Identifiers for ScareKrow and DeLacey

Archive Identifier
DateVenue
Source
scarekrowdelacey2011-04-16.ca11s.16bit
2011-04-16The Otter House
scarekrowdelacey2011-06-26.ca11s.16bit
2011-06-26Mountain State Brewing Company
scarekrowdelacey2011-08-03.ca11s.16bit
2011-08-03Awful Arthur's Towers
ScarekrowAndDelacey2011-09-15.senn441.oneil.xxxx.flac2496
2011-09-15Mexicali Live
ScarekrowAndDelacey2011-09-15.senn441.oneil.xxxx.flac1644
2011-09-15Mexicali Live
ScareKrow2011-09-15.ARM.AKG480BCK69GraceV3SD744T192-24.AudFlac16-44
2011-09-15Mexicali Live
121700flac1644ARM;16/44.1 Analog Remastered AKG480BCK69 Flacs
ScareKrow2011-09-15.ARM.AKG480BCK69GraceV3SD744T192-24.AudFlac24-192
2011-09-15Mexicali Live
121710flac24/192kHzARM;24/192 Analog Remastered AKG480BCK69 Flacs AkgCK69s with 480 bases on Grace design lunatec V3 mic with preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters.This is an analog remaster (in the name ARM = analog remaster).Remastering effects chain; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in J. River Media Center 17.
ScareKrow2011-09-15.ARM.AKG480BCK69GraceV3SD744T192-24.AudFlac24-48
2011-09-15Mexicali Live
121706flac24-48ARM;24/48 Analog Remastered AKG480BCK69 Flacs
ScareKrow2011-09-15.ARM.AKG480BCK69GraceV3SD744T192-24.AudFlac24-96
2011-09-15Mexicali Live
121708flac24-96ARM;AkgCK69s with 480 bases on Grace design lunatec V3 mic with preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters.This is an analog remaster (in the name ARM = analog remaster). Remastering effects chain;Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in J. River Media Center 17.
ScareKrow2011-09-15.ARM.SchoepsMK41CMC6xtGracV3SD744T192-24Flac16-44
2011-09-15Mexicali Live
121701flac16-ARM; Scheops MK41s on CMC6xt bases on Grace design lunatec V3 with mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters.This is an analog remaster (in the name ARM = analog remaster).Remastering effects chane;Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in J. River Media Center 17.
ScareKrow2011-09-15.ARM.SchoepsMK41CMC6xtGracV3SD744T192-24Flac24-48
2011-09-15Mexicali Live
121707flac24-48ARM;24/48 Analog Remastered SchoepsMK41CMC6xt Flacs
ScareKrow2011-09-15.ARM.SchoepsMK41CMC6xtGracV3SD744T192-24Flac24-96
2011-09-15Mexicali Live
121709flac252-96ARM; Remastered SchoepsMK41CMC6xt Flacs Recorded last table furthest from stage in the middle, 35-40 feet from stage.Mics XYed at 40 degrees, aimed at the speakers, about 10 feet high. Miked with Scheops MK41s on CMC6xt bases on Grace design lunatec V3 with mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters.This is an analog remaster (in the name ARM = analog remaster).Remastering effects chain; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in J. River Media Center 17. On The Wind Sky, Some People Call Me Satan, Fool Again, Diggy Sorry Mr and Mrs ScareKrow Got in late and set up in time only to record the last 7 songs.
ScareKrow2011-09-15.ARMSchoepsMK41CMC6xtGracV3SD744T192-24Flac24-192
2011-09-15Mexicali Live
121712flac24-192-ARM;Recorded last table furthest from stage in the middle, 35-40 feet from stage.Mics XYed at 40 degrees, aimed at the speakers, about 10 feet high. Miked with Scheops MK41s on CMC6xt bases on Grace design lunatec V3 with mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters.This is an analog remaster (in the name ARM = analog remaster).Remastering effects chain;Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in J. River Media Center 17.