Identifier8686659
Created AtTue Nov 30 2010 18:48:38 GMT+0000 (Coordinated Universal Time)
Reference Number92733
Media Typecd
Media Count2
NoteSaint Stephen >
The Eleven >
Death Don�t Have No Mercy
Introduction Bill Graham
Dark Star
Cryptical Envelopment >
The Other One >
Cryptical Envelopment >
New Potato Caboose
Alligator >
Caution Jam > AWBYGN Jam >
Feedback

Source Info Soundboard Reels > ? > DAT
J-Card CommentSource Notes: This DAT circulated in 1994 and has the last tunes from each set missing. On the tape the Saint Stephen > Death Don�t sequence was placed after the Dark Star medley and before Alligator. The songs were placed the same sequence as Dead Base lists the show. This recording is in stereo throughout. Mastering Notes: - Reel changes spliced between dark Star and Cryptical and in second verse of The Other One - Left and right channels were normalized to �2 db before mastering plugins were applied. - All edits were done at [24/96]
Tech NoteSource: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008
Trades Allowed
Source
SHNIDDateVenueCityStateArchive Identifier
927331968-08-22Fillmore WestSan FranciscoCA
flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008
Performance
Grateful Dead 1968-08-22 Fillmore West, San Francisco, CA
Set 1Saint Stephen, Death Don't Have No Mercy, Turn On Your Love Light
Set 2Dark Star-> Cryptical Envelopement-> The Other One-> Cryptical Envelopement-> New Potato Caboose, Alligator, Drums-> Alligator, Caution (Do Not Stop on Tracks), Feedback, We Bid You Good Night
Set 3

CommentOther artist(s): GD; Kaleidoscope; Albert Collins