| Identifier | 9572033 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | FLAC |
| Sound Rating | A |
| Note | This is another Los Angeles Tape eXchange Recording (LAX)
Recorded by John Musgrave with Sue getting the equipment into the venue. Copy:(1980) Akai GXC 570 D2 (w/ Dolby and Bias @ 70usec) > TEAC AN 180 Dolby > Revox B-77 @ 3 3/4 ips Transfer:(2015) Revox B77 > Teac AN 60 Dolby > Korg mr2000-s @ 1 bit 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > Adobe Audition 3.0 & iZotope RX4A (prep and track splits) > AudioGate Aqua (16-44) > TLH (flac level 8) song information embedded with Stamp ID3 tag editor. |
| Source Info | Sennheiser MKH 404 tu Cardioids >TEAC PC-10 (w/ Dolby B) |
| Traded From | Mike Martin |
| Trades Allowed |
Performance
| Benny Goodman 1979-06-15 Hollywood Bowl, Los Angeles, CA | |
|---|---|
| Set 1 | Lady Be Good Here's That Rainy Day The World Is Waiting For The Sunrise Someday You'll Be Sorry Don't Be That Way That's A Plenty I Got It Bad (Michael Moore bass violin solo) Air Mail Special |
| Set 2 | |
| Set 3 | |
| Comment | |