| Identifier | 9297590 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | DVD |
| Media Count | 3 |
| Note |
|
| Source Info | Single Camera Audience shot;
Video Source: Video: AUD > ??? > HI-8 tape (low generation but unknown lineage) Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 Audio Source Information: shnid = 125281 SBD + AUD Matrix 4 Source Mix (55%-AUD/45%-SBD) Soundboard shnid = 7507 Mastered by Jay Serafin, Serafin Station Studio B LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN Jay's comments: any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00] My comments: Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases. There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42. Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed. Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me. Thanks. Bob H. Audience1 shnid = 29758 Source Audience FOB (11th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton Digital Mastering by Charlie Connor Shn'd 4/19/01 by Charlie Connor I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding the Etree BT tonight. FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) Audience2 shnid = 125023 Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Video no shnid Video: AUD > ??? > HI-8 tape (low generation but unknown lineage) Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 > LCPM --------------------------------------------------------- - Mixed by kevtobin@yahoo.com - FLAC conversion 1-AUG-2013 - Trader Little Helper - Tagged 1-AUG-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Audio Patches: 1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told. 2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard. 3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard. 4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard. 5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video. 6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video. 7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard. 8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away. 9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2. 10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2. 11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2. 12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2. 13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2. 14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2. 15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode. 16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode. 17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River. Video Patches: 1) At the start of the show, 22.780 seconds were missing from the video and were filled in using Audience audio and graphics filler. This includes the first 8 seconds of Greatest Story Ever Told. Notes -Video assets courtesy of Dan Cole and tranfered by Kevin Tobin - thank you very much Dan -SBD torrented from LL with many thanks -AUD downloaded from Archive.org with appreciation for all they do -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches created with Ulead VideoStudio 11 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD authoring via DVD Architect 6.0 by Kevin Tobin. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : Disk 1: 8.000 Mbps Disk 2: 8.000 Mbps Disk 3: 8.000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video |
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| Trades Allowed |
Performance
| Grateful Dead 1989-04-03 Civic Arena, Pittsburgh, PA | |
|---|---|
| Set 1 | Greatest Story Ever Told > Bertha > Walkin' Blues Jack A Roe El Paso Built To Last Victim Or The Crime Just Like Tom Thumb's Blues > Don't Ease Me In |
| Set 2 | Blow Away Estimated Prophet > Crazy Fingers > Uncle John's Band > Drums > Space > Gimme Some Lovin' > I Need A Miracle > Stella Blue > Sugar Magnolia Encore: Johnny B. Goode > Black Muddy River |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums https://en.wikipedia.org/wiki/Grateful_Dead_Download_Series_Volume_9 |