Trey Anastasio 2001-02-23
Roseland Ballroom, New York, NY
Set 1
Mozambique, The Way I Feel, Push on 'til the Day, Tube Top Wobble, It Makes No Difference, Burlap Sack and Pumps, Gotta Jibboo, At the Barbecue* > At the Gazebo*, Back on the Train**
Set 2
In The Night, Mellow Mood, Sand, Sunday Morning, Rainy Day Woman, Ooh Child, Happiness In My Pants***, First Tube#
Set 3
Encore: Sidewalks of San Francisco#, Will It Go Round In Circles#
Comment
* Trey on acoustic, full band
** Trey solo acoustic
*** Trey bantered alot while he played acoustic with bass and drums. He took alot of time introducing Russ and Tony, talked about how neither will play fills or solos. Whenever a jam gets intense "like AGHHH", they just dig deeper into their groove. They are "the groovinest.... most groovin'... groovinest isn't a word... most groovy, grooviest, that's it" (much applause) then he made each play a "solo" to show that they just play the same rhythm by themselves as when all three play. He went on to say "but seriously, i want to thank all of you for coming, i want you to know that i'll never forget where this energy comes from. i just can't thank you enough for your continued support of these projects."
# With Page McConnell playing Trey's keyboard
Trey said that he appreciated all those who continue to come out and that he loves each and every one of us. He also said that as long as we keep coming out he will do his best to make sure it never ends...
** Trey solo acoustic
*** Trey bantered alot while he played acoustic with bass and drums. He took alot of time introducing Russ and Tony, talked about how neither will play fills or solos. Whenever a jam gets intense "like AGHHH", they just dig deeper into their groove. They are "the groovinest.... most groovin'... groovinest isn't a word... most groovy, grooviest, that's it" (much applause) then he made each play a "solo" to show that they just play the same rhythm by themselves as when all three play. He went on to say "but seriously, i want to thank all of you for coming, i want you to know that i'll never forget where this energy comes from. i just can't thank you enough for your continued support of these projects."
# With Page McConnell playing Trey's keyboard
Trey said that he appreciated all those who continue to come out and that he loves each and every one of us. He also said that as long as we keep coming out he will do his best to make sure it never ends...
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 3213 | 2001-02-23 | Roseland Ballroom | New York | NY | |
| Schoeps CMC6/mk4 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1) > CDWav > SHN; Recorded by Van; D8 patch by Mike Kalish; Transfer and encoding by Eric McRoberts | |||||
| 3275 | 2001-02-23 | Roseland Ballroom | New York | NY | |
| FOB B+K 4022 > Lunatec V2 > AD2K+ @48kHz (Recording from the floor of the Roseland, dfc on stand); Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1) > CDWav > SHN; Recorded by Ron Dalton w/ John Schmidt's 4022s and AD2K; Transfer and encoding by Eric McRoberts | |||||
| 3285 | 2001-02-23 | Roseland Ballroom | New York | NY | |
| Schoeps CMC6/mk41 > EAA PSP-2 > DA-P1 @44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97> SHN; Taped by John Malagesi; Patched by Jim Raras | |||||
| 135387 | 2001-02-23 | Roseland Ballroom | New York | NY | |
| flac16 48kHz Microtech Gefell 210's > Oade M-248 > HHb Portadat; Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC (16 bit); Transferred by Bill Graves | |||||
Created At
Thu Jan 01 1970 00:00:00 GMT+0000 (Coordinated Universal Time)
Updated At
Thu Jan 31 2002 02:28:01 GMT+0000 (Coordinated Universal Time)
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