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Live Concert Database
Sources for Artist Group Soulive
1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2017 2019 2020
SHNIDArtistDateVenueCityStateArchive Identifier
118457Soulive2012-01-13Jam Cruise 10 - Pool DeckMSC PoesiaOcean
24 bit Schoeps mk4 (DIN, FOB/DFC 15' from stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
118458Soulive2012-01-13Jam Cruise 10 - Pool DeckMSC PoesiaOcean
16 bit Schoeps mk4 (DIN, FOB/DFC 15' from stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
120718Soulive2012-02-17Fox TheaterBoulderCO
Source: AKG 414 (hypers,DIN @70) > V2 > AD1K > D50 > CDWave > flacify
Taped and Transferred by Ethan Alpert
122067Soulive2012-02-17Fox TheaterBoulderCO
source: Schoeps MK4 > Nbox > Sony M10 @ 24/48 (FOB/DFC/DIN) transfer: Sony M10 > Macbook Pro > Sound Studio 4.1 > xACT > FLAC
119316Soulive2012-02-24The Crown Room @ The Crytal Bay ClubCrytal BayNV
Source: Schoeps MK41 > CMR > Naiant LB/Jensen > Sony m10
Transfer: USB > Audition 3.0 > CD Wave > Traders Little Helper
120687Soulive2012-02-28Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
120688Soulive2012-02-28Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
120179Soulive2012-02-29Brooklyn BowlBrooklynNY
Source:Neumann SKM 140's->Edirol R44
Transfer:SD->PC->Audacity->CD Wave Editor->Flac Frontend
Mastered and uploaded by Frank D'Auria
120691Soulive2012-02-29Brooklyn BowlBrooklynNY
Source:Neumann SKM 140's->Edirol R44
Transfer:SD->PC->Audacity->CD Wave Editor->Flac Frontend
Mastered and uploaded by Frank D'Auria
120690Soulive2012-02-29Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120689Soulive2012-02-29Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120694Soulive2012-03-01Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120693Soulive2012-03-01Brooklyn BowlBrooklynNY
16 bit Schoeps MK21 (onstage, NOS)>KC5>PFA>SD USBPre2 + Schoeps MK22 (A-B, 3ft split, 15 ft back, left stack) >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone limiter, EQ), resample to 44.1kHz>Audacity (tracking, downsample to 16bit)>FLAC
120692Soulive2012-03-01Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120696Soulive2012-03-02Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120695Soulive2012-03-02Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120697Soulive2012-03-03Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120698Soulive2012-03-03Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120699Soulive2012-03-06Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120700Soulive2012-03-06Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120703Soulive2012-03-07Brooklyn BowlBrooklynNY
Source:Neumann 140's->Edirol R44
Transfer:SD->PC->Audacity->CD Wave Editor->Flac Frontend
Master,Transfer,Upload by Frank D'Auria
120702Soulive2012-03-07Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
121493Soulive2012-03-07Brooklyn BowlBrooklynNY
flac24;Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
120711Soulive2012-03-08Brooklyn BowlBrooklynNY
Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96) > FLAC
120705Soulive2012-03-08Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120704Soulive2012-03-08Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120706Soulive2012-03-09Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120707Soulive2012-03-09Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120710Soulive2012-03-10Brooklyn BowlBrooklynNY
Source: Busman BSC2/K41 > Tascam DR-680 (24-bit/48k). Location: DFC/ORTF ~2' high, on stage. Transfer: Sony Sound Forge Pro 10.0 (EQ; 0db Normalization; L3 UltraMaximizer Stereo; Fades; Resampled with iZotope 64-Bit SRC @ Highest quality; Bit-Depth Conversion (24>16) with iZotope MBIT+ Dither with Ultra noise shaping, High dither > CDWave > FLAC
120709Soulive2012-03-10Brooklyn BowlBrooklynNY
16 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120708Soulive2012-03-10Brooklyn BowlBrooklynNY
24 bit Schoeps mk21 (ORTF, On Stage DFC) -> kc-5 -> cmc6 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
120714Soulive2012-04-15McDowell Mountain Music FestivalScottsdaleAZ
Microtech Gaffell M93)'s(Nos)-V3-Dr-680
120713Soulive2012-05-03Howlin' WolfsNew OrleansLA
16 bit Schoeps mk4 (foh/dfc @ 25', DIN) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
120712Soulive2012-05-03Howlin' WolfsNew OrleansLA
24 bit Schoeps mk4 (foh/dfc @ 25', DIN) -> kc-5 -> cmc6 -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
120715Soulive2012-06-01Wakarusa FestivalMulberry MountainAR
Telefunken M260's (Cardiod Caps) ORTF-v3-Dr-680
122550Soulive2012-06-29City WineryNew YorkNY
Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC Recorded, tracked and posted by Eric McRoberts
122551Soulive2012-06-29City WineryNew YorkNY
flac24;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
122549Soulive2012-06-30City WineryNew YorkNY
flac24;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
122548Soulive2012-06-30City WineryNew YorkNY
flac16;Schoeps mk4 (DIN, FOB @ right PA - 15' from stage) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
122547Soulive2012-07-07High Sierra Music FestivalQuincyCA
FM Signal > Magnum Dynalab FT-101 Analog Reciever > Sound Devices 744 (24/48) Hard Drive transfer > Sound Forge 9.0 (trims, fades) > resample (48/44.1) Anti alias filter > Bit conversion (24/16) >Traders little helper (align on sector boundries, flac)
122065Soulive2012-07-19Gathering of the Vibes - Green Vibes StageBridgeportCT
AKG ck1x > Naiant Tiny Box > Sony PCM M-10(24/44.1) Wave > Sound Forge Pro 10.0(Fade,Track,Resample 16 bit) > TLH > Flac
122064Soulive2012-07-19Gathering of the Vibes - Green Vibes StageBridgeportCT
Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz; Transfer,editing & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1
122554Soulive2012-08-09Brooklyn BowlBrooklynNY
16 bit Schoeps mk4 (DIN, On Stage DFC) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini Me + Schoeps cmc621 (Split 20', On Stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (time-align, mix, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Recorded, mixed, tracked and posted by Eric McRoberts
122555Soulive2012-08-09Brooklyn BowlBrooklynNY
24 bit Schoeps mk4 (DIN, On Stage DFC) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Apogee Mini Me + Schoeps cmc621 (Split 20', On Stage) -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (time-align, mix, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
122545Soulive2012-09-22Prowse FarmCantonMA
Schoeps MK41>KC5>CMC6>Sonosax SX-R4(24bit/96khz)
WAV>USB>Macbook Pro>Wave Editor(tracking,fades,resample(izotope)/dither(mbit+)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe)
Recorded and transferred by Andy Murray
122546Soulive2012-09-22Prowse FarmCantonMA
Schoeps MK41>KC5>CMC6>Sonosax SX-R4(24bit/96khz)
WAV>USB>Macbook Pro>Wave Editor(tracking,fades)>XAct(FLAC 8,ffp)
Recorded and transferred by Andy Murray
122553Soulive2012-10-20Terminal 5New YorkNY
16 bit Schoeps mk4 (DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades; 96->44.1 resample with iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter;
24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC Recorded, tracked and posted by Eric McRoberts
122552Soulive2012-10-20Terminal 5New YorkNY
Schoeps mk4 (DIN) -> kc-5 -> cmc6xt -> Sonosax SX-M2 -> Sound Devices 744T -> WAV (@24/96);
WAV -> SoundForge Pro 10.0c (normalize, fades) -> CDWav -> FLAC
Recorded, tracked and posted by Eric McRoberts
123202Soulive2012-10-20Terminal 5New YorkNY
16 bit Neumann TLM-170 (hypercardoids at back of floor, center) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0d (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings)
123201Soulive2012-10-20Terminal 5New YorkNY
24 bit Neumann TLM-170 (hypercardoids at back of floor, center) -> Sound Devices 722 (@24/96)
123199Soulive2012-11-039:30 ClubWashingtonDC
Source:(LOC)AKG C-1000's> DR-40> SDHC> CD Wave>Traders Little Helper
123198Soulive2012-11-10Spirit of the Suwannee Music ParkLive OakFL
Source: AKG c460b/ck8 (PAS) > Oade T+ Mod Edirol UA-5 > iRiver iHP-120 (16Bit/48KHz)
Location: Approx 8' High, DFC, FOB at rail
Lineage: iRiver > Adobe Audition 3.0 (Resample) > TLH > FLAC 16 (level 8) > Foobar2000 (tagging)
Recorded, transferred & seeded by Scott Douglas
123205Soulive2012-12-07Cervantes Masterpiece BallroomDenverCO
Source: ADK A51 TLs (Hyper)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac
Taped by Pete Coffan
123206Soulive2012-12-08Cervantes Masterpiece BallroomDenverCO
Source: ADK A51 TLs (Hyper)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac
Taped by Pete Coffan
123769Soulive2012-12-30Paradise Rock ClubBostonMA
24 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (24/96k) > xACT > flac8
Tape/transfer - corey the groundhog
123768Soulive2012-12-30Paradise Rock ClubBostonMA
16 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (16/44.1k) > xACT > flac8
Tape/transfer - corey the groundhog
123766Soulive2012-12-31The ParadiseBostonMA
16 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (16/44.1k) > xACT > flac8
Tape/transfer - corey the groundhog
123765Soulive2012-12-31The ParadiseBostonMA
24 bit Source: akg 483 > V2 > R-44 > WAV (24/96k)
Transfer: wav > Audacity > wav (24/96k) > xACT > flac8
Tape/transfer - corey the groundhog