Phish 2024-04-18
Sphere, Las Vegas, NV
Set 1
Everything's Right, Back on the Train, Wolfman's Brother, Maze, Leaves, Life Saving Gun, Dirt, Carini
Set 2
Sand > Tweezer -> My Friend, My Friend > Mike's Song > Lifeboy, Weekapaug Groove, Blaze On > Fluffhead
ENCORE: Farmhouse[1], Run Like an Antelope
ENCORE: Farmhouse[1], Run Like an Antelope
Set 3
Comment
[1] Began and ended with Trey on acoustic guitar.
The band took the stage while the pre-show electronic music continued. During Back on the Train, psychedelic images of passing countryside were displayed behind and above the band, rotating in opposite directions in different sections of the dome. During Maze, psychedelic live images of each band member appeared, stacked on top of each other. These images then fragmented and spread out, dancing and turning throughout the jam. During Leaves, several giant paper lanterns appeared, flanking the stage, while the dome showed a multitude of paper lanterns floating over water, with the moon shining above. During Life Saving Gun, the dome displayed stacks of old-style televisions with rabbit ears, with each television showing a live shot of one of the band members. These TVs moved and rotated as the jam progressed. After the song, Trey said that he "loves any song with a Jon Fishman percussion rinse," and told the crowd they should see the Sphere from the stage. During Dirt, the dome showed a forest view, looking upwards through trees at a purple-hued sky. During Tweezer, a field of multi-colored cars appeared behind the band, changing in size and shape and with their headlights blinking on and off in patterns, while other cars drove past overhead. My Friend, My Friend included live spotlight silhouettes of the band members projected across the entire dome. The projections during Mike's Song made it seem as if the venue was outdoors, with the band playing in front of a body of water with a rotating sculpture on the far shore. During Lifeboy, the sun went down and a number of other rotating sculptures lit up in the sky, creating a golden star-scape. The sun then rose again during Weekapaug. Farmhouse began and ended with Trey on acoustic guitar, as well as images of a farmhouse in a field under a night sky filled with stars and aurorae.
The band took the stage while the pre-show electronic music continued. During Back on the Train, psychedelic images of passing countryside were displayed behind and above the band, rotating in opposite directions in different sections of the dome. During Maze, psychedelic live images of each band member appeared, stacked on top of each other. These images then fragmented and spread out, dancing and turning throughout the jam. During Leaves, several giant paper lanterns appeared, flanking the stage, while the dome showed a multitude of paper lanterns floating over water, with the moon shining above. During Life Saving Gun, the dome displayed stacks of old-style televisions with rabbit ears, with each television showing a live shot of one of the band members. These TVs moved and rotated as the jam progressed. After the song, Trey said that he "loves any song with a Jon Fishman percussion rinse," and told the crowd they should see the Sphere from the stage. During Dirt, the dome showed a forest view, looking upwards through trees at a purple-hued sky. During Tweezer, a field of multi-colored cars appeared behind the band, changing in size and shape and with their headlights blinking on and off in patterns, while other cars drove past overhead. My Friend, My Friend included live spotlight silhouettes of the band members projected across the entire dome. The projections during Mike's Song made it seem as if the venue was outdoors, with the band playing in front of a body of water with a rotating sculpture on the far shore. During Lifeboy, the sun went down and a number of other rotating sculptures lit up in the sky, creating a golden star-scape. The sun then rose again during Weekapaug. Farmhouse began and ended with Trey on acoustic guitar, as well as images of a farmhouse in a field under a night sky filled with stars and aurorae.
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 167495 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2448 sec 207 row 21 seat 12 (ots); schoeps mk2h (a/b@30 cm) >kc5 > cmc6 > zoom F3 (32/48); card > macbook pro > reaper > xact; recorded/seeded by: Sean S | |||||
| 167425 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 3xDPA 4006c(ROC/OTS, Decca tree[0.5m spacing]@8'->Sonosax M2D2->SD744T(24bit/96kHz)->FLAC; Recorded and transferred by Scott Schneider | |||||
| 167426 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 Neumann ak43>lc3ka>km100>SD 788T 24/96 Vegas 18> CDWave> Tag & Rename Dedicated to KingKita who is recovering from surgery and wasn't able to make the shows. Dr FOB | |||||
| 167427 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 location: sec 207 row 21 seat 12 (ots) source: schoeps cmc141vL (dina)> k5lu > mixpre6ii (32/96) transfer: card > macbook pro > reaper > xact recorded/seeded by: Sean S | |||||
| 167428 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac1648 Homemade Stealth Omni's > Edirol R-09 (24-bit/48k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recorded by Jacque Miller Mastered by Charlie Miller | |||||
| 167429 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2448 Homemade Stealth Omni's > Edirol R-09 (24-bit/48k) > Samplitude Pro X6 Suite > FLAC/24 Recorded by Jacque Miller Mastered by Charlie Miller | |||||
| 167430 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac1648 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recorded by Charlie Miller | |||||
| 167431 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 Schoeps CMC6/MK4 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded by Charlie Miller | |||||
| 167432 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac1648 MK22 > Schoeps CMC 1K > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recorded by Duncan Oldham Mastered by Charlie Miller | |||||
| 167433 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac1648 CCM-1/MK41V > Zoom F3 (32-bit Float/48k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/24 Recorded by Duncan Oldham Mastered by Charlie Miller | |||||
| 167434 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2448 CCM-1/MK41V > Zoom F3 (32-bit Float/48k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24; Recorded by Duncan Oldham Mastered by Charlie Miller | |||||
| 167435 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 MK22 > Schoeps CMC 1K > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24; Recorded by Duncan Oldham Mastered by Charlie Miller | |||||
| 167437 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 DPA 4015c(NOS/ROC/OTS)->PSP2->M-10(24bit/96kHz)->FLAC Recorded and transferred by Scott Schneider | |||||
| 167494 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 DPA 4011>MMP-C>Zoom F6 at 24/96 .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8 with tags; Audience recording by jerryfreak | |||||
| 167500 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2448 Neumann KM140(OTS / 70-90˚); Rig Runner: jerryfreak wav > Audacity > iZotope RX > xACT(FLAC/TAG) | |||||
| 167503 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2448 DPA 4007>MMP-GS>MMA-A at 24/48; .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8; Audience recording by jerryfreak | |||||
| 167504 | 2024-04-18 | Sphere | Las Vegas | NV | |
| flac2496 DPA 4018VL>MMP-ES>Zoom F6 at 24/96; .wav>Sound Forge (edit and normalize only)>CD Wave > FLAC level 8; Audience recording by jerryfreak | |||||
Created At
Fri Apr 19 2024 09:24:47 GMT+0000 (Coordinated Universal Time)
Updated At
Sun Jan 14 2024 12:44:20 GMT+0000 (Coordinated Universal Time)
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