| Identifier | 9296886 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Note | Transfer: DAT(2) > PCM R-500 > Onkyo SE-U55 > Sound Studio (track splits, level adjustments) > xACT (fix SBE, FLAC level5) |
| Source Info | Coresounds Binaural > DAT(2)
|
| Checksums | denver_1995-10-16_01 terrible lie.flac:012267b5ec5c95fd95e82f1c660cf687 denver_1995-10-16_02 march of the pigs.flac:634f6c697dab2b05a23a5b55cef4926a denver_1995-10-16_03 the becoming.flac:5db3a37bd81d52c2d37ea01efc506bb6 denver_1995-10-16_04 sanctified.flac:06c2a81f0978de23f01a01f2f310236c denver_1995-10-16_05 piggy (nothing can stop me now).flac:7dee8446713160ffd0d4c17e714ddefe denver_1995-10-16_06 burn.flac:084d986530a32022fbe45db5f36b5cad denver_1995-10-16_07 closer.flac:6c2978dd2fb4fe6c557c8f7a99db3581 denver_1995-10-16_08 wish.flac:4934e97ddc98d0d01623cd08e8b867be denver_1995-10-16_09 gave up.flac:d545c46db7c0d276a765147aadcd4ce8 denver_1995-10-16_10 down in it.flac:4c72af435d39034fbb22b36ff9a4d159 denver_1995-10-16_11 eraser (instrumental).flac:4a36f22ae096635b639df572e885f1dc denver_1995-10-16_12 subterraneans.flac:856ab361d589feb199482e6f87ade68a denver_1995-10-16_13 scary monsters.flac:41bec528f6d6f764a8c8236465ff3e93 denver_1995-10-16_14 reptile.flac:cb53b1d533221a6d6a6fdc0497434581 denver_1995-10-16_15 hallo spaceboy.flac:e606cef2da0db2779adb2c82741fb3ae denver_1995-10-16_16 hurt.flac:7557ce4aeb84defdea904b7809f6163b denver_1995-10-16_17 look back in anger.flac:33f4cb2b3738faf1d8477bc8b82566b1 denver_1995-10-16_18 i'm deranged.flac:bc514a1e878c60bc6012329d99601d11 denver_1995-10-16_19 the heart's filthy lesson.flac:4dd1d66f8f0360a11284609eab4e0a25 denver_1995-10-16_20 the voyeur of utter destruction (as beauty).flac:4bb556e6f3d657b53819e59f7f756ddd denver_1995-10-16_21 i have not been to oxford town.flac:3191a53301db7da80f32b38d48211ec3 denver_1995-10-16_22 outside.flac:f9fe8f7f7c57435812892b62ed606b04 denver_1995-10-16_23 andy warhol (end only).flac:1ca32b03a752a0183a5d97a940a67d11 denver_1995-10-16_24 breaking glass.flac:5c782c07c35d87e416955c2854a9361c denver_1995-10-16_25 the man who sold the world.flac:e50f4194baabe4b884269d970e4d6beb denver_1995-10-16_26 we prick you.flac:68e427cd8b142d9ff67ca01846acacf5 denver_1995-10-16_27 joe the lion.flac:e6ab468f4b9cd0ff957bdc27885828e7 denver_1995-10-16_28 a small plot of land.flac:e4a198f32024322984cd57c14096cfcc denver_1995-10-16_29 nite flights.flac:4bdafe9e23391e4850f5260489dc7f40 denver_1995-10-16_30 band intro.flac:fe0b823647e13dbc2ba302454a655391 denver_1995-10-16_31 under pressure.flac:288cb3b6101dacc451820a52e974a093 denver_1995-10-16_32 teenage wildlife.flac:dc2a91da2857f28f1a6f09a21aa85df7 EXTRAS: denver_1995-10-16_15 (as beginning).flac:22b524a788570cadbb2e23fc81be9f01 denver_1995-10-16_16 (as ending).flac:9c6c9e8211bde6304602b43234405798 RAW tracks: denver_1995-10-16_22 [tape swap].flac:52a865d968999231f1446c8ef3f8ce83 denver_1995-10-16_23 andy warhol (raw).flac:07900498f14d8f72f1f03db20d9c2a6e denver_1995-10-16_24 breaking glass (raw).flac:46f03922fd39ab26fbf83cdc359686a8 denver_1995-10-16_25 the man who sold the world (raw).flac:d1035dac089689b8cffc5a13499d8684 denver_1995-10-16_26 we prick you (raw).flac:ea2b908db18d06c88d0763cc14ff6f7b denver_1995-10-16_27 joe the lion (raw).flac:433c3ad50034b76257fc8614a384957b denver_1995-10-16_28 a small plot of land (raw).flac:7e9e3761cfa0e807dd06254aeab75b1a denver_1995-10-16_29 nite flights (raw).flac:38e8377ca24d0fe5e8aef980c4a2a0a6 denver_1995-10-16_30 band intro (raw).flac:c7a4b6e5c5c8087e3a398fcf406ce174 denver_1995-10-16_31 under pressure (raw).flac:77f6c92d9f07bbe330133708c41623b1 denver_1995-10-16_32 teenage wildlife (raw).flac:70a774e7065d0089934fd1f5bd390783 denver_1995-10-16_33 clap test.flac:6b055848e1db3a716c922115b86bd2b8 |
| Tech Note | Like pretty much all tapes of the dissonance tour, this begins after NIN has hit the stage. (misses only the very beginning of terrible lie) The Note on the Tape says "Coresounds Binaural > DAT2" and it has SCMS so the transfer is done with the Analog Out. The DAT was recorded at 48.00kHz but it when it was played back to the computer it was captured at 44.1kHz so the downsampling for CDR use was done in the playback stage to prevent any errors during that process. All of the recording and editing was done in Sound Studio on a mac. xACT was used to verify sector boundaries, then tag and encode the flac files. The master tapes must have been a 60m tape, because at about that time there is a tape swap which loses most of andy warhol. The taper says "didn't get much of that" right after, and there is a little knob fiddling once the new tape is in. The plug comes out at the beginning of breaking glass and again in we prick you. The knob gets bumped a few times and the levels drop for the beginning of the new tape and it isn't until teenage wildlife that the taper adjusts them back up again. Meticulous computer editing in Sound Studio allowed me to adjust all this to the proper level the songs played at the show, and after all that I decided to patch the small dropouts in breaking glass and we prick you. For breaking glass I used about 10 secodes in 2 different spots from the atlanta october 9 aud tape, for we prick you i used 10 seconds from the 2nd chorus of the (same) denver tape. In the EXRAS folder you can find all the RAW tracks from after the tape swap. That gives you everything on the DAT and the patches & fixes to use or not. The are also disc-end tracks labeled (as ending) & (as beginning) that you can tack onto the discs if you like fades. There is a pretty decent space between spaceboy & hurt, so it doesn't really need them. The tracks are seamless without those extra tracks, which are just intended for disc-burning. |
| Trades Allowed |
Performance
| Nine Inch Nails 1995-10-16 McNichols Arena, Denver, CO | |
|---|---|
| Set 1 | Terrible Lie
March Of The Pigs The Becoming Sanctified Piggy Burn Closer Wish Gave Up Down In It Eraser Subterraneans Scary Monsters Reptile Hurt |
| Set 2 | |
| Set 3 | |
| Comment | |