| Identifier | 7608046 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Reference Number | DAA292 |
| Media Type | CD |
| Media Count | 2 |
| Note | ERIC CLAPTON
Mark Of The Quad Cities Moline, IL. U.S.A. 2007-04-03 This is a very good audience recording from Eric Clapton’s 2007 world tour. Includes Robert Cray's opening set. Recorded By: Bossman Source: Sharp MT877 Minidisc – Soundprofessionals "Audio Technica" Hyper-Cardioid Mics>Audacity>Wave>Magix Audio Cleaning Lab>Flac. Recording Location: Lower Bowl, First Section Next To Stage – Sec. 103 Row 12 The Band: Eric Clapton - guitar, vocals Doyle Bramhall II - guitar Chris Stainton - keyboards Tim Carmon - keyboards Willie Weeks - bass Steve Jordan - drums Michelle John - backing vocals Sharon White - backing vocals Disc One 01. Tell The Truth 02. Key To The Highway 03. Got To Get Better In A Little While 04. Little Wing 05. Why Does Love Got To Be So Sad 06. Driftin’ 07. Outside Woman Blues 08. Nobody Knows You When You’re Down And Out 09. Running On Faith Disc Two 01 Motherless Children 02 Little Queen Of Spades 03 Further On Up The Road 04 Wonderful Tonight 05 Layla 06 Cocaine 07 Crossroads ROBERT CRAY BAND Mark Of The Quad Cities Moline, IL. U.S.A. 2007-04-03 Recorded By: Bossman Source: Sharp MT877 Minidisc – Soundprofessionals "Audio Technica" Hyper-Cardioid Mics>Audacity>Wave>Magix Audio Cleaning Lab>Flac. Recording Location: Lower Bowl, First Section Next To Stage – Sec. 103 Row 12 01. Phone Booth 02. Poor Johnny 03. The Twelve Year Old Boy 04. Bad Influence 05. Twenty 06. Walkin’ |
| Trades Allowed |
Performance
| Eric Clapton 2007-04-03 Mark Of The Quad Cities, Moline, IL | |
|---|---|
| Set 1 | Tell The Truth Key To The Highway Got To Get Better In A Little While Little Wing Why Does Love Got To Be So Sad Driftin’ Outside Woman Blues Nobody Knows You When You’re Down And Out Running On Faith |
| Set 2 | Motherless Children Little Queen Of Spades Further On Up The Road Wonderful Tonight Layla Cocaine Crossroads * |
| Set 3 | |
| Comment | * with Robert Cray |