Identifier8221130
Created AtSat May 23 2009 13:23:24 GMT+0000 (Coordinated Universal Time)
Media Count2
Note2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
Source InfoFOB
Trades Allowed
Source
SHNIDDateVenueCityStateArchive Identifier
843591989-09-15Alpine Valley Music TheatreEast TroyWI
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
Performance
Garcia 1989-09-15 Alpine Valley Music Theatre, East Troy, WI
Set 1How Sweet It Is To Be Loved By You
Stop That Train
Forever Young
Run For The Roses
Like A Road
My Sisters And Brothers
Deal
Set 2The Harder They Come
Mission In The Rain
That's What Love Will Make You Do
Second That Emotion
Waiting For A Miracle
Don't Let Go >
Lonesome And A Long Way From Home
Set 3
CommentJerry Garcia Band, with Clarence Clemons.