| Identifier | 9550916 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | cd flac data |
| Media Count | 2 |
| Note | ZAKIR HUSSAIN & MASTERS OF PERCUSSION
Date: 2012-07-18 (18 July 2012) City: München (Munich), Germany Venue: Night Club, Hotel Bayerischer Hof Zakir Hussain - tabla Rakesh Chaurasia - bansuri Ganesh Rajagopalan - violin Sridar Parthasarathy - mridangam, kanjira Navin Sharma - dholak Abbos Kosimov (from Uzbekistan) - doyra (frame drum), qayroq (metal and stone castanets) unannounced vocalist Sony ECM-717 > Edirol R-09HR (44.1 kHz/16 bit) > WAV (split into tracks using WaveLab Lite, slight normalizing applied to the first set only) > flac level 8 (TLH) Tracks: Set 1: 01 Applause (0:34 min) 02 Vocal (2:55 min) 03 Alap: bansuri & tabla (18:16 min) 04 Gat in Mattatal (9 beat rhythm cycle): bansuri & tabla (8:07 min) 05 Gat in Drut Tintal (fast 16 beat rhythm cycle): bansuri & tabla (5:02 min) 06 Tabla solo (5:38 min) 07 Tabla solo - compositions (2:13 min) 08 Gat in Drut Tintal (fast 16 beat rhythm cycle), resumed: bansuri & tabla (5:40 min) TRT: 48:32 min Set 2: 01 Violin, mridangam & tabla (8:48 min) 02 Violin (5:59 min) 03 Violin, mridangam & tabla (8:41 min) 04 Mridangam solo (8:44 min) 05 Zakir’s announcement (1:09 min) 06 Folk melody (7 beat rhythm cycle): flute, tabla, dholak, doyra (4:19 min) 07 Doyra solo (5:51 min) 08 Dholak solo (4:54 min) 09 Doyra solo (3:18 min) 10 Dholak solo (2:31 min) 11 Doyra solo (2:06 min) 12 Dholak solo (1:46 min) 13 Folk melody (6 beat rhythm cycle) & introductions (8:18 min) 14 Rhythm circle (all instruments) & final applause (5:01 min) TRT: 63 min Note: - The first set basically followed a classical North Indian raga exposition, but with a few unconventional elements: The “alap†was structured as a dialog between tabla and flute, and Zakir’s tabla solo was inserted in the Drut Tintal part. - The first part of the second set was focused on the South Indian classical (Carnatic) tradition, the second part on the folk tradition. - Zakir used two differently tuned dayas (right hand drums) plus a sort of bass pad (the sound reminded me of a dancer wearing brass bells, I don’t know if this was the intended effect). - Recorded from a seat slightly to the right approx. 5 meters from the PA, with the people in front of me seated on the floor. - This was a great show, though it's a pity that Zakir didn't play an extended tabla solo (that's why I came for, mainly). |
| Trades Allowed |
Performance
| Zakir Hussain & Masters of Percussion 2012-07-18 Night Club, Hotel Bayerischer Hof, Munich, Germany | |
|---|---|
| Set 1 | |
| Set 2 | |
| Set 3 | |
| Comment | |