| Identifier | 9282310 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Source Info | SOURCE (SBD#1)
----------------- soundboard -> unknown * Overly-distorted parts of the right channel (audience mic) were replaced with AUD#1 source of this show, which was also Eq'd and speed corrected to sound like the audience channel of this source. |
| Checksums | 01 Intro.flac:3af8c18d1f1b6ecf9576ee32953c5728 02 Aneurysm.flac:03d4862d730503238ed1ee6caca5665f 03 Oh, The Guilt.flac:99fe24b849dcfe8c0cd38c9a7b3c3696 04 Mr. Moustache.flac:7ac59cdf976ec41ecd34f6359963d5f9 05 Pay To Play.flac:2bc6b056067daf7b2d0999fe3a74ed0c 06 Breed.flac:3fb25dd80d34050e92a5473344c70530 07 Floyd The Barber.flac:22e9430fe8a2fc0ebe5ba8921d49c7a2 08 About A Girl.flac:a031d34f88b8e0c09c9e21f7450f506b 09 Verse, Chorus, Verse.flac:10a00ac58b791758ddef83c9acece6bd 10 In Bloom.flac:e88c9bce56a13027fb41a64ef343bea7 11 Swap Meet.flac:ef799a3a0899d35f6c8f20d8c1810a6b 12 Been A Son.flac:7b732fa195790ea898ae07b106be37b1 13 Stain.flac:41262e8ad936e0302468255c54447c5e 14 Blew.flac:26d901c1d0860c538009587d7f8ab003 15 Sappy.flac:b58295f5340a1760ff022c18c9ef3467 16 Lithium.flac:952c0c4abc7dcf467826e20f2faa2e56 17 School.flac:6ec4ebcda926b1d3213e4ee45ae717bb 18 D-7.flac:d1ec8a146ed78e2c582bedb2d66d636b 19 Here She Comes Now.flac:9d0ba49be9fb59a44fba53305bedeafa 20 Sliver.flac:7422b1023712169af330b4cf77dadfa8 21 Dive (cut).flac:4e4e3c55e8ae1130abb8964008bf0f04 22 Stage Banter.flac:a28c1b6063e06d55f8cf0ed596b367fb |
| Tech Note | GENERATION* ----------------- ANA(1) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8] ->WAV [44.1kHz] ->REMASTER ->FLAC [Level 8] TRANSFER ----------------- Nakamichi CR-7A -> Hosa RCA cable -> LynxONE analog-in -> Adobe Audition 2.0 -> CD Wave 1.95.1 -> FLAC Frontend 1.7.1 REMASTERING NOTES: All the over-driven segments of the soundboard channel were replaced with the audience channel, after I compensated for the delay of the audience channel, so as to maintain the same timing in the sounboard channel. The audience channel was Eq'd so as to sound more like the soundboard channel, ONLY FOR THE PATCHES IN THE SOUNDBOARD CHANNEL. The audience channel was not altered in any way. Aneurysm, Oh The Guilt, and Mr. Moustache, where the audience channel is completely overdriven, as well as the beginning of Sappy which is missing from this source, have all been replaced with AUD#1 of this show. The segments containing AUD#1 have been speed corrected, as well as Eq'd to match up with the audience channel of the main source of this show, which I suppose will be called "SBD#1". All the little clicks were neutralized. The soundboard channel was normalized to -0.1db, and the audience channel was then normalized to the same average power as the sounboard channel after the soundboard channel was normalized to -0.1db. Therfore both channels should be of the same magnitude. I took the liberty of replacing some destroyed sections in the sounboard channels of Oh, The Guilt, and Breed, by patching in other sections of the songs' soundboard channel. This results in a slight effect of a "Chorus of Kurts" or "Deuling Kurts", if you will, ie, Kurt singing with himself in stereo, slightly out of time with himself (which is his "fault" for not being exactly in the same time on different verses, as if anyone is holding that against him. Indeed, he's exactly in time with himself on different verses, but of course his vocal inflection varies a bit. On Oh, The Guilt I have decided I like how this sounds better than I like the sound of replacing the defective part with the other channel, because on this part of Oh, The Guilt, the audience channel is really overdriven, and the AUD#1 source sounds more different from the soundboard than I would like to hear. All in all this has been definitely the most brain-bending and tedious remaster Ive ever done, so it is quite unfortunate that the results cannot be "perfect" since there are many segments of both the soundboard and audience channels that are destroyed. All the changes I made were based on comparitive remastering. There were no speculatory or arbitrary changes made. Everything I have done has as much reason and scientific accountability as possible, and everything has been executed with precision and accuracy and finesse. Thank you, and Enjoy. Mike Wilkinson, May 2007 |
| Trades Allowed |
Performance
| Nirvana 1990-11-25 Off Ramp Cafe, Seattle, WA | |
|---|---|
| Set 1 | Aneurysm Oh, The Guilt Mr. Moustache Pay To Play Breed Floyd The Barber About A Girl Verse Chorus Verse In Bloom Swap Meet Been A Son Stain Blew Sappy Lithium School D-7 Here She Comes Now Sliver Dive Bass Jam E: Dumb Polly Something In The Way Negative Creep Love Buzz Where Did You Sleep Last Night? Spank Thru Molly's Lips Son Of A Gun Sifting Radio Friendly Unit Shifter |
| Set 2 | |
| Set 3 | |
| Comment | |