String Cheese Incident
4/26/2001
The Palace
Louisville, KY

Source: (Steve Seamandel - joyfulhippen@hotmail.com and Kristie Farnsley - kfarnsley@aol.com) 
  Special thanks to Joe Totoraitis for loaning us the burner!
  JonO's DAUD Feed - Schoeps cmxy4v > Lunatec V2 > AD2K+ > D8 > D8
        Copies of this show circulate mislabeled as Matrix feed.
        There were no SBD or Matrix feeds on this night. (see notes)

Conversion: (nodrog@continet.com)
  Extracted using Track Thief on a Macintosh G4 and Shortened

**
  This info file last updated 6.20.01 by michael@tapetrader.com
  Corrections/updates to address above
  Check for info file updates and the occasional graphic at www.tapetrader.com/shn
**

Disk 1
  Set I - acoustic
    01) Molly and Tenbrooks         (07:05)
    02) Stingray                    (04:14)
    03) Lester had a Coconut        (07:18)
    04) Good Times                  (04:21)
    05) Beaumont Rag *              (04:13)
    06) Think What You've Done      (03:35)
    07) Hobo Song                   (05:43)
    08) Elvis' Wild Ride            (09:58)

Disk 2
  Set II
    01) Born on the Wrong Planet    (16:50)
    02) Rhum n' Zouc                (09:27)
    03) Cottonmouth                 (07:20)
    04) Freedom Jazz Dance >        (14:51)
    05) Way Back Home               (12:40)

Disk 3 (80 min. disc required!)
  Set III 
    01) Best Feeling >              (19:01)
    02) I've Just Seen a Face       (04:17)
    03) Galactic                    (15:16)
    04) Cedar >                     (09:44)
    05) Sand Dollar >               (12:34)
    06) Restless Wind ^             (08:43)
  Encore
    07) Johnny Cash                 (09:45)

* first time played
^about 90 seconds of straight crowd noise was edited from in between
Restless and the encore in order to squeeze Johnny Cash on D3.  No
music, stage banter or pertinent show happenings were cut and the splice
is hardly noticeable, I even had a hard time finding it.
   - nodrog

Taper's Notes:
We arrived into the Palace (both nights, 4/25 and 4/26) early since we 
all had bags with taping gear in it . . . the first night.  We were 
directed up to the balcony since that's where the official "Taper's 
section" was.  We got up there and the main taping head-honchos (Rhamy 
and others) got to their seats and found out that the "official section" 
was about 35-40 feet to the right side, nowhere NEAR the center section 
that we all wanted and thought we had.  At first we asked the ushers if 
we could just set up in the middle section, or even if there was a way 
to swap seats, but it turned out that the middle section was for "season 
ticket holders" for the Palace.  Somebody went to get JonO, and he came 
up and realized how crummy the section's location was.  With that, he 
said, "OK, ya'll can patch out of my deck tonight if you want."  We 
proceeded downstairs to the main level (where most of our tickets were 
anyways) and were given 3 rows right in front of the SBD to put all of 
our taping gear...there was so much room there, they only sold 700 out 
of 2500 tickets for both nights.  So we were allowed 3 rows...they put 
a coax out of JonO's digital out and ran the coax to a digital patchbay, 
which had four outs.

When JonO was asked, he said it was a straight 
AUD, not a Matrix or SBD.  The mics that he has: Schoeps cmxy 4v, and 
the preamp, and D/A converter, the V2 and AD2K+, are all second to none.  
Hence, the extra tasty crispy sound.
  - Steve Seamandel

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