Phish 1999-09-17
Shoreline Amphitheatre, Mountain View, CA
Set 1
Mozambique, Guyute, Ghost > Lawn Boy > Peaches en Regalia > The Moma Dance, Water in the Sky, When the Circus Comes, Back on the Train > David Bowie, The Squirming Coil
Set 2
SET 2: Runaway Jim > Sand, Piper
The typically high energy "Piper" jam settles down after 12:00 into a low key, blues-tinged exploration, with quiet, looping space bombs from Trey, and great Mike/Page grooving.
> Roggae, You Enjoy Myself[1] -> Jam[2], Wolfman's Brother[3] > Cold Rain and Snow[4]
ENCORE: Viola Lee Blues[5]
The typically high energy "Piper" jam settles down after 12:00 into a low key, blues-tinged exploration, with quiet, looping space bombs from Trey, and great Mike/Page grooving.
> Roggae, You Enjoy Myself[1] -> Jam[2], Wolfman's Brother[3] > Cold Rain and Snow[4]
ENCORE: Viola Lee Blues[5]
Set 3
Comment
[1] No vocal jam; Phil Lesh on a second bass guitar.
[2] Bass jam; Phil Lesh on a second bass guitar.
[3] Phil Lesh on a second bass guitar.
[4] Phish debut; Phil Lesh on a second bass guitar.
[5] Phish debut; Phil Lesh on a second bass guitar and Warren Haynes on guitar.
Phil Lesh joined the band on a second bass guitar from YEM through the end of the show. The encore also featured Warren Haynes on guitar. Cold Rain and Snow and Viola Lee Blues were both Phish debuts. YEM did not contain a vocal jam and included Phil joining Trey and Mike on trampolines. The subsequent jam out of YEM comprised of solely Mike and Phil.
[2] Bass jam; Phil Lesh on a second bass guitar.
[3] Phil Lesh on a second bass guitar.
[4] Phish debut; Phil Lesh on a second bass guitar.
[5] Phish debut; Phil Lesh on a second bass guitar and Warren Haynes on guitar.
Phil Lesh joined the band on a second bass guitar from YEM through the end of the show. The encore also featured Warren Haynes on guitar. Cold Rain and Snow and Viola Lee Blues were both Phish debuts. YEM did not contain a vocal jam and included Phil joining Trey and Mike on trampolines. The subsequent jam out of YEM comprised of solely Mike and Phil.
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 869 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| Schoeps (no further rig info); mastering: DAT at 44.1k> D8->Event Gina SPDIF in> Soundforge> CDR, by R. Avizienis; note faint clicks between some tracks: d1: between 3/4, 7/8, 9/10; d2: 2/3, 3/4; d3: 1/2, 2/3, no other flaws noticed; too bassy for some | |||||
| 870 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn; taper A. Braman, mastering M. Masse; patched DAT skip in Ghost; pop in GBOTT 1:26 | |||||
| 871 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8; DAT via S. James; DAT > WAV via Turtle Beach Fiji w/Digi I/O (S/PDIF) > SHN; Conversion by: Jeff K.; beginning of each set (missing in DAT) were patched in from Tubes source; note bad track splits at d1t09, d1t10, d2t03, d2t04, d2t05, and d3t01, fixed versions upped by Jeff 12/17 | |||||
| 87260 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| AKG 460b/ck61 > V2 > SBM1 > D8; DAT > CDR > EAC > CDWav > FLAC | |||||
| 95181 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| Schoeps cmc6/mk41 > Apogee AD-1000 > DAT (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, track splits) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel | |||||
| 98304 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| AKG c568eb -> Aerco Pre-Amp -> Sony D-8 (@ 48kHz); Sony PCM-R500 -> MOTU Traveler/MacBook Pro/Digital Performer v5.1 (peak normalize, fades, split tracks, resample to 44.1KHz) -> xACT v1.58 -> FLAC (level 8); Taped by Art Newberg & James Bartoli; Transferred by James Bartoli | |||||
| 108846 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| Neumann KM84i > Beyer MV100 > Tascam DA-P1 (@ 44kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp | |||||
| 123613 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| flac16; AKG 460b/ck61 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh; Taped by JK; Transferred by John M. | |||||
| 155218 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| flac1644 FOB; Schoeps MK4V > Schoeps CMBI > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 Transfer: DAT(m) @ 44.1kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X5 > dBpoweramp > Foobar Live Show Tagger > Traders Little Helper Recorded by Mikey K Unidecker Transfer by Jeff Mitchell | |||||
| 164750 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| shnf Taper: Craig Willoughby Source: earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent) Location: Front row, stage left corner of tapers DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract) | |||||
| 167279 | 1999-09-17 | Shoreline Amphitheatre | Mountain View | CA | |
| flac1644 Microtech Gefell M300 > Lunatec V2 > Graham Patton ADC-20 Transfer: DAT @ 44.1kHz > Tascam DA-20 > Marantz PMD-661 MKII > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) DAT provided by Charlie Miller & Arielle Phares Transfer by Jeff Mitchell | |||||
Created At
Sat Apr 29 2023 11:12:43 GMT+0000 (Coordinated Universal Time)
Updated At
Sat Aug 18 2001 02:37:04 GMT+0000 (Coordinated Universal Time)
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