Grateful Dead 1991-10-27
Oakland-Alameda County Coliseum, Oakland, CA
Set 1
Sugar Magnolia >
Sugaree
Walkin' Blues
Althea
When I Paint My Masterpiece
Candyman
Cassidy
Touch Of Grey
Sugaree
Walkin' Blues
Althea
When I Paint My Masterpiece
Candyman
Cassidy
Touch Of Grey
Set 2
China Cat Sunflower >
I Know You Rider >
Samson & Delilah >
Ship of Fools >
Iko Iko > *
Mona > *
Drums >
Space >
The Wheel >
I Need A Miracle >
Wharf Rat >
Good Lovin'
Encore:
Knockin' On Heaven's Door
I Know You Rider >
Samson & Delilah >
Ship of Fools >
Iko Iko > *
Mona > *
Drums >
Space >
The Wheel >
I Need A Miracle >
Wharf Rat >
Good Lovin'
Encore:
Knockin' On Heaven's Door
Set 3
Comment
First performance of Mona since March 25, 1972
Last performance of Mona
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Carlos Santana - Guitar *
Gary Duncan - Guitar *
Last performance of Mona
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Carlos Santana - Guitar *
Gary Duncan - Guitar *
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 137738 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 81199 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC | |||||
| 537 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff | |||||
| 102206 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging | |||||
| 117198 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files | |||||
| 120119 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo | |||||
| 120120 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename | |||||
| 139272 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller | |||||
| 139300 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit | |||||
| 168818 | 1991-10-27 | Oakland-Alameda County Coliseum | Oakland | CA | |
| flac1644 OTS; Nakamichi CM 300 CP4s >Sony WM-D6C [MX-S 100s w/Dolby C] MX-S Cassette Masters Transferred Via Denon DR-M12HR Cassette Deck w/Dolby C Engaged >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [Sept. 2024] (Audience Cassette Master Recorded, Transferred, FLAC, & Tags By OldNeumanntapr) | |||||
Created At
Sun Jul 29 2018 15:27:04 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Jun 24 2002 21:41:27 GMT+0000 (Coordinated Universal Time)
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