| Identifier | 7407930 |
| Created At | Mon Oct 08 2007 06:30:08 GMT+0000 (Coordinated Universal Time) |
| Media Type | Flac |
| Media Count | 25 |
| Show Rating | A++ |
| Sound Rating | A++ |
| Note | note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002 |
| Source Info | AudMC > WAV > SHN |
| Microphones | Sony ECM18N mics |
| Microphone Location | right balcony |
| Tech Note | Audio Source Information AUD(shnid=10150) from Audience Devotional Tree Round 10 - June, 2002 AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony note: most songs have the first few notes cut on the master tape. A>D conversion by David Minches (dminches@comcast.net) playback on Nakamichi Dragon through ART DI/O sound card. Final track breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002 Patch with: SBD (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 07-AUG-2007 --------------------------------------------------------- Audio Patching: 1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience. 2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience. 3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience. 4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience. 6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience. 7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience. 9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience. 10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience. 11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better. 12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1. 15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience. 16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources. |
| Trades Allowed | |
| Taper Name | pat lee |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 87143 | 1974-05-21 | Edmundson Pavilion, University Of Washington | Seattle | WA | |
| flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details) | |||||
Performance
| Grateful Dead 1974-05-21 Edmundson Pavilion, University Of Washington, Seattle, WA | |
|---|---|
| Set 1 | Me & My Uncle Brown Eyed Women Beat It On Down The Line Deal Mexicali Blues It Must Have Been The Roses The Race Is On Scarlet Begonias El Paso Row Jimmy Money Money Ship Of Fools Weather Report Suite > Let It Grow > China Doll |
| Set 2 | Playing In The Band U.S. Blues Big River Stella Blue Around & Around Eyes Of The World > Wharf Rat > Sugar Magnolia Encore: Johnny B. Goode |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Donna Jean Godchaux - Vocals |