Grateful Dead 1970-06-07
Fillmore West, San Francisco, CA
Set 1
Don't Ease Me In, Silver Threads, Friend Of The Devil, Candyman, Cold Jordan, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie
Set 2
Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Drums-> The Main Ten-> Sugar Magnolia, Louie Louie Jam, It's A Man's World, Mama Tried, Sitting On Top Of The World, Cosmic Charlie, Casey Jones, Good Lovin'-> Drums-> Good Lovin'
Set 3
Comment
Other artist(s): GD; NRPS; Southern Comfort first set acoustic
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
"From: David Hollister
Subject: A show to be heard
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show."
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 6185 | 1970-06-07 | Fillmore West | San Francisco | CA | |
| shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob | |||||
| 98 | 1970-06-07 | Fillmore West | San Francisco | CA | |
| acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield | |||||
| 132325 | 1970-06-07 | Fillmore West | San Francisco | CA | |
| flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) | |||||
Created At
Mon Feb 08 2016 23:54:50 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Jul 23 2001 17:28:22 GMT+0000 (Coordinated Universal Time)
Users with this performance