Grateful Dead 1977-10-02
Paramount Theatre, Portland, OR
Set 1
Casey Jones
Jack Straw
Sunrise
Brown-Eyed Women
El Paso
Dupree's Diamond Blues
Let it Grow
Deal
Jack Straw
Sunrise
Brown-Eyed Women
El Paso
Dupree's Diamond Blues
Let it Grow
Deal
Set 2
Samson & Delilah
Scarlet Begonias >
Fire On The Mountain
Finiculi Finicula
Playing In The Band >
Drums >
The Wheel >
Truckin' >
The Other One >
Wharf Rat >
Sugar Magnolia
Encore:
Johnny B. Goode
Scarlet Begonias >
Fire On The Mountain
Finiculi Finicula
Playing In The Band >
Drums >
The Wheel >
Truckin' >
The Other One >
Wharf Rat >
Sugar Magnolia
Encore:
Johnny B. Goode
Set 3
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Sources
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 86354 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). | |||||
| 278 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation | |||||
| 123102 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 142120 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496 | |||||
| 142121 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp | |||||
| 142122 | 1977-10-02 | Paramount Theatre | Portland | OR | |
| flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E. | |||||
Created At
Mon Jan 30 2023 23:56:45 GMT+0000 (Coordinated Universal Time)
Updated At
Tue Jul 10 2001 22:15:08 GMT+0000 (Coordinated Universal Time)
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