| Identifier | 871699 |
| Created At | Thu Aug 22 2002 22:34:01 GMT+0000 (Coordinated Universal Time) |
| Status | Archive |
| Media Type | shn |
| Media Count | 2 |
| Note | ----------------
This show is included in the 1994 Phish Project. http://people.atl.mediaone.net/danmarq/1994_phish_project.html ---------------- |
| Source Info | [DFOB; Master DAT] |
| Tech Note | Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades (in/out at beginning/end of sets); something hit one of the mics in Faht, I normalized this down to -25db. ---------------- Transferred by Dan Marquardt <danmarq@msn.com>, please contact me with questions/comments. There are also 48KHz shn's of this seed for archival. -------------------------------------------------------------------------------------------- ____________________________________________________________________________ *Dankseed Certification received 01-06-26* and posted at http://groups.yahoo.com/group/dankseeds/files/ph94-04-13/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 4695 | 1994-04-13 | Beacon Theatre | New York | NY | |
| Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz; Row 9 FOB [Dankseeds; 1994 Project] | |||||
Performance
| Phish 1994-04-13 Beacon Theatre, New York, NY | |
|---|---|
| Set 1 | Buried Alive > Poor Heart, Stash, The Lizards, Julius, Ginseng Sullivan*, The Divided Sky, Golgi Apparatus |
| Set 2 | Faht, The Curtain, Sample In A Jar, Reba, Big Ball Jam, Fee, Take The A-Train, David Bowie, Purple Rain > Hold Your Head Up, AC/DC Bag E: Sweet Adeline, Good Times Bad Times |
| Set 3 | |
| Comment | * - Acoustic And Without Microphones |