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Live Concert Database
Sources for Steve Kimock Band
SHNIDDateVenueCityStateArchive Identifier
276272005-01-01The ShowboxSeattleWA
Source: (FOB) Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket (24 Bit/44.1 Khz) > Samplitude 7.0 > 16 bit/44.1 Khz (using pow -r #3 (noise shaping dithering) > flac (v1.7.1)
280262005-01-06Fox TheatreBoulderCO
AKG ck63> JK Labs ECMS-22> V3(optical)> JB3> CoolEdit> CDWav> FLAC frontend Taped and transferred by Todd Ramsden
1274672005-01-0732 BleuColorado SpringsCO
Source (AUD): AKG C 480 B comb/ CK61-ULS (DIN, FOB, center) > Apogee Mini-Me (44.1 kHz, 16 bit) > Denon DTR-80p Digital transfer: master DAT > Denon DTR-80p > M-Audio Audiophile 2496 > PC Digital editing: CuBase SX (Volume editing only on the first three tracks (they were recorded too hot with the limiter on) & set fades) Tracking & processing: CD Wave Editor > Trader's Little Helper > FLAC > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded & transfered by: Chuck Miller (chuck@taperssection.com)
1106492005-01-08Gothic TheaterEnglewoodCO
Source: dpa 4023>w-ua5>jb3>pc>soundforge>cdwave>flac
280112005-01-31BB King Blues ClubNew YorkNY
(Stage) Schoeps CMC6/MK4 -> Apogee MiniMe -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC/16bit archive@kimock.com
280122005-01-31BB King Blues ClubNew YorkNY
(Stage) Schoeps CMC6/MK4 -> Apogee MiniMe -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC/24bit archive@kimock.com
293302005-03-04Mexicali Blues CafeTeaneckNJ
AKG CK93/SE 300B [XY 90* FOB LOC]> Oade w-mod. UA-5> USB> Soundforge 6.0 (24/48)> Vaio VGN S270
284872005-03-05Higher GroundBurlingtonVT
Source: KM184> Neuman > Grace Design V3 > Tascam DAP-1(@44.1Hz) > CO2 > JB3
Transfer: WAV > Soundforge 6.0 (Normalized @ 0dB) > CDWAV > MKWact > SHN
292672005-04-29The NightlightBellinghamWA
Neumann ak40 > lc3 > km100 > Lunatec V3 > PDAudio (24 Bit/44.1 Khz) > iPaq h5555 > Live2496
291742005-05-01The JungleEugeneOR
Source: ADK TL mics > Apogee Mini-Me > VX Pocket V2 > Dell X300 > SF 6 (24/44.1) > CDWAVE > FLAC
Transfer: SF 6 used for 16 bit depth conversion (hi-pass triangular and hi-pass contour setting)
Notes: Mics set XY cardioid w/Harmonic Tech Truth-Link Mic Cables
292362005-05-01The JungleEugeneOR
Source Info:Sony ECM-DS70P Stereo Mic > Sharp MT-821 Minidisc > Soundforge 7 > FLAC
Source Info for Track 1 Disc 3:Sony ECM-907 Stereo Mic > Sony MZR-700 Minidisc > Soundforge 7 > FLAC
291932005-05-04KPFA StudioBerkeleyCA
Recording Info: (Stage) Rode NT2 -> Apogee MiniMe -> Sharp MV10 -> Samplitude Professional v8.0 -> FLAC/16 Recorded By Charlie Miller archive@kimock.com Notes: Level adjustments in High & Lonesome
291942005-05-04KPFA StudioBerkeleyCA
Recording Info: (Stage) Rode NT2 -> Apogee MiniMe -> Sharp MV10 -> Samplitude Professional v8.0 -> FLAC/24 Recorded By Charlie Miller archive@kimock.com Notes: Level adjustments in High & Lonesome
826402005-05-04KPFA StudioBerkeleyCA
Pre-FM SBD > Master Dat > Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Pro > Flac
Recorded by David Gans
Transfered by Charlie Miller
294352005-05-05Fillmore AuditoriumSan FranciscoCA
Source: Microtech Gefell M300s (T-bar, left balcony) > Lunatec V2 > Tascam DA-P1 > DAT (44.1K)
Transfer: Sony R500 > Lucid PCI24 > Mac (Peak+Waves) > wavs > flacs
DAT recording, mastering & transfer by Michael Zelner
293772005-05-06The MysticPetalumaCA
Nuemann TLM-103's> Lunatec v2> Apogee Mini Me (48/16)> M Audio Co2> JB3> Audacity> DB Poweramp(44.1/16)> FLAC
293782005-05-07Mystic TheatrePetalumaCA
Nuemann TLM-103's> Lunatec v2> Apogee Mini Me (48/16) M Audio Co2> JB3> Audacity> DB Poweramp(44.1/16)> FLAC
1019462005-05-21Haymaker FestivalSpotsylvaniaVA
Source: AKG C-1000's> Sony MZ-NH 900> Sonic Stage> Traders Little Helper for flac files
296892005-06-10The Trocadero TheatrePhiladelphiaPA
Source: Neumann AK40 (NOS, FOB/DFC) > LC3KA > KM100 > T-Mod+ UA-5 > Optical > JB3
751532005-06-10The Trocadero TheatrePhiladelphiaPA
Source Set I. MG M200(X-Y 90*)->Oade M248->Mini Me->Dat->HHB 850->Cd->Sound Forge 6.0->FLAC Source Set II. MG M200(X-Y 90*)->Mini Me->Dat->HHB 850->Cd->Sound Forge 6.0->FLAC
299972005-07-01High Sierra Music FestivalQuincyCA
Microtech Gefel 200 (cardiod) > EAA PSP 3 > SBM1 > Sony D8 > DAT > HHB 850 > CDR > EAC > .wav > Flac Frontend (level 8), verified / aligned on sector boundaries > .flac
299992005-07-01High Sierra Music FestivalQuincyCA
Recording Info: (Stage) Rode NT2 -> Apogee MiniMe -> Samplitude Professional v8.0 -> FLAC/16 Recorded By Charlie Miller archive@kimock.com
300002005-07-01High Sierra Music FestivalQuincyCA
Recording Info: (Stage) Rode NT2 -> Apogee MiniMe -> Samplitude Professional v8.0 -> FLAC/24 Recorded By Charlie Miller archive@kimock.com
826412005-09-11Mystic TheatrePetalumaCA
(Stage) Schoeps CCM4 > SX-M2 > UA5 > M1 > SEK'D Prodif Plus > Samplitude > CDWav > Flac
Ray Brooks
310502005-09-30The ParishAustinTX
Source: AKG 483 (DINa @8') > Warm Mod UA5 > Jb3 (SVU-1)
Transfer: JB3 (firewire) > Creative Playcenter > Soundforge 7.0 (fades) > CDWave (tracking) > flac level 6
310752005-10-01Granada TheatreDallasTX
Source: SBD (Stereo Feed From Brian Abramson's House Mix) + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24 -> Samplitude Professional v8.0 -> FLAC (2 Discs Audio / 2 Discs FLAC)
311482005-10-01Granada TheatreDallasTX
Source: (ots/fob/dfc) 2 Nakamichi 701?s-> Nakamichi MX-100 + 2 Gefell MV692?s+M94-> Mackie 1202 VLZPro-> Tascam DV-RA1000 (DSD)
Transfer: Tascam DV-RA1000 (DSD analog out)-> HHb CDR-830 (16/44.1)-> EAC-> CD Wave-> FLAC
312852005-10-04The GranadaLawrenceKS
Source: MG210(DIN, ROC) > V2 > VXPocket440 > Laptop (CubaseSX @24/48)
Transfer: Laptop > Wavelab(Fades, DSP) > FLAC
349612005-10-07Mississippi NIghtsSt. LouisMO
Source: Neumann 140 (XY) > Lunatec V3 ( analog out) >DAP-1( for A>D)
Transfer: Tascam DA20mkII > Soundblaster Live SPDIFin > SoundForge 4.5 > CDWAV
787792005-10-07Mississippi NIghtsSt. LouisMO
Steve Kimock Band 2005-10-07 Mississippi Nights - St Louis, MO
311942005-10-08The Park WestChicagoIL
Source: rob km-184 @ DIN > v3 > vx pocket > sony vaio pcg-4a1l > wavlab 4 @ 24 bit 48 Hz (resample and dithered to 16 bit 44.1 Hz in wavlab 4) > cd wave editor > flac frontend > .flac16
311562005-10-08Tower RecordsChicagoIL
Early Show:(Stage) Rode NT2 -> Apogee MiniMe (24bit/48k) -> Sharp MV10 -> Samplitude Professional v8.0 -> FLAC (1 Disc Audio / 1 Disc FLAC)
311672005-10-09The Magic BagFerndaleMI
Source: DPA4023 (ORTF) > Lunatec V3 @ 24bit/48kHz > VXPocket v2 > Vegas 3.0
Conversion: CDWave > Soundforge (Resample, Dither) > FLAC Frontend
313902005-10-20Starr Hill Music HallCharlottesvilleVA
Source: MG 210(xy 25ftcenter) > M148 > SBM1(mod) > D8
Transfer: D8 > Audiophile USB 2 > SF8(48>44.1) > CDWwave > flac16
350332005-10-22North Star BarPhiladelphiaPA
Recording Info: SBD (Stereo Feed From Brian Abramson's House Mix) + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24 -> Samplitude Professional v8.0 -> FLAC (2 Discs Audio / 2 Discs FLAC) Recorded and Mixed By Charlie Miller archive@kimock.com
350312005-10-25World Cafe From WXPNPhiladelphiaPA
Recording Info: SBD (Stereo Feed From Brian Abramson's Mix) -> Dat (44.1) & (Stage) Rode NT2 -> Apogee MiniMe -> Dat (Sony D8/44.1k) Transfer Info: Dat -> Sound Forge -> CD (WAV Data Discs) -> Samplitude Professional v8.01 -> FLAC/16 Recorded and Mixed By Charlie Miller Transferred By Brian Abramson
350342005-10-27The Stone ChurchNewmarketNH
clamped to ceiling rafter about 10' off stage, DFC Neumann AK40 (ortf) > LC3 > KA100 > Oade m248 > Marantz PMD671 24bit / 44.1kHz master tracked w/CDWAV no edits, dsp or anything esle performed other than tracking. there are some level adjustments in first 15min or so, but nothing shocking.
313622005-10-31Mexicali BluesTeaneckNJ
Source: Neumann KM184> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 [DIN 90* FOB DFC]
Transfer: JB3> firewire> Soundforge 6.0> cdWave> FLAC Frontend
1309882005-12-09Fox TheatreBoulderCO
SBD (Stereo Feed From Brian Abramson's House Mix) + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24 -> Samplitude Professional v8.01 -> FLAC
Recorded and Mixed By Charlie Miller
1503642005-12-09Fox TheatreBoulderCO
16 bit SBD (Stereo Feed From Brian Abramson's House Mix) + (Stage) Rode NT2 (cardioid) > PreSonus Digimax96 > Alesis HD24 (24-bit/48k) > Samplitude Pro X5 Suite > FLAC/24
Recorded and Mixed by Charlie Miller
1503652005-12-09Fox TheatreBoulderCO
24 bit SBD (Stereo Feed From Brian Abramson's House Mix) + (Stage) Rode NT2 (cardioid) > PreSonus Digimax96 > Alesis HD24 (24-bit/48k) > Samplitude Pro X5 Suite > FLAC/24
Recorded and Mixed by Charlie Miller
775642005-12-10Cervantes' Masterpiece BallroomDenverCO
MBHO 603a ka500hn > tmod+ UA-5 > JB3 > CDWav > Flac
319742005-12-17WOW HallEugeneOR
Source: (dfc/ots) DPA 4011's>Lunatec V2>Sound Devices 722 @ 24/96 using Van den Hul "Integration Hybrid" Mic Cables and Van den Hul "The Second" XLR Interconnects Mics spread 90 degrees on a 9' stand, approx. 55 ft. from stage
A QRT Symphony Pro was running in the tapers section. Transfer: Sound Devices 722 > Firewire > Dell 8600 Laptop>Samplitude 6.0 > CDWave fades, set breaks, resampling and dithering done in 32 bit float mode Vibrapods were used under the 722 and laptop during the file transfer and mastering process. A QRT Symphony Pro was running next to the 722 and laptop during the file transfer and mastering process.
321392005-12-30Great American Music HallSan FranciscoCA
Source: Microtech Gefell M300s (ORTF, center balcony) > Lunatec V2 > Tascam DA-P1 > DAT (44.1K) Transfer: Sony R500 > Lucid PCI24 > Mac (Peak+Waves) > wavs > flacs DAT recording, mastering & transfer by Michael Zelner