Grateful Dead 1990-10-31
Wembley Arena, London, England
Set 1
Help On The Way >
Slipknot! >
Franklin's Tower
Little Red Rooster
Loose Lucy
Me & My Uncle >
Big River
It Must Have Been The Roses
When I Paint My Masterpiece
Bird Song >
Promised Land
Slipknot! >
Franklin's Tower
Little Red Rooster
Loose Lucy
Me & My Uncle >
Big River
It Must Have Been The Roses
When I Paint My Masterpiece
Bird Song >
Promised Land
Set 2
Scarlet Begonias >
Fire On The Mountain >
Truckin' >
He's Gone >
Drums >
Space >
All Along The Watchtower >
Stella Blue >
Around & Around >
Good Lovin'
Werewolves Of London
Fire On The Mountain >
Truckin' >
He's Gone >
Drums >
Space >
All Along The Watchtower >
Stella Blue >
Around & Around >
Good Lovin'
Werewolves Of London
Set 3
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 90844 | 1990-10-31 | Wembley Arena | London | England | |
| flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 | |||||
| 85914 | 1990-10-31 | Wembley Arena | London | England | |
| flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F. | |||||
| 8070 | 1990-10-31 | Wembley Arena | London | England | |
| SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets | |||||
| 125745 | 1990-10-31 | Wembley Arena | London | England | |
| flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008 | |||||
| 138688 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT | |||||
| 139125 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger | |||||
| 139615 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 | |||||
| 142715 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; fixed version in circulation | |||||
| 142734 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 | |||||
| 143864 | 1990-10-31 | Wembley Arena | London | England | |
| flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick | |||||
| 150006 | 1990-10-31 | Wembley Arena | London | England | |
| flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 | |||||
| 150234 | 1990-10-31 | Wembley Arena | London | England | |
| flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 | |||||
Created At
Sun May 31 2020 08:46:35 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)
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