Fillmore Auditorium, San Francisco, CA
Summary (download all files)
MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree; d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69; note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04 Dropout @ 11:01; d1t06 Dropout @ 00:27; d1t07 Dropout @ 00:09, another bump 1:37; d2t02 Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups; note a third source (c) may be up too, no dropouts; note this show is now released as Dick's Picks 16- go
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Textdoc (download)
Original info file is below, followed by notes on out-of-order tracks on one version. In any case, I recommend just buying a copy of Dick's Picks 16! -DSH -- Grateful Dead Fillmore Auditorium San Francisco, CA 11/08/1969 MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD Disc 1 1. Easy Wind 2. Good Lovin? 3. Dark Star > 4. The Other One > 5. Dark Star > 6. Uncle John's Jam > 7. Dark Star Disc 2 1. Saint Stephen > 2. The Eleven > 3. Caution > 4. Main Ten Jam> 5. Caution > 6. Feedback > 7. And We Bid You Goodnight 8. Tuning ======================= Jim Wise's essay About 11/8/69 It wasn't too long after I met Dick in person when he let me in on what he really was into for a 2-track pick from 1969. When he started coming east for Dicks Picks parties several years ago he found comfortable accommodations at my home. I had already an internet & telephone correspondence with this fascinating man for 2 years prior but had never met him in person, & luckily for me, Dick & I had several long time mutual taper friends who vouched for me, so the ice was broken in advance. I credit my wife Dani for rounding him up. He could have fun with her (and vice versa) & we could bullshit about tapes all night long. I had 11/8 in my collection in several different forms for years, but never really sat down with it the way Dick showed me how to. Dick was like Santa Claus & whenever he would show up (once he called with little advance warning & said he was only one hour away, so get ready for him) he literally had a bag full of tapes, both cassette & dats. He good naturedley would love to see me squirm in anticipation & enjoyed teasing me, 'cause he knew that I was a tape addict, much like himself. On a visit 2 years ago he sat me down in my living room, we smoked a fatty, & he pulled out his dat of 11/8 & said "sit down, shut up, & listen". As the opening notes of "Dark Star" rang out I watched him curl up, close his eyes, & immerse himself in the sound. The last words he uttered for the next hour & one half were" Its quiet now, but it gets LOUD" This is when 11/8 really made it's impression on me, & so did the infamous clicks! This was Dick's dilemma; he loved this set so much, but knew that there were tech flaws on the master. He also had enough experience with his teammates John Cutler & Jeffrey Norman, to realize that this would be extremely difficult to persuade them to do the work in order for its official release as a DP. He was also afraid that it would be rejected as a pick, like so many other shows he wanted in the past were. It was only a few months prior that I had started experimenting with a PC based hard disk recording & editing system, so we grabbed his dat & downloaded a sample to look at the wav file as it appears on screen. We farted around for a bit & I found some clicks visually & zoomed in & simply re drew the glitch with something called the "pencil tool". This smoothed out the wav & that single click disappeared both visually & on more importantly, on playback, auditory. When Dick's business was concluded on the East Coast, he left his dat with me the play with. His aim was to give John Cutler a reasonable tape to listen too, in order to introduce him (JC) to the performance. What Dick had left with me specifically was a dat clone from his personal cassette copy of Bears 7inch-?-track 7/5-ips master reel. The redrawing of the glitches was unbelievably tedious, but relatively easy during the quiet passages, so I spent several days working & sent him back a dat of the first few minutes of "Dark Star". He called me back in a whirlwind of enthusiasm & a week later the Dat clones direct from the masters arrived at my PO box. Now I really went to work & believe me when I tell you this was truly a labor of love. Upon inspection this is what I found; the clicking was present on the right channel of the entire show to 11/7, & the entire show of 11/8, that is up until the reel flip in the "Other One", when it mysteriously vanishes! I uploaded the 94-minute Dark Star & ensuing jam onto hard disk. There is a brief segment before Dark Star begins where you can really capture what's known as a "noise print". This was basically just pure clicks without any music, or other noise in the background, & would be needed if it I could determine that a noise reduction run would be effective. The 3 facts that saved this recording are; #1 the clicking is only present on the right channel, #2 it's most annoying during the quiet passages, where they were the easiest to eliminate, #3 the clicks stop @ approximately 20 minutes into the "jam". So, I began the tortuous process of manually redrawing the clicks one glitch at a time. I soon detected a pattern of precisely 7 clicks per second & measured the distance between them & found that it was consistent. This was instrumental in finding those pesky glitches while they were hidden in the wav's of the louder passages. I knew where to look & got good enough so that I was able to actually see what was the glitch, & what was music. I did some experiments with the "noise print" I previously captured, in the hopes that the noise reduction process would be effective, but was not happy with the results. I spent the next one hundred and fifty eight hours (total) glued to my computer screen with headphones on, redrawing every fucking glitch I could detect within the 1st 20 minutes of the right hand channel. When I finally did all that could be humanly accomplished, I used a helpful tool (called appropriately enough "glitch finder") to locate even more abnormalities then could be possibly be detected by the human eye. This is a programmable tool that was instrumental in helping me locate & putting finer touches on the smoothing of the wav's. Only when I was satisfied that absolutely no more could be accomplished by hand (thirty additional man hours) did I turn to the NR process, which was used extremely sparingly, & only on the most obnoxious areas. Levels were "normalized", two important cross-fades were implemented, & that's about it! With great anticipation & pride I sent a back up back to Dick, along with his original dat master to set#2 so he could a/b them. He called me back as ecstatic as only Dick could get! Mission accomplished!! Dick said that "Now I can die a happy man!" He wanted 11/8/69 to be a DP & now it was one step closer to becoming a reality. He planned to railroad it through in time for DP 16 when he realized that the timing was off for it to come out on it's 30'th anniversary. As far as track list goes I was originally of the opinion that only the jam, spread over 2 discs would be a good pick. Rob Bertrando designed that layout to include both "Easy Wind, & Good Lovin". It makes for a better pick & I agree. Those two songs were left "pure" because with the birth of my baby boy, I can't find the time to work on them : ( You will hear some artifacts, but the two songs are loud enough to mostly mask the problem. Dick, I'm glad I was able to repay you in some small fashion for your friendship & all the generosity you bestowed on me. I love you & miss you every day! You will always be in my Grateful Dead taper heart, most especially when I play 11/8/69! Jim Wise --- notes on out-of-order tracks: > Date: Fri, 3 Dec 1999 13:09:51 -0600 > From: "Grant Tennille" <grant@the-thompsongroup.com> > Subject: Re: [etree] FW: Be careful with the remastered 11/8/69 > > > > > The fix is to rename gd691108d2t01.shn to gd691108d2t08.shn. And then > move > > all the other tracks down by one, i.e. gd691108d2t02.shn becomes > > gd691108d2t01.shn. > > > > krnl > > > > > Good catch, but I just popped my new one in and found that it's even more > screwed up. It goes: Goodnight... Eleven..etc. St. Stephen doesn't appear on > mine until track 7, and I know it wasn't a drag and drop either. Listen to > the tracks before you burn. > > - -- grant OK, I think this is the way to go to resolve any questions as to which track is which. The second disc should be: Track# Name Size d02t01 Saint Stephen > 41,911,289 d02t02 The Eleven > 94,645,289 d02t03 Caution > 104,024,877 d02t04 Main Ten Jam> 18,215,741 d02t05 Caution > 52,151,065 d02t06 Feedback > 45,720,297 d02t07 And We Bid You Goodnight 17,211,501 d02t08 Star Spangled Banner, etc. 13,681,417 I hope this helps identify the correct track order. Again, sorry for all the confusion. -Mike Dank Star's CDR List: http://people.ce.mediaone.net/dankstar/cdrlist.html
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
1
WAV Disc Count
2
Date Circulated
11/10,30/99
Entered By
Dr.Unclear
Created At
Thu Sep 23 2004 20:56:18 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Sep 22 2009 15:10:35 GMT+0000 (Coordinated Universal Time)
Checksums
orig-shn-md5 (download)
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orig-v2-shn-md5 (download)
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shn-md5 (download)
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st5 (download)
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