Sources for Neville Brothers

SHNIDDateVenueCityStateArchive Identifier
1078301986-02-11Henry J. Kaiser Convention CenterOaklandCA
Recording Info:SBD -> Cassette Master (Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1418541986-02-11Henry J. Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1704371986-02-11Henry J. Kaiser Convention CenterOaklandCA
First Generation Tape Recorded By Mr. Darby
SennheiserMD421's (PAS/DFC/Front Row Of Balcony/6 Feet High)> Sony TC-D5M,Sony TC-D5M> B&O 8002, Tape Maxell XLII-S
Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8)
Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Littler Helper
Metadata Tagging With Tag&Rename
1418561986-02-12Henry J. Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1704381986-02-12Henry J. Kaiser Convention CenterOaklandCA
Master Audience Recorded By Mr. Darby Sennheiser MD421's (Pas/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5m, Tapes Maxell XLII's
Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8)
Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
1704391986-03-12The CatalystSanta CruzCA
Dolby C Maxell XLII-S cassettes > Yamaha MT44D 4 channel recorder (4 channels of 45 minutes per 90 min. tape in one direction when sensor is on back of cassette).
2 channels of monitor soundboard + 2 channels of Crown PZM microphones over stage.
Transfer: Yamaha MT44D (Dolby C decoded) > Macintosh with Echo Layla audio interface > AIFF > Pro Tools (minor "nip and tuck" edits, time alignment, normalization, matrix mix and tracking) > AIFF files > xACT (flac level 8 files with sector boundaries verified). md5 file created with checkSum+.
1704431986-03-28Chestnut CabaretPhiladelphiaPA
Master Audience: Peter Wroblewski
NAK 100 Omni's>Sony D5>Maxell MX 90>JVC TD-R462>Audacity
1704441986-04-02Old Town & Grill BarEurekaCA
unknown gen analog sbd recording
digital transfer 2022-08 (24-48)
1704451986-05-10Catalyst ClubSanta CruzCA
Lineage: Dolby C Maxell XLII-S cassettes > Yamaha MT44D 4 channel recorder (4 channels of 45 minutes per 90 min. tape in one direction when sensor is on back of cassette).
2 channels of monitor soundboard + 2 channels of Crown PZM microphones over stage.
Transfer: Yamaha MT44D (Dolby C decoded) > Macintosh with Echo Layla audio interface > AIFF > Pro Tools (minor "nip and tuck" edits, time alignment, normalization, matrix mix and tracking - no equalization or digital noise reduction) > AIFF files > xACT (flac level 8 files with sector boundaries verified). md5 file created with checkSum+.
1708691986-05-16The Starry NightPortlandOR
source: analog audience recording
gen: 3rd
taper: ?
cassette provided by: MF
transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac)
digital transfer/edit by mossa 2024-06 (24-48)
1704461986-05-18Chestnut CabaretPhiladelphiaPA
Recorded and mastered to cdr by d5scott:
Source:
2 Beyer M-160 microphones > Sony TC-D5M - Analog master cassette (Maxell MX90 metal tape). Transfer:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
1704471986-06-06The ForumInglewoodCA
Master Cassette -> Untracked Aiff File -> Soundforge -> FLAC
1704481986-07-13North Sea Jazz FestivalDen HaagNetherlands
Source: unknown gen SBD Maxell XLII 90 > Kenwood KX-56W > Tascam DR-100MKIII @ 24/96 > wav > Adobe Audition CC Build 13.0.3.60 (editing, tracking, downsample to 16/44.1) > xACT 2.48 flac
Transferred, tagged and flac’d March 2020
804721986-07-19Telluride Jazz FestivalTellurideCO
[mono] SBD > {?hi-fi vhs?} > Reel > DAT > wavelab > cd wave/flac (level 6); DAT provided by Gordon Schuck, noted "SDB > Reel Master", which was transfered and seeded by KDP
1708701986-08-03Club ClearviewDallasTX
source: analog audience recording
gen: 2nd
taper: ?
cassette provided by: jormajeff
transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac)
digital transfer/edit by mossa 2023-07 (24-48)
1708521986-08-19Chestnut CabaretPhiladelphiaPA
SBD Master: Peter Wroblewski
SBD > Sony D5 > Maxell MX90 > JVC TD-R462 > Audacity
1708581986-08-20The PierNew YorkNY
AUD > Cassette (1st Gen) > DAT > CoolEdit Pro > REDUCED HISS > WAV > FLAC
Transfer from Cassette to DAT, PC, FLAC, and info by Vernon (heyvernusa).
1708591986-08-23Jonathan Swift'sCambridgeMA
source: analog audience recording
gen: 2nd
taper: ?
gear: Sennheiser 421 microphones -> NAK 550
cassette provided by: Joel Gerson (RIP)
transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac)
digital transfer/edit by mossa 2024-04 (24-48)
1708681986-11-04Shibuya Live-InnShibuya, TokyoJapan
2nd gen analog fm recording digital transfer 2022-08 (24-48)
1708601986-11-24The BayouWashingtonDC
SBD > ?? > CDr > Vegas > FLAC
1708611986-12-14The CatalystSanta CruzCA
Dolby C Maxell XLII-S cassettes > Yamaha MT44D 4 channel recorder (4 channels of 45 minutes per 90 min. tape in one direction when sensor is on back of cassette).
1 channel of monitor soundboard + 2 channels of Crown PZM microphones over stage.
Transfer: Yamaha MT44D (Dolby C decoded) > Macintosh with Echo Layla audio interface > AIFF > Pro Tools (minor "nip and tuck" edits, time alignment, normalization, matrix mix and tracking - no equalization or digital noise reduction) > AIFF files > xACT (flac level 8 files with sector boundaries verified). md5 file created with checkSum+.
1418571986-12-27Henry J. Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1708641986-12-27Henry J. Kaiser Convention CenterOaklandCA
Nak 300 Mics W/CP4 Shotguns > Sony D5
Nak Dragon > Sony SBM 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper
1418581986-12-28Henry J Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1708651986-12-28Henry J Kaiser Convention CenterOaklandCA
Nak 300 Mics W/CP4 Shotguns > Sony D5
Nak Dragon > Sony SBM 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper
1418601986-12-30Henry J Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1708661986-12-30Henry J Kaiser Convention CenterOaklandCA
Nak 300 Mics W/CP4 Shotguns > Sony D5
Nak Dragon > Sony SBM 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper
1708671986-12-30Henry J Kaiser Convention CenterOaklandCA
Recorded with Neuman km84i mics
Sony PCM F-1/SL2000 Beta. M
Transfer using SOny PCM 501-ES/SL2000 Beta->Tascam CD-RW700-> CDWav->FLAC
1418661986-12-31Henry J. Kaiser Convention CenterOaklandCA
flac16: Recording Info: SBD > Cassette Master; Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller