Identifier | 8203140 |
Created At | Mon May 04 2009 14:11:58 GMT+0000 (Coordinated Universal Time) |
Source Info | SBD MR > R > R > CD * > EAC > WAV > FLAC |
Trades Allowed |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
93779 | 1975-02-28 | Bob Weir's Studio | Mill Valley | CA | |
flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC |
Performance
Grateful Dead 1975-02-28 Bob Weir's Studio, Mill Valley, CA | |
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Set 1 | distorto (crazy fingers) jam - ends with drum roll
distorto (crazy fingers) jam bouncey jam Weir chording "bouncey jam" while band talks about how to play "...you're playing fours in there, it sounds like, Bobby..." (fade in) studio talk > stronger than dirt jam > talk about chording while keyboard noodling > drum noodling and talk > stronger than dirt jam > studio talking (fade in) "girl from ipanema jam > "...ah ha-ah..." spacey noodling jam more spacey noodling jam "tleother-ish" jam > slow "nfaway-ish" jam > "oh, yeah, i almost had it there..." > "tleother-ish" jam > slow "nfaway-ish" jam > noodling > studio talk & g t; "...can you play that back for us, please?" "shakedown streetish" funky jam > noodling > "hey, dan, turn the snare drum up in my ears, please." > noodling and short jam > tom-tom drum rolls > talk about mics > noodling > "...there's something ringing out here, ned..." > "don't worry about it" > show tune one jam > drum kit rolls and noodling > fast show tune two jam > jgarcia plays slow show tune > "...hey, record every precious moment of this." > jgarcia jam and drum rolls > "...you know what they are? they're slow triplet synchopations,man..." > killer groove jam > studio talk > "jungle music" jam > "...i'm playing threes and you should play a four-four line against that..." > studio talk and noodling > "...and, healy, the name of that tune is pock-a-way..." > "slipknot" noodling > "the music never stopped" jam five or more "the music never stopped" theme jams > "the music never stopped" jam > ""...oh, gawd..." > several yelps |
Set 2 | |
Set 3 | |
Comment |