Pavement

Pavement

Cattle Club
Sacramento, CA
May 19, 1992
(pavement1992-05-19eac-shn)

S:  Unknown SBD > ??? > CDR (Liberated bootleg:  Summer Babe)
T:  CDR(?) > EAC > SHN (MKW w/SKT appended)
(EAC>SHN:  Terry Watts - http://db.etree.org/twatts)

1.  Loretta's Scars
2.  No Life Singed Her
3.  Trigger Cut
4.  Baptist Blacktick
5.  Debris Slide (slow version)
6.  Zurich is Stained
7.  Forklift
8.  Feed 'em to the Lions (Linden)
9.  Box Elder
10.  Home
11.  Perfume-V
12.  Two States
13.  Summer Babe

Notes:

Received this audio CDR in a trade - SHNed for my own archives.

Enjoy!  -Terry

EAC extraction logfile from 13. December 2003, 21:32 for CD
Unknown Artist / Unknown Title

Used drive  : SONY    CD-RW  CRX195E1   Adapter: 1  ID: 0
Read mode   : Secure with C2, accurate stream, NO disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
                     44.100 Hz; 16 Bit; Stereo

Other options      : 
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : Yes
    Native Win32 interface for Win NT & 2000


Track  1
   Filename D:\SHNs to fix\pavement\Track01.wav

   Peak level 73.0 %
   Track quality 99.9 %
   Test CRC BB5E4A19
   Copy CRC BB5E4A19
   Copy OK

Track  2
   Filename D:\SHNs to fix\pavement\Track02.wav

   Peak level 75.7 %
   Track quality 99.8 %
   Test CRC DDB4E418
   Copy CRC DDB4E418
   Copy OK

Track  3
   Filename D:\SHNs to fix\pavement\Track03.wav

   Peak level 46.9 %
   Track quality 100.0 %
   Test CRC 1DE9CCDC
   Copy CRC 1DE9CCDC
   Copy OK

Track  4
   Filename D:\SHNs to fix\pavement\Track04.wav

   Peak level 56.7 %
   Track quality 100.0 %
   Test CRC 2C9FFE6B
   Copy CRC 2C9FFE6B
   Copy OK

Track  5
   Filename D:\SHNs to fix\pavement\Track05.wav

   Peak level 60.5 %
   Track quality 100.0 %
   Test CRC 35FA6DE4
   Copy CRC 35FA6DE4
   Copy OK

Track  6
   Filename D:\SHNs to fix\pavement\Track06.wav

   Peak level 58.4 %
   Track quality 100.0 %
   Test CRC D9F239E9
   Copy CRC D9F239E9
   Copy OK

Track  7
   Filename D:\SHNs to fix\pavement\Track07.wav

   Peak level 57.4 %
   Track quality 100.0 %
   Test CRC 48DD73BE
   Copy CRC 48DD73BE
   Copy OK

Track  8
   Filename D:\SHNs to fix\pavement\Track08.wav

   Peak level 62.2 %
   Track quality 100.0 %
   Test CRC 6B5ADFE4
   Copy CRC 6B5ADFE4
   Copy OK

Track  9
   Filename D:\SHNs to fix\pavement\Track09.wav

   Peak level 55.4 %
   Track quality 99.8 %
   Test CRC AD70FFCB
   Copy CRC AD70FFCB
   Copy OK

Track 10
   Filename D:\SHNs to fix\pavement\Track10.wav

   Peak level 54.2 %
   Track quality 100.0 %
   Test CRC A55726E4
   Copy CRC A55726E4
   Copy OK

Track 11
   Filename D:\SHNs to fix\pavement\Track11.wav

   Peak level 59.5 %
   Track quality 100.0 %
   Test CRC C95B91A2
   Copy CRC C95B91A2
   Copy OK

Track 12
   Filename D:\SHNs to fix\pavement\Track12.wav

   Peak level 66.9 %
   Track quality 100.0 %
   Test CRC 6AEBAF68
   Copy CRC 6AEBAF68
   Copy OK

Track 13
   Filename D:\SHNs to fix\pavement\Track13.wav

   Peak level 83.5 %
   Track quality 100.0 %
   Test CRC 74DC1320
   Copy CRC 74DC1320
   Copy OK

No errors occured


End of status report


THIS SOURCE IS ACTUALLY 6/11/1992, BUT IS LABELLED INCORRECTLY.  THE ONLY REASON I AM SEEDING THIS (IN ADDITION TO 6/11/1992) IS B/C OF THE \"REMASTER\"...  DL EITHER OR BOTH, YMMV...
---------------------------------------------------------------------------


PAVEMENT


Uptown Lounge
Minneapolis, MN
June 6, 1992
(pavement1992-06-06)


Source:  Liberated bootleg (Red Asphalt) &gt; ??? &gt; CDR(x)
Transfer:  CDR(x) &gt; EAC &gt; FLAC  (TomIzzo)
Transfer 2:  FLAC &gt; unknown remaster &gt; FLAC (thir13en)


01. Intro
02. Here
03. Perfume-V
04. Frontwards
05. Home
06. Conduit For Sale!
07. Summer Babe
08. Texas Never Whispers
09. No Life Singed Her
10. Loretta\'s Scars
11. Trigger Cut
12. In The Mouth A Desert
13. Debris Slide
14. Two States
15. Zurich Is Stained
16. Feed \'em to the Lions
17. Angel Carver Blues/ Mellow Jazz Docent
18. Greenlander &gt; She Believes
19. Box Elder
20. So Stark (You\'re a Skyscraper)- soundcheck



Notes:

Files renamed.  Text edited.
Original FLAC MD5 listed below.

Terry Watts
<a href=\"http://db.etree.org/twatts\">http://db.etree.org/twatts</a>



The original FLAC MD5:
92841e5174556efb57e13ec7c9156e8d *01- Here.flac
6564710ff616f62abb04547142e2fc9c *02- Perfume-V.flac
c7c796de37114d898f979fe5f18c292a *03- Frontwards.flac
4b135b85ea4d0afffc0479e71c06599a *04- Home.flac
3c162c5241ff84aaa217ad97d47e17c4 *05- Conduit For Sale.flac
4889176c0f0281cb368e2922d59593a8 *06- Summer Babe.flac
fb9e3e4a3e3349224ffe7793eee3be51 *07- Texas Never Whispers.flac
ed2c41b2445d55c5d4ad362c18d293f1 *08- No Life Singed Her.flac
e12729a8681532b74726b8ec6a828109 *09- Loretta\'s Scars.flac
261331cc13d85d0c5be6a0a3dda65643 *10- Trigger Cut.flac
a73fd19e2c49e1274d169df8633f790f *11- In The Mouth A Desert.flac
82826fa1d4e4945f19144a28132f547b *12- Debris Slide.flac
9d62f46affe0bc55f53413e1121060c6 *13- Two States.flac
0feb7779f91d46177a7e3304a5d445e1 *14- Zurich Is Stained.flac
2a76dbfd5bdcb2649a2a03bb111e2e26 *15- Feed \'Em To The Lions.flac
a73a4201080f4aae8a8085081e3a9f64 *16- Angel Carver Blues.flac
00c20a14caffaf06f56bdc70e2f8433d *17- Greenlander - She Believes.flac
5e47bfc17970f70d400e4dcc36203704 *18- Box Elder.flac
fc4652db5dda8ee43dc96cf8b40b4fa1 *19- So Stark (You\'re A Skyscraper).flac




PAVEMENT

Club de Wash
Madison, Wisconsin
June 10, 1992
(pavement1992-06-10)

S: Unknown SBD>???>CDR
T: CDR(?)>EAC>SHN (mkw w/ .skt appended)
(EAC>SHN:  http://db.etree.org/twatts)

Disc 1:
1. intro
2. Here
3. Perfume V
4. Frontwards
5. Conduit for Sale!
6. Texas Never Whispers
7. Summer Babe
8. Home
9. Feed 'Em to the Lions (Linden)
10. Loretta's Scar
11. Trigger Cut
12. No Life Singed Her
13. In The Mouth A Desert
14. Two States
15. Zurich is Stained
16. Debris Slide
17. Greenlander
18. She Believes

Notes:
Received this audio CDR in a trade - SHNed for my own archives.
Enjoy!  -Terry


Pavement
Minneapolis, MN
Uptown Bar &amp; Cafe
Thursday 11 Jun 1992
soundboard recording
[total running time: 01:04:01]

soundcheck:
001 So Stark_You\'re A Skyscraper (1:37)
[cassette side A (40:39)]
002 Here (4:02)
003 Perfume-V (1:52)
004 Frontwards (3:10)
005 Home (2:48)
006 Conduit For Sale (3:01)
007 tuning (0:36)
008 Summer Babe (3:21)
009 comments (0:45)
010 Texas Never Whispers (2:45)
011 comments (0:35)
012 No Life Singed Her (1:51)
013 Loretta\'s Scars (3:02)
014 corny band introduction (1:14)
015 Trigger Cut (2:38) &gt; (sort of)
016 In The Mouth A Desert (3:33)
017 tuning_comments (0:30)
018 Debris Slide (2:50)
019 Two States (2:00)
[tape flip - side B (21:43)]
020 Zurich Is Stained - false start (0:48)
021 Zurich Is Stained (1:42)
022 Feed \'Em To The Linden Lions - false start (0:31)
023 Feed \'Em To The Linden Lions (1:56)
024 comments (0:36)
025 Angel Carver Blues (0:36) &gt;
026 Mellow Jazz Docent (1:52)
027 Greenlander (3:00)
028 She Believes (3:50)
encore:
029 encore comments / Box Elder (false start) (1:57)
030 Box Elder (4:59)

1st-gen copy of original cassette &gt; Azimuth-optimized analog-digital transfer to hard drive &gt; tracked in CDWav editor &gt; SoundForge processes applied: DC offset &gt; Traders Little Helper processes applied: SBE check (passed); .flac conversion (level 8); .ffp + .md5

I know this one has made the rounds for years, but this is the first time I ever did it right. I had been plugging into the board at The Uptown all week, and this show has always been one of my favorites.  It\'s particularly special to me because I helped mix the show, which accounts for the guitar levels in the mix. I\'m afraid I don\'t remember the name of the sound man who ran the board that night, but we had a great time hanging out, and I can\'t thank him enough for letting me get my mitts on the board for a while. I kind of pushed the limits a bit, because I knew if I left the levels as they were in the beginning, the board tape would be all vocals and drums. Once I got my fingers on the dials, I tried not to change the mix he had set up for the room, because that already sounded great, but I shaped the mix for the tape as well. It can be a tricky balance, but I think this one worked. I also think that pushing things in this case helped capture the live energy that was in the room - I would not call this a typical sterile board tape by any means.

It was a blast hanging out with the band that night. I smuggled in Jessica Hopper, who was just getting her own music \'zine off the ground, and wasn\'t quite of drinking age, but then again, she wasn\'t drinking, either. She was just psyched to be able to hang out with the members of Pavement. Gary Young was still in the band at this point, and was off the wall all night. Before the show, he was sitting at a table in front of the bar, set up by a local Planned Parenthood group, and Gary was handing out condoms to everyone who walked into the bar, insisting they would need them. During the show, he seemed to be in his own world, and would frequently leave his drum kit between songs, and a few times, I was certain that \"S.M\" and \"Spiral\" were pretty frustrated with him. Having been in both of those places in bands, I understand it, but I will say that I thought Gary\'s energy was definitely a part of the Pavement experience I witnessed that evening.

The original SBD tape mysteriously disappeared, and this transfer was made from a copy I recently discovered in my archives with a note in my own hand-writing, taped to the case, that reads\" band copy\". Some background here might help: I was attacked by a mob the day after the Pavement show, and woke up with half my face missing, a bunch of kicked-in ribs, a broken collarbone, and a smashed-in eardrum, in what was apparently part of a slew of rioting that had continued to sweep across the U.S., in  some sort of empathy for the Rodney King incident which had taken place Los Angeles, earlier that year. Things were a bit dis-oriented for a while after that, so among other things, I\'m not sure where the original cassette got off to, but it\'s more likely that I misplaced it, than someone making off with it. It\'s even entirely possible that I never labeled it, and may have even recorded something else over it!

Anyway, that finally answers the question I\'ve been asking myself for years - why didn\'t they want to use this tape for anything? Ummm, I guess because they never got it - ouch! A friend once told me that they read somewhere, that Stephen Malkmus said he heard a bootleg of this show, and it was his favorite Pavement bootleg. I don\'t know if this is true, but I had mixed feelings about it, because I hadn\'t realize they had never heard the original tape, and I really thought it was good enough to use for something officially. After I made this digital transfer and played it back, I still have mixed feelings about it, especially having just recently listened to the Brixton show included on the 2-disc reissue of \"Slanted + Enchanted\". I really do think the energy of this one has more to do with what I heard in Pavement\'s music. The Brixton show, to my ears, sounds like they already played out the early material, and were ready to move on to something else - like maybe the next album?

As far as I can recall, no previous trade copies were ever made from the original master, so if I ever traded copies of the complete show, they would have been from this same cassette. The brief snippet from the soundcheck came from an edition version of the show, which was originally on a different cassette. As I recall, there was truly nothing else on the original soundcheck tape worth listening to - a lot of mic checking and guitar feedback, and the one short bit of a song included here. A week or so after the show, I made my own personal edited \"live album\"-style copy of this show, which featured nothing but the music, and the song from the soundcheck. I EQ\'d the hell out of that tape, because I wanted the guitars to literally scream in my ears, as it ended up living in my walkman for several months. Somewhere along the way, I traded a few copies of that, and I\'ve heard that it became bootlegged, with a bunch of \"filler\" tracks, once the CD-R burning craze hit. Bear in mind that the edited version I made was done with half my hearing, and under the influence of whatever I was using to kill the pain from my injuries - although, it might be possible that version was made using the orignal tapes, although I can\'t be sure. Whatever - this is the way the show went down, and I haven\'t changed a thing here. If the levels are too hot in a few places, I left \'em alone. Same with the quieter bits. With this version, the only significant thing I did was to tweak the living daylights out of the Azimuth on the playback head, and I actually had transfered it a couple of times, until I found the settings I could be satisfied with.

I recently located the calendar for The Uptown Bar for the moth of June \'92, and just looking at it brought back a ton of memories. 6/4 - My Dad Is Dead; 6/8 - Mark Eitzel; 6/9 - Toiling Midgets and Vic Chesnut; 6/10 - Rein Sanction; 6/11 - Pavement; 6/17 - Surgery; 6/21 - The Cake Kitchen, The Mad Scene, and Bratmobile; 6/23 - Silkworm.  There were more, but I wasn\'t going out for a while, and it took the better part of a year for my hearing to come back in my left ear, so I wasn\'t doing a lot of recording, and I couldn\'t really run a soundboard as well as I used to, either. In time, all those shows and more will make their way up from the basement as well. In the meantime, I hope this sounds as good to your ears as it does to mine.

**********************************************************************************************************************

A KIND OF DISCLAIMER AGAINST POTENTIAL BOOTLEGGERS...

I\'ve taken a bit of a break from posting anything, due to getting a lot of flak about my no-artwork \"policy\". I\'m willing to give it another try, and see how it goes. If people are interested in hearing what I dig out of the archives, then please do not post artwork on the torrents I post, and please don\'t try to open a big debate about it in the comments section. Either of those things will be the quickest way to convince me that I\'m wasting my time sharing this stuff with people. Do what you want in your own space, but please respect my one simple request on the torrents I post, okay?

It is my express interest to provide the best quality archival material I have available, but the notion of people creating \"artwork\" for these recordings has little to do with the work I do as an archivist. It also easily enables the ready packaging of archival recordings as illegitimate bootlegs, which I do not support. I am not in the business of manufacturing a \"product\", but simply contributing to a particular type of cultural history.

If people are going to make artwork for my recordings, I don\'t want to see it attached to this or any of my torrents, or that will seriously be the end of me putting up anything else from my archives. If this is going to be an issue for anyone, I\'m done sharing my recordings, period. I\'m not interested in anyone\'s opinions on the subject, and this is not a matter that\'s up for discussion. If you disagree with my opinion, why waste your time or anyone else\'s posting about it?

**********************************************************************************************************************

Now, back to the fun stuff - just enjoy the music, okay?



Pavement

Cat's Cradle
Carrboro, NC
September 11, 1992
(pavement1992-09-11eac-shn)

S:  Unknown AUD > ??? > CDR
T:  CDR(?) > EAC > SHN (MKW w/SKT appended)
(EAC>SHN:  Terry Watts - http://db.etree.org/twatts)

1.  Kentucky Cocktail
2.  Perfume-V
3.  Fame Throwa
4.  Range Life
5.  Home
6.  Spizzle Trunk
7.  Summer Babe
8.  Zurich is Stained
9.  Angel Carver/Mellow Jazz Docent
10.  Two States
11.  Trigger Cut
12.  Feed 'em to the Lions (Linden)
13.  Sound
14.  Secret Knowledge of Backroads
15.  In the Mouth a Desert
16.  Jackals, False Grails:  The Lonesome Era
17.  Conduit for Sale!
18.  Our Singer

Notes:

Received this audio CDR in a trade - SHNed for my own archives.

Enjoy!  -Terry

EAC extraction logfile from 13. December 2003, 19:47 for CD
Unknown Artist / Unknown Title

Used drive  : SONY    CD-RW  CRX195E1   Adapter: 1  ID: 0
Read mode   : Secure with C2, accurate stream, NO disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
                     44.100 Hz; 16 Bit; Stereo

Other options      : 
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : Yes
    Native Win32 interface for Win NT & 2000


Track  1
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track01.wav

   Peak level 86.0 %
   Track quality 100.0 %
   Test CRC B8DD5C3C
   Copy CRC B8DD5C3C
   Copy OK

Track  2
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track02.wav

   Peak level 74.0 %
   Track quality 100.0 %
   Test CRC AF03F68B
   Copy CRC AF03F68B
   Copy OK

Track  3
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track03.wav

   Peak level 80.7 %
   Track quality 100.0 %
   Test CRC 01B5E213
   Copy CRC 01B5E213
   Copy OK

Track  4
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track04.wav

   Peak level 63.1 %
   Track quality 100.0 %
   Test CRC 8922503A
   Copy CRC 8922503A
   Copy OK

Track  5
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track05.wav

   Peak level 84.8 %
   Track quality 100.0 %
   Test CRC A53B13AA
   Copy CRC A53B13AA
   Copy OK

Track  6
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track06.wav

   Peak level 78.4 %
   Track quality 100.0 %
   Test CRC 232C26AF
   Copy CRC 232C26AF
   Copy OK

Track  7
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track07.wav

   Peak level 82.0 %
   Track quality 100.0 %
   Test CRC 92428C67
   Copy CRC 92428C67
   Copy OK

Track  8
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track08.wav

   Peak level 74.3 %
   Track quality 100.0 %
   Test CRC 9FA3B82C
   Copy CRC 9FA3B82C
   Copy OK

Track  9
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track09.wav

   Peak level 94.2 %
   Track quality 100.0 %
   Test CRC 5ECE2FB6
   Copy CRC 5ECE2FB6
   Copy OK

Track 10
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track10.wav

   Peak level 78.5 %
   Track quality 100.0 %
   Test CRC 9B1791C0
   Copy CRC 9B1791C0
   Copy OK

Track 11
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track11.wav

   Peak level 70.2 %
   Track quality 100.0 %
   Test CRC FA13E972
   Copy CRC FA13E972
   Copy OK

Track 12
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track12.wav

   Peak level 73.0 %
   Track quality 100.0 %
   Test CRC 7DB546E5
   Copy CRC 7DB546E5
   Copy OK

Track 13
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track13.wav

   Peak level 78.2 %
   Track quality 100.0 %
   Test CRC E91DAE27
   Copy CRC E91DAE27
   Copy OK

Track 14
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track14.wav

   Peak level 57.3 %
   Track quality 100.0 %
   Test CRC E82B4BD8
   Copy CRC E82B4BD8
   Copy OK

Track 15
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track15.wav

   Peak level 80.6 %
   Track quality 100.0 %
   Test CRC 763879D1
   Copy CRC 763879D1
   Copy OK

Track 16
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track16.wav

   Peak level 51.1 %
   Track quality 100.0 %
   Test CRC E5FAFC75
   Copy CRC E5FAFC75
   Copy OK

Track 17
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track17.wav

   Peak level 69.8 %
   Track quality 100.0 %
   Test CRC 3BDF4D3B
   Copy CRC 3BDF4D3B
   Copy OK

Track 18
   Filename D:\SHNs to fix\pavement1992-09-11eac-shn\Track18.wav

   Peak level 72.5 %
   Track quality 100.0 %
   Test CRC 09307C98
   Copy CRC 09307C98
   Copy OK

No errors occured


End of status report


SHNID	Artist	Date	Venue	City	State
21279	Pavement	1992-05-19	Cattle Club	Sacramento	CA
S: Unknown SBD>???>CDR (Liberated bootleg: Summer Babe); T: CDR(?)>EAC>SHN (MKW w/SKT appended) (EAC>SHN: Terry Watts)
129594	Pavement	1992-06-06	Uptown Lounge	Minneapolis	MN
PAVEMENT - June 6, 1992 - Uptown Bar & Cafe - Minneapolis, MN
22858	Pavement	1992-06-10	Club De Wash	Madison	WI
S: Unknown SBD>???>CDR; T: CDR(?)>EAC>SHN (mkw w/ .skt appended) (EAC>SHN: /twatts)
133204	Pavement	1992-06-11	Uptown Bar	Minneapolis	MN
PAVEMENT - June 11, 1992 - Uptown Bar & Cafe - Minneapolis, MN
21280	Pavement	1992-09-11	Cat's Cradle	Carrboro	NC
S: Unknown AUD>???>CDR; T: CDR(?)>EAC>SHN (MKW w/SKT appended) (EAC>SHN: Terry Watts)

Live Concert Database