Wav > FLAC Frontend > FLAC (8)


John's view of his experiences with the Manband:

And then of course I went and did the Man thing.

[Man was a Welsh band, formed in the late 1960's and led by Micky Jones, Terry Williams (later of Rockpile), and Deke Leonard, that was heavily influenced by the San Francisco sound.]

They came to San Francisco and they were big fans and they wanted to meet me. In fact, they had come the year before and they played a club and they asked if anybody in their audience knew where I lived.

So I went in and I met them and they immediately accused me of not being me. I didn't live up to their expectations at all. They said, "Aw, you can't be him. How tall are you?" And I said, "I'm five-nine." And they said, "Everybody knows Cipollina's at least six-two to six-four." I said, "Bullshit." They said, "We've seen pictures of Quicksilver. He's a big, tall guy." And I actually showed them my license.

I had never had anybody accuse me of not being me before. It was weird. Deke Leonard said, "Well, if you're Cipollina, here, play something like him." So we did a jam and I guess I passed. Then they asked me to come down - they were playing Winterland. I sat in with them on the encore and everything that could've gone wrong went wrong. I mean, I broke a string. I hardly ever break strings. And the PA went out, and one of the amplifiers blew, I think. And it was really cool, because the band held it together. Finally, whan the PA went off, the drummer just took it and did a solo.

So at the end of the show they came over and they started to apologize. They said, "Gee, we wanted to ask you if you'd come to England with us, but you probably won't because everything fell apart." And I thought about it. I didn't know them, but I figured that anybody that could hold it together under that kind of adversity was adult enough and professional enough, sure, I'd do it. So I went over without knowing anything about them and we ended up doing the album. [Maximum Darkness, 1975]

It was fun doing a three-way guitar thing and also I thought it was about time that I get over, because I was getting typecasted pretty heavy as being, you know, a 'psychedelic' guitar player. It was getting to the point where it was even affecting sessions. I was a trained musician. I had played in jazz groups. I had played numerous styles of music. And I could play rock 'n' roll. But nobody would hit on me for certain sessions because I was typecasted as being a psychedelic guitarist, which I never felt I was very good at, anyway. But then, what do I know? I was just a rocker. So I thought, well, if I'm gonna keep doing this for a living, I'd better get over and do what I do. They might as well find out now I'm five-nine. So I went over and I played.

And sure enough, I surprised everybody. First of all, I am more violent than most people consider. I mean, I'm not, I don't hit people. But I do have a black sense of humor. I always have and I figure they might as well know. And I think we did really well, Man and myself, we did pretty good.

from "The John Cipollina Story, Part 4: Guitarist Without Portfolio", by Walter Ruhlmann, Relix Vol. 15 #3  -  http://michaelcross.me.uk/jc/r-jcs4.htm


Another version:

John's eventual and eventful meeting with Man deserves to be given a mention, "Man did an interview with a San Francisco radio station..... I was out with another non-group, that we pulled up just for the day. I was playing with Link Wray, my old hero, and there was a drummer and bassist too. The drummer with Copperhead was with them (Link and group) and said 'come on down' and one thing led to another. We were supposed to do a show at the California Institute For Women, which is the biggest women's prison in the United States, and Link had to cancel at the very last minute. So I had already been contracted to play there and I'm not much of a solo guitarist, not much at going out on my own. It was just ludicrous..... I went down to do this gig and at the last gasp I pulled a band together; I got Andy Kirby on drums and this friend of ours, who fixes all my equipment, keeps my rehearsal scene together and who I jam with sometimes. We formed a group for the day, the Sons of Hitler, and we went down to this women's prison and played "Jailhouse Rock" and just about everything else we could think of, the three of us. When we were down there, Man did a radio show and said, 'we'd like to meet John Cipollina' sorta thing. I got back to town a couple of days later, not knowing about this, but a friend at the radio station was trying to contact me. I had moved outta my house and into a hotel for purely erotic and esoteric reasons. I was sorta hiding out in my home town, in a hotel and having a ball. So finally, two or three days later, some friends of mine said, "hey this group Man, they're looking for ya". So I said where are they - turned out they were at Howard Johnson's, the same hotel, right down the hall from me. So I went down to their room and knocks on the door and the drummer says, "come on down to rehearsal", we got there and they said, "come down to Winterland. come on and jam on the encore with us" and I did. I had never heard the song before, got onstage, had a ball playing "Romane". So we hung out in the dressing room and somebody from UA said would I consider going to England for six weeks. I had nothing planned for six weeks, so rather than holiday in my own back yard, I thought I'd holiday in England. It's a gas playing with them and I've really had a good time..... also, I got to visit England at last, which, you know, is sorta my ancestral burial ground".

from "John Cipollina", by Bert Muirhead, Hot Wacks 8, Oct/Nov '75  -  http://michaelcross.me.uk/jc/hw-jc.htm


Then, of course, there's the involvement with Man.

"They asked me if I'd do some studio work, then an album, and it rolled into a tour. So here I am. Course, they might not like me at the end."

So far he's played once live with Man, at the Winterland where he succeeded in busting two amps and a string, disasters not supposed to plague guitar heroes: "They were so cordial and all, though, so I came over, said, 'Boys, I don't usually do things like this'."

Mighty Fine Gestures all round, hombres, but J.C. won't be joining Man permanently: "Guess I'm a Westerner. I was born and bred in Berkeley, California. That's mah home."

from "Triggers Ahoy!", NME June 7, 1975  -  http://michaelcross.me.uk/jc/nme-jc.htm


The Manband's view:

"What d'you think of the new album then?" said Man's guitarist Micky Jones. Drummer Terry Williams sat there staring, waiting for an answer. I made a few non-committal grunts. "Yeah," said Micky, "I know what you mean." Terry nodded.

Man's new album, "Maximum Darkness," their twelfth, was recorded live at the Chalk Farm Roundhouse on the last nights of their summer tour. Ex-Quicksilver guitarist John Cipollina had joined the Welsh band for the whole tour after meeting them earlier in the year in California where the band had been notably successful.
The marriage of Cipollina, Jones and Deke Leonard on guitars wasn't quite Quicksilver. The album obviously reflects that.

Mixing the live tapes proved difficult. "Three guitars for a start... a lot had to be dropped out. We didn't have enough rehearsals with John."

They had four days in fact. "It got tightened up by the Roundhouse, but it still wasn't tight enough to mix as it is and leave it. Cipollina himself was disappointing. "I think he's been outta touch. I don't think he was doing much in California. He was more or less the resident musician at the Winterland. Whatever band came along he'd play with them."

The album features two old Man songs from way back - "Bananas" and "Many Are Called But Few Get Up" - a Deke Leonard Iceberg cut, "7171 551", and two songs from Cipollina's background, Buffy St. Marie's "Codine" and "Babe I'm Gonna leave You".

"We would've liked to have done more, but we just had four days and those passed just getting to know the guy," Micky says. "It worked as an experiment. It wouldn't work as a permanent thing, whatever permanent is." (Man's personnel is the most fluid you'll find anywhere.)

"It blew a few illusions. I was expecting more as a musician. Everybody builds up something in their head about somebody. I had an illusion about him as a musician. It blew the illusions."

Was that Micky's view or the band's? "It's a collective impression. It'd be the same for a lotta people if Elvis came over here.

Personally, they got on fine with Cipollina. "Great, great. He always wants to play tricks, have a bit of fun. He's got these terrific stories he bumbles on about and he forgets what he's talking about. He's all 'Let's go 'n' party! Let's go 'n' blow up a car!' He's very conscious of it. He doesn't have to live up to it. It is him... he's interesting. He's a character."

On stage: "I think it was more difficult for me than it was for Deke. See, Chippo was on my side (of the stage) and he's got this great stack. And we don't play at his volume. Where Deke was he could hear me and Chippo okay. Where I was, standing right next to him, I couldn't hear at all. He wasn't very sympathetic, really, with other musicians."

"Not meaning-wise," adds Terry, "he wasn't trying to outdo anybody. He was just so loud that we couldn't hear each other even when he was playing rhythm. Like, when Micky was doing a solo and I wanted to do accents with him there was no way I could do it."

But did Cipollina's style seem compatible with Man's. "He's changed. He's gone very heavy metal. All the numbers that he's writing now are very basic, heavy boogies," says Terry

"I don't think he realised what he was coming to. He didn't realise how popular the band was over here for a start," adds Jones.

To get down to specifics on the album, Cipollina doesn't play in "Bananas." (Terry: He was outta tune. I don't know whether he was panicking or what").

"There was some things, some numbers that he couldn't really get a grasp of. Like "Many Are Called," there's some weird things in that. He couldn't latch on to that and it was totally out of his feel to play that type of thing."

"I did a separate mix of 'Bananas'. Put the band down and John up. I am cruel - I admit that," says Jones, smiling an elfin smile.

"It shatters all the myth," adds Terry.

from "Man of Darkness", by Geoff Brown, Melody Maker October 4, 1975  -  http://michaelcross.me.uk/jc/mm75-mod.htm


Another view:

Meeting one of your musical heroes is always fascinating and it was a strange mixture of awe and interest that took young Campbell and I down to see John Cipollina (belatedly) in action on English soil. We must be grateful to Man for bringing him over, but I would have preferred it to have been in a more familiar role, for instance, with Copperhead or (whisper it) the legendary version of Quicksilver. On the night, Cipollina was a mixture of enigma and cult figure guitar hero. Resplendent in buckskin and cowboy boots, he dominated the stage in the physical sense, being head and shoulders above the Man midgets. Musically, he was fine, when he got the chance. It was only the third night of the tour and things were not really together yet; also, Man were only including two slices of Cipollina's past, the evergreen "Codine" and one of the tracks from "Quicksilver's contribution to the "Revolution" soundtrack. John had brought with him his own sound system, or part of it (details in ZigZag 52.) and his sound was clear as a bell, whether it was on his Gibson or on hawaii/slide guitar. Despite John's reservations about the sound, mainly centering around the different US and English voltages, his soloing made Man's muddy by comparisons. A brief word for Man, who are big Edinburgh favourites having played here four times in eighteen months albeit with four different line-ups), and for bringing John over I'm sure they will earn a lot of people's respect. I'm not too fond of their music on record but they are nice guys to talk to and I'm sure they'll be around for a while yet. After the gig, John spent a long time ensuring that his guitar and amps were safely packed away and took personal possession of his guitars (I wish more musicians took this trouble, instead of leaving stuff around to get occasionally ripped-off by anybody who happens to be passing) before talking to us.

from "John Cipollina", by Bert Muirhead, Hot Wacks 8, Oct/Nov '75  -  http://michaelcross.me.uk/jc/hw-jc.htm


Man and John Cipollina
Free Trade Hall,
Manchester, England
05/20/1975

7171 551
Hard Way To Die
Babe I'm Gonna Leave You
The Storm
Hard Way To Live
Codine
Razorblade And Rattlesnake
Many Are Called But Few Get Up
Bananas


Micky Jones - guitar, vocals
Deke Leonard - guitar, vocals
Terry Williams - drums
Martin Ace - bass
John Cipollina - guitar


Ed Perlstein, who has archived collections by Nick Gravenites, Spencer Dryden, Steve Keyser (John Cipollinaâ€™s manager) and others, and who currently possesses John Cipollinaâ€™s personal tapes, was given the approval of Johnâ€™s sister, Antonia, to share Johnâ€™s live and studio outtake recordings in the interest of keeping his music alive for future generations.  Steve Keyser, who recorded most of John's live shows with several different bands while he was his manager, has allowed Ed to digitize his master cassettes, and to share them with Johnâ€™s fans and collectors.

Charlie Kaiser has given us access to his soundboard masters.  He was the Front Of House soundman and recording engineer for virtually all of John's bands from about 1983 until his passing. This included Thunder and Lightning, Dinosaurs, Terry and The Pirates, Problem Child, and any of the spinoff bands.



Man with John Cipollina
The Roundhouse
London, England
05/24/1975

Source: Unknown audience master cassette > CDR > AIFF files
Lineage: AIFF files 16/44.1 > iZotope RX 11 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > CD Wave > flac16



01   C'mon
02   7171-551
03   Hard Way To Die
04   Codeine
05   Razor Blade And Rattlesnake
06   Someone Is Calling
07   Babe Iâ€™m Gonna Leave You
08   The Storm//
09   A Hard Way To Live
10   Many Are Called But Few Get Up
11   Bananas
12   Romain



Micky Jones -  guitar, vocals
Deke Leonard -  guitar, vocals
Terry Williams -  drums, vocals
Martin Ace -  bass, guitar, vocals


Guest:

John Cipollina - guitar (whole show)


Notes:

- Room reverb reduced.
- Eq'd

Source: Provided by Anon
Pitch checked by Seth Kaplan
Tagging and quality control by Mike Schuncke
Artwork by Bruno
Edited and Mastered SIRMick August 2024


shntool output:

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    22:47.21      241188236 B   ---   --   ---xx   flac  0.3339  01 C'Mon.flac
    11:41.57      123790508 B   ---   --   ---xx   flac  0.3336  02 7171-551.flac
     7:05.42       75068828 B   ---   --   ---xx   flac  0.3263  03 Hard Way To Die.flac
     9:31.05      100736204 B   ---   --   ---xx   flac  0.3215  04 Codeine.flac
     6:12.16       65658476 B   ---   --   ---xx   flac  0.3233  05 Razor Blade And Rattlesnake.flac
     4:12.72       44622188 B   ---   --   ---xx   flac  0.3202  06 Someone Is Calling.flac
     6:22.48       67497740 B   ---   --   ---xx   flac  0.4334  07 Babe Iâ€™m Gonna Leave You.flac
    13:10.42      139454828 B   ---   --   ---xx   flac  0.4396  08 The Storm.flac
     4:22.01       46219196 B   ---   --   ---xx   flac  0.4258  09 A Hard Way To Live.flac
    15:25.52      163292348 B   ---   --   ---xx   flac  0.4249  10 Many Are Called But Few Get Up.flac
    11:33.03      122252300 B   ---   --   ---xx   flac  0.4274  11 Bananas.flac
     5:18.27       56158748 B   ---   --   ---xx   flac  0.4248  12 Romain.flac
   117:43.11     1245939600 B                            0.3772  (12 files)

flac fingerprints:

01 C'Mon.flac:e92eb3dec3d0bb72358f39dd947eeace
02 7171-551.flac:f25f987e5ae6e86cd96cae2d6dda9c7b
03 Hard Way To Die.flac:168eeffdc2fe256c30cbc1a58eece298
04 Codeine.flac:d78f39626c0c5bc4cd0b38d5985bc341
05 Razor Blade And Rattlesnake.flac:21274ae558d7d6b86b78767ac7e95e23
06 Someone Is Calling.flac:3615aabae52c28e7189d25a9dd1df30a
07 Babe Iâ€™m Gonna Leave You.flac:1302fa87d82c1b04568b7855d055df4c
08 The Storm.flac:5905f4ccf2fe1ce5ccdb8cac672254f6
09 A Hard Way To Live.flac:e867a745a93fe149c01ceda61694cd54
10 Many Are Called But Few Get Up.flac:57ccc54adb24050a6886d0507f231c22
11 Bananas.flac:80a66c6211f2ab9cc1d54f25a93fd36c
12 Romain.flac:4a1fc89764ae14abfcf878d297b6f9b1



Ed Perlstein, who has archived collections by Nick Gravenites, Spencer Dryden, Steve Keyser (John Cipollinaâ€™s manager) and others, and who currently possesses John Cipollinaâ€™s personal tapes, was given the approval of Johnâ€™s sister, Antonia, to share Johnâ€™s live and studio outtake recordings in the interest of keeping his music alive for future generations.  Steve Keyser, who recorded most of John's live shows with several different bands while he was his manager, has allowed Ed to digitize his master cassettes, and to share them with Johnâ€™s fans and collectors.

Charlie Kaiser has given us access to his soundboard masters.  He was the Front Of House soundman and recording engineer for virtually all of John's bands from about 1983 until his passing. This included Thunder and Lightning, Dinosaurs, Terry and The Pirates, Problem Child, and any of the spinoff bands.



Man with John Cipollina
The Roundhouse
London, England
05/26/1975

Recording info: Unknown audience master cassette > CDR > AIFF files
Lineage: AIFF files 16/44.1 > iZotope RX 11 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > CD Wave > flac16



01   Drone
02   7171-551
03   Hard Way To Die
04   Codine
05   Razor Blade And Rattlesnake
06   Someone Is Calling
07   The Storm
08   Babe Iâ€™m Gonna Leave You
09   Many Are Called But Few Get Up
10   Bigelow 6 9000
11   Hard Way To Live
12   Bananas
13   ~~encore break~~ and tuning

encore

14   Romain *
Mona/Who Do You Love// *



Micky Jones -  guitar, vocals
Deke Leonard -  guitar, vocals
Terry Williams -  drums, vocals
Martin Ace -  bass, guitar, vocals


guests:

John Cipollina - guitar (whole show)
Lemmy Kilmister - bass *

Comments:

- This show was recorded for release,  some tracks were on the album "Maximum Darkness". Those tracks are the only ones that have been available for this show until now. This is a recording of the whole show and admittedly it's a little raggedy round the edges, mainly due to the poor acoustics of The Roundhouse, but it is well worth a listen.

Notes:

- The discs were burned TAO leaving small gaps, which have now been close up.
- A number of small dropouts have been repaired.



Source: Provided by Anon
Pitch checked by Seth Kaplan
Tagging and quality control by Mike Schuncke
Artwork by Bruno
Edited and Mastered SIRMick September 2024


shntool output:

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
     4:31.73       47976140 B   ---   --   ---xx   flac  0.6990  01 Drone.flac
    12:33.32      132904508 B   ---   --   ---xx   flac  0.7157  02 7171-551.flac
     7:08.22       75550988 B   ---   --   ---xx   flac  0.7129  03 Hard Way To Die.flac
     9:41.40      102582524 B   ---   --   ---xx   flac  0.7101  04 Codine.flac
     6:29.04       68629052 B   ---   --   ---xx   flac  0.6996  05 Razor Blade And Rattlesnake.flac
     3:10.17       33556028 B   ---   --   ---xx   flac  0.7164  06 Someone Is Calling.flac
    16:36.60      175835564 B   ---   --   ---xx   flac  0.7101  07 The Storm.flac
     6:46.14       71651372 B   ---   --   ---xx   flac  0.7234  08 Babe Iâ€™m Gonna Leave You.flac
    15:47.65      167203724 B   ---   --   ---xx   flac  0.7157  09 Many Are Called But Few Get Up.flac
     4:38.74       49213292 B   ---   --   ---xx   flac  0.7188  10 Bigelow 6 9000.flac
     4:47.19       50671532 B   ---   --   ---xx   flac  0.7254  11 Hard Way To Live.flac
    11:09.61      118155116 B   ---   --   ---xx   flac  0.6949  12 Bananas.flac
     3:20.57       35414108 B   ---   --   ---xx   flac  0.6726  13 ~~encore break~~ and tuning.flac
     5:10.41       54780476 B   ---   --   ---xx   flac  0.7259  14 Romain.flac
     6:43.15       71124524 B   ---   --   ---xx   flac  0.7294  15 Mona~Who Do You Love (incomplete).flac
   118:35.69     1255248948 B                            0.7118  (15 files)

flac fingerprints:

01 Drone.flac:a71d513a692e86c304707decd05b00aa
02 7171-551.flac:62e6005cf988df55c5040046b2ec0a78
03 Hard Way To Die.flac:74cf8874b345e44c17dc123bb37ffe9d
04 Codine.flac:fb082a217f50aeca7284cba7278f7a1a
05 Razor Blade And Rattlesnake.flac:96f9dfe9ea113e6ab608db3de271571f
06 Someone Is Calling.flac:a08ed9740c1984ee7c72d4b4f688db0e
07 The Storm.flac:d8826bb3318e19004bf929ab862f09fb
08 Babe Iâ€™m Gonna Leave You.flac:c1817831e4e110f46db6f2b131595d4a
09 Many Are Called But Few Get Up.flac:7d740d2bb78faf54ef364cdf841043f1
10 Bigelow 6 9000.flac:38e8f442dca6d06e6c1a32d677b1923f
11 Hard Way To Live.flac:a7dec052a24cb8003bd0c34a14ab755e
12 Bananas.flac:d7d2d8c3cdcd2572660bce109bbd1950
13 ~~encore break~~ and tuning.flac:53d412410269a5e7fb54108c53be49d7
14 Romain.flac:465ca077123a00ea15bd0e0b57cabaa1
15 Mona~Who Do You Love (incomplete).flac:7be7b5d0cd08fd7ce703f613c10aacca



SHNID	Date	Venue	City	State
157061	1975-03-13	Cipollina's house	Mill Valley	CA
Cipollina's Master Reels > Cm > Nak Dragon > HHB CDR 830 > xAct > Flac > Wav > Adobe Audition > CDWav > Flac
157062	1975-05-14	Apollo Theater	Glasgow	Scotland
SBD > ? > CD > EAC > Flac
157063	1975-05-20	Free Trade Hall	Manchester	England
SBD > ? > Flac
168334	1975-05-24	The Roundhouse	London	England
Source: Unknown audience master cassette > CDR > AIFF files Lineage: AIFF files 16/44.1 > iZotope RX 11 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > CD Wave > flac16 edited and mastered SIRMick August 2024
168781	1975-05-26	The Roundhouse	London	England
Recording info: Unknown audience master cassette > CDR > AIFF files Lineage: AIFF files 16/44.1 > iZotope RX 11 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > CD Wave > flac16 edited and mastered SIRMick September 2024

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