Sources for Artist Group Trey Anastasio
unknown 1982 1993 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023
SHNIDArtistDateVenueCityStateArchive Identifier
126943Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac24 Neumann AK40 > LC3KA > KM100 (FOB/DFC/ORTF) > 744T @ 24 bit/48 khz; 744T > PC (via Firewire) > Audacity > CD Wave > Trader's Little Helper > FLAC24; Taped, transferred, and converted by Phil Rollins
126881Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48)
126882Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16 Neumann AK40 > LC3KA > KM100 (FOB/DFC/ORTF) > 744T @ 24 bit/48 khz; 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16; Taped, transferred, and converted by Phil Rollins
126889Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16 DPA 4027(NOS/FOB/DFC@8')->V2->Mytek 192->HD-P2(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
126891Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16 Schoeps MK41-Tinybox OT-Sony M10; Recorded by Eric Wilkens
132048Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16 Oktava 012-01(cardioid) > Tascam HD-P2 (FOB/DFC) @24/96 24/96 wav > Audacity > xACT(FLAC24/96/Tag) >Dithered to 16/96 Tape/Transfers: CObiwan/DiGiHoArDeRs
143300Trey Anastasio2014-01-28Ogden TheaterDenverCO
flac16/48 Oktava 012-01 cardioid (FOB/DFC/8' up) > Tascam HD-P2 @ 24/96;Taper: Cobiwan Transfer: SD > Audacity > xACT(FLAC/TAG) 16/48 DiGiHoArDeRs: 1/31/14 & 9/10/18
126987Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac16 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@ 24/48)
143301Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac16/48khz Oktava 012-01 cardioid (FOB/DFC/8' up) > Tascam HD-P2 @ 24/96;Taper: Cobiwan Transfer: SD > Audacity > xACT(FLAC/TAG) 16/48 DiGiHoArDeRs: 1/31/14 & 9/6/18
126887Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac16 Neumann AK40 > LC3KA > KM100 (FOB/DFC/ORTF) > 744T @ 24 bit/48 khz; 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16 Taped, transferred, and converted by Phil Rollins
126888Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac16 DPA 4027(NOS/FOB/DFC@8')->V2->M10(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
126955Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac24 Neumann AK40 > LC3KA > KM100 (FOB/DFC/ORTF) > 744T @ 24 bit/48 khz; 744T > PC (via Firewire) > Audacity > CD Wave > Trader's Little Helper > FLAC24; Taped, transferred, and converted by Phil Rollins
132049Trey Anastasio2014-01-29Ogden TheaterDenverCO
flac16 Oktava 012-01(cardioid) > Tascam HD-P2 (FOB/DFC) @24/96 24/96 wav > Audacity > xACT(FLAC24/96/Tag) Dithered to 16/96 Tape/Transfers: DiGiHoArDeRs
126905Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; (NerfDIN/FOB/DFC/9ft) DPA 4061's > Church Audio STC-9100 > Edirol R-09HR; Edirol R-09HR > Wavelab > FLAC; Source and Transfer by KCMoeJoe
126918Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; (DIN70°/FOB/DFC/10ft) JW Mod AKG 461's > Sound Devices MP-2 > Edirol R-09HR; Edirol R-09HR > Wavelab > FLAC; Source and Transfer by KCMoeJoe
126944Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; (PAS/Balcony/DFC) Nakamichi CM-100s/CP-1's > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
126945Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; (AB/Balcony/DFC) CA-11's > STC-9000 > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
126950Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac24, 48kHz; (PAS/Balcony/DFC) Nakamichi CM-100s/CP-1's > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
126951Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac24, 48kHz; (AB/Balcony/DFC) CA-11's > STC-9000 > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
128815Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; MBHO KA200N's > Niant Tinybox > Sony PCM-M10; Sony PCM-M10 > Audacity > CDWave > FLAC; Source and Transfer by Brian Price
130393Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac16, 44kHz; [(PAS/Balcony/DFC) Nakamichi CM-100s/CP-1's] + [(AB/Balcony/DFC) CA-11's > STC-9000] > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
130394Trey Anastasio2014-01-31Uptown TheaterKansas CityMO
flac24, 48kHz; [(PAS/Balcony/DFC) Nakamichi CM-100s/CP-1's] + [(AB/Balcony/DFC) CA-11's > STC-9000] > Tascam DR-2d; Tascam DR-2d > Audacity > CDWave > FLAC; Source and Transfer by by jagraham
126928Trey Anastasio2014-02-01The PaegeantSt. LouisMO
flac16 96kHz DTS 40' from Stage, Right Sound Stack, 8.5' High; Shure m81>Tascam DR-100mkII(24/96); Tascam DR-100mkII(24/96)>Audacity(16)>TLH(flac8)
126921Trey Anastasio2014-02-01The PaegeantSt. LouisMO
flac16 (OCR) AKG 480/ck61 > Grace V3 (24b/48khz) > Microtrack MT2; Wavelab (tracks/fades)(Dither/resample 16/44.1 > Flac 6; Source / Conversion: Phil Borghese
126922Trey Anastasio2014-02-01The PaegeantSt. LouisMO
flac16 in line with right stack, 9' high; ADK A51s> V2> DR-07 @ 24/48; SoundForge (fades, tracking, Waves L3 processing)> r8brain (convert 24/48 to 16/44.1)> FLAC FrontEnd (convert WAV to FLAC)> Foobar2000 + LiveShowTagger (tagging).MP3 version created with dBpowerAMP + LAME encoder @ v0; Recorded, prepped and shared by Scott T.
127025Trey Anastasio2014-02-09Iron CityBirminghamAL
flac16 2' ROC, 8' Stand, 90deg/30cm, Cardioid; Schoeps m934c > M221B > PS > Aeta 4MinX (@24bit/96kHz); SDHC> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1); Taped/Seeded by taylorc
127026Trey Anastasio2014-02-09Iron CityBirminghamAL
flac16 FOB/DFC; DPA 4023 (ORTF) > Oade Concert Mod Marantz 661 (24/48); SDHC > HD > Wavelab 6 > CD Wave > FLAC; Taped, Transferred & Seeded by Dennis Tyler
127027Trey Anastasio2014-02-09Iron CityBirminghamAL
flac16 FOB/~ left of center; about 35 feet from stage; Avantone CK-1 (cardoid) > Fostex FR-2LE (24/48); CF > HDD > Wavelab 6.0 > CD Wave > Traders' Little Helper; Taped by: MSTaper w/ willsfc; Transferred and Seeded by MSTaper
127039Trey Anastasio2014-02-09Iron CityBirminghamAL
flac16 2' ROC, 8' Stand, 90deg/30cm; AKG c460b/ck61 > EAA PSP-2 > Aeta 4MinX (@24bit/96kHz); SDHC> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1); Taped/Seeded by: taylorc
127074Trey Anastasio2014-02-09Iron CityBirminghamAL
flac24 2' ROC, 8' Stand, 90deg/30cm, Cardioid; Schoeps m934c > M221B > PS > Aeta 4MinX (@24bit/96kHz); SDHC> Samplitude SE 9.1.1> CDWave> flac(24/96); Taped/Seeded by: taylorc
127075Trey Anastasio2014-02-09Iron CityBirminghamAL
flac24 2' ROC, 8' Stand, 90deg/30cm; AKG c460b/ck61 > EAA PSP-2 > Aeta 4MinX (@24bit/96kHz); SDHC> Samplitude SE 9.1.1> CDWave> flac(24/96); Taped/Seeded by: taylorc
127038Trey Anastasio2014-02-11House of BluesOrlandoFL
flac16 Behind SBD/LOC/8' High; Busman BSC1 (Hypercard caps) > Grace Design Lunatec V2 > Tascam DR-100mkII (24/48) > SD Card; Audacity (Normalizing/Fades) > dBpoweramp (Conversion to 16/44.1) > CD Wave (Tracking) > Trader's Little Helper (Fix SBEs/FLAC Level 8); Recorded & Transferred by mccordo
127072Trey Anastasio2014-02-14The TabernacleAtlantaGA
flac16 Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48); Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000; Recorded by Zman
127116Trey Anastasio2014-02-17The Fillmore CharlotteCharlotteNC
flac16 Gefell M200 NOS>Tascam DR680; Tascam DR680 24bit 48000hz>SD Card>Audacity (Normalize & Down sample 16bit-44.1kh)>CDWave>TLH; Taped and Uploaded by Hypnocracy
127721Trey Anastasio2014-04-11Wanee Music FestivalLive OakFL
flac16 DPA 4023 (NOS) > Lunatec V3 (digital) > Edirol R-44 (24/48); R-44 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT; Recorded by Alex Leary
127722Trey Anastasio2014-04-11Wanee Music FestivalLive OakFL
flac16 Neumann KM184’s (10 ft. high, center, fob) > Fostex FR-2LE @ 48 kHZ/24 bit; All post production with Macbook Pro, Logic Pro X, and xACT; Recorded by D. Fries
128821Trey Anastasio2014-04-11Wanee Music FestivalLive OakFL
flac16; (FOB) Beyerdynamic mc930 > Oade Basic Mod Fostex FR-2LE (16/44); Wavelab 5 (Resample, Dithering, Fades) > CD Wave > TLH > Flac 16 (Level 8); Taped & Transferred by Dnuggs
128810Trey Anastasio2014-05-23House of BluesClevelandOH
flac16, 44kHz; Dynamic Audio Binaurals > Tascam DR-05; Tascam DR-05 > Audacity > FLAC; Source and Transfer by Nikres
128811Trey Anastasio2014-05-23House of BluesClevelandOH
flac24, 48kHz; Dynamic Audio Binaurals > Tascam DR-05; Tascam DR-05 > Audacity > FLAC; Source and Transfer by Nikres
128940Trey Anastasio2014-05-24Taft TheatreCincinnatiOH
flac16, 44kHz; (internal mics) Zoom H2n; Zoom H2n > Reaper > Wavelab > CDWave > FLAC; Source and Transfer by lowbudget
128941Trey Anastasio2014-05-25Summer Camp Music FestivalChillicotheIL
flac16, 44kHz; Schoeps mk41v > kcy > Naiant PFA > Sonosax SX-M2 > Roland R-05; Roland R-05 > Audition > CDWave > FLAC; Source and Transfer by Steve Toney
128942Trey Anastasio2014-05-25Summer Camp Music FestivalChillicotheIL
flac24, 48kHz; Schoeps mk41v > kcy > Naiant PFA > Sonosax SX-M2 > Roland R-05; Roland R-05 > Audition > CDWave > FLAC; Source and Transfer by Steve Toney
131008Trey Anastasio2014-08-15The Pavilion at Montage MountainScrantonPA
flac16 44.1kHz At SBD, Stand at 10 feet, DFC; AKG CK69>AKG C460b>Lunatec V2>SD702@24/48; SD702>Adobe Audition 2.0>CDwav>flac16; Taper: Tony Suraci
130996Trey Anastasio2014-08-15The Pavilion at Montage MountainScrantonPA
flac16 44.1kHz Section 204, Row B, Seat 5, 9 1/2 ft, Din (a); AKG 483 > SD USBPre2 > Sony M10 (@24bit/48Khz); SD Card > Adobe Audition > CD Wave > Trader's Little Helper
131009Trey Anastasio2014-08-16Pavilion at Montage MountainScrantonPA
flac16 44.1kHz At SBD, Stand at 10 feet, DFC; AKG CK69>AKG C460b>Lunatec V2>SD702@24/48; SD702>Adobe Audition 2.0>CDwav>flac16; Taper: Tony Suraci
131122Trey Anastasio2014-08-16Pavilion at Montage MountainScrantonPA
flac16 44.1kHz Schoeps MK4V's(from Sec 102 Row AA)>KCY250/05I>VMS5u>Sound Devices 744t(recorded at 16/44.1)>Soundforge Pro 11 (fades)>CDWAV>FLAC; Recorded By Jeff Travitz, processed by Keith Litzenberger
130987Trey Anastasio2014-08-16Pavilion at Montage MountainScrantonPA
flac16 44.1kHz ADK A-51TLs (Section 204, Row C, Seat 12 ~8' high, hypercardioids AB angled slightly out at stacks) > Canare Star-Quad XLRs > Edirol UA-5 (Oade Warm Mod) > iRiver H120 (@16bit/44.1kHz); iRiver H120 > USB 2.0 > Cakewalk Sonar 4.0 > CD Wave Editor (exported as FLAC); Taped & transferred by: Alex Herd
130998Trey Anastasio2014-08-16Pavilion at Montage MountainScrantonPA
flac16 44.1kHz Section 204, Row B, Seat 7, 9 1/2 ft, Din (a); AKG 483 > SD USBPre2 > Sony M10 (@24bit/48Khz); SD Card > Adobe Audition > CD Wave > Trader's Little Helper
130999Trey Anastasio2014-08-17Brooklyn BowlBrooklynNY
flac16 44.1kHz FOB/DFC/KFC/ZFC/AARP 14' From Stage, 8' High; Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>Sound Devices 722 (24/48); Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16); ID3 Tagged In Foobar 2000; Recorded By: Z-Man
134356Trey Anastasio2014-11-29Stage AEPittsburghPA
Shure BG4.0 > PMD660
131872Trey Anastasio2014-11-29Stage AEPittsburghPA
flac16 Schoeps m934b > CMMT30 > AETA PSP3 > Roland R44; SD Card > Audition 3.0 > CDWave > FLAC; Recorded and Mastered By: tonedeaf
131873Trey Anastasio2014-11-29Stage AEPittsburghPA
flac24 Schoeps m934b > CMMT30 > AETA PSP3 > Roland R44; SD Card > Audition 3.0 > CDWave > FLAC; Recorded and Mastered By: tonedeaf
131874Trey Anastasio2014-11-30The NationalRichmondVA
flac16 44.1kHz 5ft/DFC; Schoeps mk4v(din)> kcy>aki> M222> NT222>Sonosax SX-M2>744t 24/96; SDHC>Audacity 16/44>Amadeus Pro>xACT; Taped By: Chris King
131875Trey Anastasio2014-11-30The NationalRichmondVA
flac16 44.1kHz Stand w/2'boom clamped to rear SBD rail, CTR; AKG463s(PAS)>Luminous Monarch XLRs>MP-1s>Luminous Monarch XLRs>PMD661(Oade WMOD)@24/48>Audacity(16/44)>CDWave(splits)>Flac Frontend(Level 6); Recording and transfer by DATBRAD
131876Trey Anastasio2014-11-30The NationalRichmondVA
flac16 DFC @5ft behind board; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Taped by: Nate Evans
131877Trey Anastasio2014-11-30The NationalRichmondVA
flac16 DFC @5ft behind board; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Taped by: Nate Evans
131878Trey Anastasio2014-11-30The NationalRichmondVA
flac16 DFC @5ft behind board; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; taped by Nate Evans
131879Trey Anastasio2014-11-30The NationalRichmondVA
flac16 Location: DFC @5ft behind board; (1)Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; (2) Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; (3) Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96 (30%ak50-30%ak40-40%usm69); taped by Nate Evans
131880Trey Anastasio2014-11-30The NationalRichmondVA
flac16 44.1kHz 5ft/DFC; Schoeps mk21(nos)> Kcy >Schoeps Vst 62IUg> Sonosax SX-M2>744t 24/96+Schoeps CCM41v(ortf backwards)>Oade248>744t 24/96; SDHC>Audacity Matrix 16/44>Amadeus Pro>xACT; Taped By: Chris King
132114Trey Anastasio2014-11-30The NationalRichmondVA
flac24 96kHz DFC @5ft behind board; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Taped by: Nate Evans
132115Trey Anastasio2014-11-30The NationalRichmondVA
flac24 96kHz DFC @5ft behind board; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Taped by: Nate Evans
132116Trey Anastasio2014-11-30The NationalRichmondVA
flac24 96kHz DFC @5ft behind board; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by: Nate Evans
132117Trey Anastasio2014-11-30The NationalRichmondVA
flac24 96kHz DFC @5ft behind board; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Matix is a mix of all 3 sources (30%ak50-30%ak40-40%usm69); Taped by: Nate Evans
131881Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac16 44.1kHz DPA 4023 > Sound Devices 744 (24/96); 744 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT; Recorded by Alex Leary
132118Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac24 96kHz LOC in the box on the floor stand at 10 feet; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Taped by Nate Evans
132119Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac24 96kHz LOC in the box on the floor stand at 10 feet; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Taped by Nate Evans
132120Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac24 96kHz LOC in the box on the floor stand at 10 feet; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by Nate Evans
132121Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac24 96kHz LOC in the box on the floor stand at 10 feet; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by Nate Evans
132897Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac16 Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96
132898Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac16 Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96
132899Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac16 Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96
132901Trey Anastasio2014-12-029:30 ClubWashingtonDC
flac16 USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96
131882Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 44.1kHz DPA 4023 > Sound Devices 744 (24/96); 744 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT; Recorded by Alex Leary
132122Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac24 96kHz FOB-loc in the sbd on the floor stand at 13 feet; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Taped by Nate Evans
132123Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac24 96kHz FOB-loc in the sbd on the floor stand at 13 feet; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Taped by Nate Evans
132124Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac24 96kHz FOB-loc in the sbd on the floor stand at 13 feet; Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by Nate Evans
132125Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac24 96kHz FOB-loc in the sbd on the floor stand at 13 feet; 788 mix of all 3 sources (mixed directly on the 788); Neumann ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by Nate Evans
132126Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac24 96kHz FOB-loc in the sbd on the floor stand at 13 feet; Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; Taped by Nate Evans
132902Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 Neumann ak40-lc3-km100-xlr-sd788(ch3/4)@24/96
132903Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 ak50-lc3-km100-xlr-sd788(ch1/2)@24/96
132904Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96
132905Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 ak50-lc3-km100-xlr-sd788(ch1/2)@24/96; ak40-lc3-km100-xlr-sd788(ch3/4)@24/96; USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96; 788 mix of all 3 sources (mixed directly on the 788)
132906Trey Anastasio2014-12-039:30 ClubWashingtonDC
flac16 Neumann USM69(sub card)- IC 6/25 Microphone Cable-ac20 adapter-sd788(ch5/6)@24/96
131897Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac16 "tapersection" (L Ctr Orch)/last row/~50'LOC/mics ~7'; (~60%) AKG/ck63 (din) > nbob actives > Naient PFA's/Gak right angle adapters > v3 (24/48) > Tascam 680; (~40%) Senn MS14P/mke4012 (supercards/dina) > Tascam 680 (BM)
; DEC10 > Cakewalk Sonar LE 4.0 (mixdown) > Sound Forge 9.0 (track, normalize select tracks, fades & convert 16/44.1) > TLH (flac8 & ffp); Recorded, transferred and seeded: B Crupi
132001Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac24 "tapersection" (L Ctr Orch)/last row/~50'LOC/mics ~7'; AKG/ck63 (din) > nbob actives > Naiant PFA's > v3 (24/48) > Tascam 680; SDEC10 > Sound Forge 9.0 (track, normalize select tracks & fades) > TLH (flac8 & ffp); Recorded, transferred and seeded: B Crupi
132128Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac16 44.1kHz mics were 50’ LOC back row orchestra; Schoeps mk41>kc5>cmc6>Fostex FR2LE(24bit/48khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Taped by Dave Flaschner; Transferred and seeded by Andy Murray
132002Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac16 "tapersection" (L Ctr Orch)/last row/~50'LOC/mics ~7'; AKG/ck63 (din) > nbob actives > Naiant PFA's > v3 (24/48) > Tascam 680; SDEC10 > Sound Forge 9.0 (track, normalize select tracks & fades) > TLH (flac8 & ffp)' Recorded, transferred and seeded: B Crupi
132127Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac24 48kHz mics were 50’ LOC back row orchestra; Schoeps mk41>kc5>cmc6>Fostex FR2LE(24bit/48khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Taped by Dave Flaschner; Transferred and seeded by Andy Murray
132129Trey Anastasio2014-12-05Orpheum TheaterBostonMA
flac16 AKG SE300B/ck91> Tinybox> Tascam DR-2D (24/48); SD> Soundforge Pro> xACT> .flac (8); Taped, Transferred and Uploaded by Matt Coffey
132130Trey Anastasio2014-12-06The Orpheum TheatreBostonMA
flac16 Orch, Row K; Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR; SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5)
132041Trey Anastasio2014-12-06The Orpheum TheatreBostonMA
flac24 mics were DIN in a kangol hat resting on the edge of the balcony ledge in front of the left PA stack front row mezzanine; Schoeps mk41>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp); Taped and transferred by Andy Murray
132042Trey Anastasio2014-12-06The Orpheum TheatreBostonMA
flac16 mics were DIN in a kangol hat resting on the edge of the balcony ledge in front of the left PA stack front row mezzanine; Schoeps mk41>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe); Taped and transferred by Andy Murray
132043Trey Anastasio2014-12-06The Orpheum TheatreBostonMA
flac16 Recorded From Orchestra Section Row J Seat 213 Slightly Right Of Center Mics at 8'; Superlux S502 ( O.R.T.F ) > Tascam Dr-D80 (16/44.1) > SD > Adobe Audition > Flac > Traders Little Helper; Recorded & Mastered By Scott Medeiros
134850Trey Anastasio2014-12-06The Orpheum TheatreBostonMA
flac16 44kHz Superlux S502 > Tascam Dr-680 MK1 (16/44.1) > SDHC > Sonar X2 > Adobe Audition > Flac > Traders Little Helper; Recorded By Michael Deary & Scott Medeiros Mastered By Scott Medeiros
132044Trey Anastasio2014-12-07State TheaterPortlandME
flac24 Telefunken ELA M260(Cards,DIN) > Sonosax SX-M2 > Benchmark AD2K+ > Tascam DR-680(24/96) Wave > Sound Forge 11.0(Fade,Track) > Trader's Little Helper > Flac; Taped, Transfered & Seeded by Ted Gakidis
132045Trey Anastasio2014-12-07State TheaterPortlandME
flac16 Telefunken ELA M260(Cards,DIN) > Sonosax SX-M2 > Benchmark AD2K+ > Tascam DR-680(24/96) Wave > Sound Forge 11.0(Fade,Track,Resample,Dither 16/44.1) > Trader's Little Helper > Flac; Taped, Transfered & Seeded by Ted Gakidis
132046Trey Anastasio2014-12-07State TheaterPortlandME
flac16 Busman BSC1/k1 (cardioids) (PAS, 10 feet up, to immediate right of SBD) > Naiant Tinybox > TASCAM Dr-2d > 24 bit/48 Khz WAV; 24 bit/48 Khz WAV > Audacity (normalize, set fades, dither to 16 bit) > CDWAV tracking > Traders Little Helper (FLAC level 8) > tagged with Foobar2000; Recorded and Transferred by: Colin Waldschutz
132047Trey Anastasio2014-12-09The Forum TheatreBinghamptonNY
flac24; MBHO KA200N (din) > Naiant Tinybox > Sony PCM-M10
136840Trey Anastasio2014-12-09The Forum TheatreBinghamptonNY
flac16, 44kHz; [SetI] Nakamichi cm300/cp-4's > Edirol UA-5 > Edirol R-09; Edirol R-09 > CDWave > FLAC; Source and Transfer by Boedi-Taper
139579Trey Anastasio2014-12-09The Forum TheatreBinghamptonNY
flac16, 48kHz; (ROC/10ft high) Schoeps CCM4's > Symetrix SX202 > Sony TCD-D8 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source provided by Duncan Oldham; Transfer by Terry Watts
132158Trey Anastasio2014-12-11Beacon ThatreNew YorkNY
flac16 44.1kHz 14th row Right Side; Gefell M210s > Oade M248 > SD722 > Tascam CDRW2000 > CD > me > EAC > TLH > flac 16 > you > enjoy; Recorded by Jon Pasternak
132050Trey Anastasio2014-12-13Tower TheaterUpper DarbyPA
flac16 ROB; SP-BMC-2 > SP-SPSB-10 > MARANTZ-PMD620; MASTER > AUDACITY > CD WAVE > FLAC LEVEL(8); REC-SEED: LANCE/SAGE
132052Trey Anastasio2014-12-13Tower TheaterUpper DarbyPA
flac16 pointed at PA array, right of SBD, 13 feet high; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2; R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik