Grateful Dead 1981-12-31
Oakland Auditorium Arena, Oakland, CA
Set 1
Acoustic Set: *
Land Of A Thousand Dances
Do Right Woman, Do Right Man
The Boxer
Tunisian New Year Song
Me & Bobby McGee
Bye Bye Love
Lucifer's Eyes
Children Of The Eighties
Banks Of The Ohio
Land Of A Thousand Dances
Do Right Woman, Do Right Man
The Boxer
Tunisian New Year Song
Me & Bobby McGee
Bye Bye Love
Lucifer's Eyes
Children Of The Eighties
Banks Of The Ohio
Set 2
Electric Set 1:
Shakedown Street
Me & My Uncle >
Mexicali Blues
Cold Rain & Snow
C.C. Rider #
It Must Have Been The Roses > *
Beat It On Down The Line *
Big Boss Man > #
New Minglewood Blues #
Don't Ease Me In *
Shakedown Street
Me & My Uncle >
Mexicali Blues
Cold Rain & Snow
C.C. Rider #
It Must Have Been The Roses > *
Beat It On Down The Line *
Big Boss Man > #
New Minglewood Blues #
Don't Ease Me In *
Set 3
Electric Set 2:
Ken Kesey Banter / New Years Countdown
Iko Iko #
Playing In The Band >
Terrapin Station >
Playing In The Band Reprise >
Drums >
Space >
The Other One > $
Not Fade Away > $
Goin' Down The Road Feeling Bad > $
Morning Dew
Electric Set 3
Dark Star >
Bertha >
Good Lovin'
Encore:
It's All Over Now Baby Blue *
The Chinese Joke
Ken Kesey Banter / New Years Countdown
Iko Iko #
Playing In The Band >
Terrapin Station >
Playing In The Band Reprise >
Drums >
Space >
The Other One > $
Not Fade Away > $
Goin' Down The Road Feeling Bad > $
Morning Dew
Electric Set 3
Dark Star >
Bertha >
Good Lovin'
Encore:
It's All Over Now Baby Blue *
The Chinese Joke
Comment
Bill Graham flew in on a joint at midnight
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Joan Baez - Vocals *
Matthew Kelly - Harmonica #
John Cipollina - Guitar $
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Joan Baez - Vocals *
Matthew Kelly - Harmonica #
John Cipollina - Guitar $
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 126611 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin | |||||
| 33660 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller | |||||
| 85628 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. | |||||
| 96082 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 96090 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 96106 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) | |||||
| 96107 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) | |||||
| 96611 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. | |||||
| 331 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation | |||||
| 7041 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files | |||||
| 12784 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing | |||||
| 14040 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation | |||||
| 14686 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation | |||||
| 143570 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143571 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143773 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin | |||||
| 143774 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin | |||||
| 143775 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin | |||||
| 143777 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin | |||||
| 156058 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 156059 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 | |||||
Created At
Thu Nov 29 2018 00:39:56 GMT+0000 (Coordinated Universal Time)
Updated At
Sat Apr 13 2002 10:07:45 GMT+0000 (Coordinated Universal Time)
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