| Identifier | 8517025 |
| Created At | Sat Apr 17 2010 22:03:23 GMT+0000 (Coordinated Universal Time) |
| Media Type | FLAC |
| Media Count | 2 |
| Note | source:
unknown audience recording > cassette/x (Maxell XLII-S tapes) transfer: Nakamichi 600 > Apogee Mini-Me (S/PDIF output) > Edirol R-44 (@24bit/48kHz) > SDHC card > usb 2.0 > pc > Samplitude SE v9.1.1 (fades, level adjustments, track splits, resample to 44.1 kHz, dither to 16 bit) > FLAC v1.2.1 (Level 8) transferred by Rob Adler & Jason Sobel (jasonsobel@gmail.com) seeded April 14, 2009 notes: FLAC tags added with metaflac v1.2.1 Big thanks to Andrew Schultz for sending me his cassette tapes! The original 24 bit / 48 kHz files from the cassette transfer have been archived and are available upon request Each channel was normalized independently for each set (based on peak level in that channel). All cassette flips were cross-faded, Cassette tape flips between: "It's Ice" / "Split Open and Melt" "Wilson" / Reba" "Harry Hood" / "Dog Faced Boy" There was a drop-out during "Axilla (Part II)" on the cassettes used in the transfer. This drop-out is from [02:52] to [02:54], and was let as-is. |
| Source Info | AUD>...>FLAC |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 98521 | 1994-05-10 | Paolo Soleri Amphitheater | Santa Fe | NM | |
| unknown audience recording > cassette/x (Maxell XLII-S tapes); Nakamichi 600 > Apogee Mini-Me > Edirol R-44 (@24bit/48kHz) > Samplitude SE v9.1.1 (fades, level adjustments, track splits, resample to 44.1 kHz, dither to 16 bit) > FLAC v1.2.1 (Level 8); Transferred by Rob Adler & Jason Sobel | |||||
Performance
| Phish 1994-05-10 Paolo Soleri Amphitheater, Santa Fe, NM | |
|---|---|
| Set 1 | Buried Alive > Poor Heart, Sample in a Jar, Divided Sky, Axilla II, It's Ice, Split Open and Melt, If I Could, Cavern |
| Set 2 | Maze, Wilson, Reba, Julius, Scent of a Mule, Harry Hood, Ginseng Sullivan*, Dog Faced Boy*, Nellie Cane*, David Bowie, E: The Squirming Coil |
| Set 3 | |
| Comment | * Acoustic and without mics. |