| Identifier | 9680146 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | FLAC |
| Sound Rating | A |
| Note | Recorded from 4th row center, DFC, directly behind the soundman (who was at 3rd row center). This was the first row of center seats open to the general public. Everything in front of the sbd had cables and wires running across them, so no seating allowed in front of the sbd.
So in essence,... This is recorded from the 1st row center seat. This hall is one of the finest small acoustic halls in the country/world (capacity 350). The acoustics for true acoustic performances is spectacular. This particular recording had a small on-stand pa system that was on stage, a Peavey pa, with a Behringer mixer (8channel? a minimalist sbd.). The PA was overmixed toward the end of the show, and you can here the pa make clipping sounds in the last few minutes of the show, and during the encore (I was watching the levels on the sbd clip). They are slight, and not really bothersome, but were part of the sound mix this evening, and not from the master recording. |
| Source Info | DPA 4060 Omnis HRTF stealth >DPA MPS6020 batt.pack >Sony PCM-M1 DAT 48k mic-input with the limiter on (expecting quiet music and loud audience applause) |
| Traded From | Moke |
| Trades Allowed |
Performance
| Ostad Hossein Omoumi 2004-06-19 Neurosciences Institute Auditorium, La Jolla, Ca | |
|---|---|
| Set 1 |
Masnavi in Dastgah-e Shur (Listen to the Reed Flute) ~ Pish Daramad (Prelude) ~ Rhythmic Masnavi (Rumi poetry, 13th century) ~ Chahar-mezrab and avaz (Sa'adi poetry, 13th century) ~ Dashti and Masnavi (Rumi Poetry, 13th century) ~ Rhythmic Masnavi (Attar poetry, 13th century) fade out =>> |
| Set 2 |
Sufi Nameh in Dastgah-e Homayun ~ Sufi Nameh ~ Chahar-mezrab abd avaz (Eraghi poetry, 13th century) ~ Bidad abd Deylaman (Sa'adi poetry, 13th century) ~ Sagih Nameh (Hafez poetry, 14th century) ~ Raz o Niaz (Sahar poetry, 20th century) fade out =>> |
| Set 3 | encore
~ improvisational fade out =>> |
| Comment | |