Phish 1999-12-18
Hampton Coliseum, Hampton, VA

Set 1
Harry Hood, Back At The Chicken Shack, Dog Log, Tube, Heavy Things, Back On The Train, First Tube, The In-Law Josie Wales, You Enjoy Myself

Set 2
Also Sprach Zarathustra*, Sand, The Horse > Silent In The Morning, Possum, Mike's Song > Simple > Weekapaug Groove > Buffalo Bill > Weekapaug Groove

E: Ya Mar, Sleeping Monkey

Set 3


Comment
* - w/ Do You Feel Like We Do Tease/Jam

Sources
SHNIDDateVenueCityStateArchive Identifier
9301999-12-18Hampton ColiseumHamptonVA
FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat; Remastered on Behringer DSP 8000; Conversion:? DAT @ 48 > via Zefiro ZA2 > HD @ 44.1; Taper:? E. Lee, C. Barbour; Conversion:? C. Barbour; note pops in d1t1 Hood are from many balloons in vicinity
9311999-12-18Hampton ColiseumHamptonVA
B+K 4011> EAA PSP-2> Apogee AD-1000@44.1; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWav> .shn;  Transfer/shn,  E. McRoberts; to PCP via C. Plemons vine
9321999-12-18Hampton ColiseumHamptonVA
taper D. Pecoraro (presumably AKG); via P. Marshall's vine to PCP
9331999-12-18Hampton ColiseumHamptonVA
FOB Schoeps mk4v> kc-y actives> vms> sbm-1> btp@48; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5 (48>44.1)> CDWav> .shn; via E. McRoberts (note Eric likes this version better than the B+K he transferred); note pops in Hood are balloons
11741999-12-18Hampton ColiseumHamptonVA
Microtech Gefell M210> Oade 248 >Tascam DA-P1; less than one second dropout at 10:16 in Sand (on master DAT); via John Tambroni, who says: "Despite the dropout in Sand, this sounds far better than any other source I've heard."
122371999-12-18Hampton ColiseumHamptonVA
Schoeps mk4v > VMS021b > SBM-1 > D8 @48kHz; Tascam DA-20mkII > RME 96/8 > Samplitude (48>44.1kHz) > mkwACT > SHNv3
214281999-12-18Hampton ColiseumHamptonVA
FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow
773131999-12-18Hampton ColiseumHamptonVA
flac16, 44.1kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
891221999-12-18Hampton ColiseumHamptonVA
Schoeps CMC6/mk41 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Taylor Caine
222781999-12-18Hampton ColiseumHamptonVA
Microtech Geffel m210 > Oade M248 > DAT (behind stage); Sony 59ES > Nomad Jukebox 3 > USB > WAV > SF 5 (48>44.1kHz) > CDWav > SHNv3; DATs provided by Steve Mang; Transferred by Terry Watts
1096031999-12-18Hampton ColiseumHamptonVA
Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony D8; D8 > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
1130561999-12-18Hampton ColiseumHamptonVA
flac16, 44kHz; Neumann km184 > Lunatec V2 > Sony SBM-1 > DAT (@ 44.1 kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp
1251431999-12-18Hampton ColiseumHamptonVA
flac16, 44kHz; (FOB) Schoeps CCM41 > Oade M248 > Sony SBM-1 > Sony TCD-D7 (44.1 khz); Tascam DA-40 > Tascam CDR 2000 > extract to wav > xACT 2.23 > flac16 (level 8); Source and Transfer by Marc B.; Processed by Lenny Stubbe
1273841999-12-18Hampton ColiseumHamptonVA
flac16, 48kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Apogee AD-1000 > DAT > Sony TCD-D8 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC (16/48); Source by John Schmidt and Walt Ferguson; DAT(m) provided by Walt Ferguson; Transfer by Terry Watts
1296551999-12-18Hampton ColiseumHamptonVA
flac16, 44kHz; Sennheiser K6RD/ME64 > Sony SBM-1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
1312811999-12-18Hampton ColiseumHamptonVA
flac16, 48kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony TCD-D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > .wav > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.0 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
1349351999-12-18Hampton ColiseumHamptonVA
flac16 AKG ck61/c480b[DIN-ish/OTS/ROC] >>> Audio Magic XStream XLR's >>> Graham Patten DMIC-20[16/48] >>> Sony 7-Pin Cable >>> Sony TCD-D8; Tascam DAP1[DAT Master] > Hosa ODL-276 > Creative Labs Nomad JB3 > PC > FLAC Frontend[FLAC/Level 6] > DVDR > PC[12.18.2015] > FLAC Frontend[WAV] > WaveLab 6.1[Gain/MBC/Crystal Resampler(Ultra)] > CD Wave 1.98[Tracking] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5] > MP3Tag v2.73 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
1396231999-12-18Hampton ColiseumHamptonVA
flac16 48khz Source: Audio Technica 815 shotguns (OTS/PAS) > D8 @ 16/48 Transfer: DAT/m > Sony PCM-R300 > optical > MacMini(Audacity) > IzotopeRX > xACT(FLAC/TAG) 16/48. Taper: Matt “Lazy Lightning” Lazor. Transfer: DiGiHoArDeRs
1514361999-12-18Hampton ColiseumHamptonVA
flac16/48khz Taper / Transfer: Ron Dalton Info: B&K 4011 --> Lunatec V-2 --> Apogee A/D500e --> Tascam DA-P1 @48K Front Row Center Official TS Transfer: Tascam DA-20 MK II --> Fostex FR-2LE (Oade Mod) Processing: wav > Audacity > xACT(FLAC/TAG); DiGiHoArDeRs: 01/09/2021
Created At
Sun Jul 15 2007 13:52:27 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)

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